14 is a cast glass sphere enclosed by frosts with a cylindrical vacuum, holding a low-voltage xenons or LED lamps. It is also responsible for Bocci’s vaulting in the frontline of the lighting market.
Individual clockwork is subtle visually, but gains atmospheric quality if multiplied and grouped into groups-as they are often
16 consists of three layers sequentially pouring of a molten glass “into a horizontal plane in various opacities .” Each layer responds to the preceding shape indeterminately to create a singularly layered whole. Two of the pieces will be fitted with the inner LED light and illuminated. The glass parts are attached to a variety of branches and stalks with a rigid stainless steel frame.
In 1948, Paavo Tynell designed the 1965 Pendant. Like many of his best known designs, this pendant has been designed for the Finland House in New York — one of Finnish design’s most ambitious and successful projects ever.
Tynell created the 1965 Pendant with his remarkable ability to catch and translate a grace and exuberant lightness into his brass works, perfecting the techniques of metal finish. The 1965 Pendant represents the distinguished craftsmanship of the Finnish designer, distinguished by its triangular perforation pattern, an artistic feature used by Tynell in many of his lighting posts. The pendent contributes to a subtle and calm atmosphere with a freezed glass diffuser which softens the light.
Since 1958, this legendary style of Gino Sarfatti has depicted the conventional mid-century chandelier in an ultra-modern manner. Every detail in this modern ceiling light is remarkable, from its mirror-polish finish to the way each bulb is fitted with its own horizontal arm and the grateful wire meander down the stem. Each of the finishing points is exceptional.
28 results in an revolutionary manufacturing process that manages air flow in blown glass both in temperature and direction. The effect is a slightly distorted sphere with a satellite shaped interior environment, including an opaque milk glass diffuser holding a low voltage xenon or a LED lamp. This is used to create infinite combinations, or to hang as a single pendant or as a wall light. Bocci is all about tailor-made systems
28 is the result of an innovative manufacturing process which manipulates the air flow temperature and direction in blown glass. This resulted in a slightly blurred region, including an opaque milk glass diffuser with an internal satellite lamp. It includes an LED lamp. Even available as a pendant, a candlestick or a table lamp.
28s is an illumination fixture mounted on the surface with a mounting plate with a diameter of 3.3 € (83 mm). Please note that the 28s do not directly attach to a junction box and the transformers need to be mounted remotely.
28 is the result of an innovative manufacturing process which manipulates the air flow temperature and direction in blown glass. This resulted in a slightly blurred region, including an opaque milk glass diffuser with an internal satellite lamp. It includes an LED lamp. This style is also given as a pendant, candlestick or wall lamp.
38 pushes to its technological and material limits the production technology originally built for 28. A large glass sphere is blown by several haphazard internal cavities, which in unexpected ways converge and collide. Some of these satellite cavities are large enough to hold soil and succulent or cactus plants, while others have lighting. Every 38 consists of two or three large-scale light elements, which include one or two planters, either a 10-Watt LED light or a 1.8-Watt LED lamp.
38V is a variation of the original 38 series, in which a wide sphere of glass is blown with a host of haphazard inner cavities that cross and clash unpredictably. Smaller, lighter and coaxial cable suspended 38V. The cavities of the interior can be plant filled or left blank.
In the 5321 table lamp, designed by the Finnish artist in 1941, Paavo Tynellâ s inventive take on nature is gracefully echoed. Under the distinctive shell-based shade of brass, the bulb emerges subtly from below: the picturesque detail that resembles the coveted pearl from a seabed and makes the Table Lamp 5321 a perfect illustration of how Tynell marketed the streamlined form of modernism with playful nature and romance. The 5321 table lamp combines a timeless esthetic with a special shape meaning that adds to every modern space an exquisite character. The lamp, both practical and decorative, is a balance between sophistication and curiosity, which provides a subtle and surprising style at once.
57 comes from a production process where air vows are made into a larger mass of dark gray or white opaline glass in different sizes and configurations. The air pockets are invisible if the object is unlit and come alive when 57 are illuminated to reveal an inner universe. Every 57 is entirely special by the method of producing.
73 results in a folding, high heat, ceramic fabric vessel blowing liquid glass. The resulting shape is intuitively connected to a formal and textural expression that is permanent and rigid when it refreshs. To accentuate the piece’s volumetrically perception the resulting volume is placed in a flat LED with diffuse light.
A hot, white-clear glass strata with a copper mesh is inserted into a vacuum, which causes the White Layer to pull off the embedded mesh, leaving a large number of whites ‘ tendrils suspended in an interstitial field. The 76 is manually blown glass pendant which can also be produced as a surface light (wall or ceiling).
A hot, white-clear glass strata with a copper mesh is inserted into a vacuum, which causes the White Layer to pull off the embedded mesh, leaving a large number of whites ‘ tendrils suspended in an interstitial field. The 76 is manually blown glass pendant which can also be produced as a surface light (wall or ceiling).
In a thin copper mesh basket, a white glass moil is captured, and then dipped into a warm clear glass. Air is blown into the matrix and the white glass is gently pushed across the mesh to form a sensitive pillow shape, which is hanging within the thick external layer of clear glass.. The copper mesh folds and shrinkles often adding special characteristics to each piece. External undulations are a natural product of the production process and accentuate the gentle white skin. A light source of low-voltage xenon or LEDs cast a dry coppery color.
In a fine copper mesh jar, a white glass moil is caught and plunged into a wet clear opening. The air is pumped into the matrix and gently forced through the mesh by the white glass, forming a sensitive, pillowed shape, suspended within the thick outer glass layer. Often the copper mesh folds and crinkles the basket, giving each piece additional detail. External undulations are the normal product of the production process and stress the soft white pillow below. A xenon or an LED light source with a low voltage reflecting a warm copper color is inserted into the piece.
Soda water is used to trap air into a super heated matrix of glass that is stretched vertically and folded back to itself several times between the sticks. When the glass cools, the pliable movement along the loop’s grain turns captured air into a microfilament, giving the piece a perlescent visual appearance. At one end the loop reflecting light through the microfilaments and a gentle gradient is placed in a low voltage xenon or LED light source.
A perfect example of how the Finnish artist introduced light to an art form is the 9,464 Wall Lamp designed at the beginning of the 1950s by Paavo Tynell. The smooth, sculpted brass shade gives you the charm of Tynell’s distinctive design, combined with the knotted edges, rendering the wall lamp elegant and admirable in its simplicity. The Wall Lamp 9464 is equally important today as at the first time it was introduced in contemporary interiors and produces a sculptural effect on the wall while also providing a comfortable indirect illumination.
Paavo Tynell designed the 9602 Floor Lamp for Hotel Aulanko in 1938, also known as Chinese Hat dare. The Floor Lamp 9602 reveals the designer’s endless creativity and unprecedented ability to construct designs of permanent beauty with an elegant and airy lampshade and rattan-covered base. The 9602 Floor Lamp is ideally suitable for the production of mild ambient light in the home living room with a playful exuberant appearance on the top, fitted with the more static shape of the foundation.
The A1965 Pendant was an instant success for Paavo Tynell and a lighting system planned to assess its height at the middle of the century, it was opened in the Finland House in NY in 1948. The coated and polished metal structure with a special lifting mechanism lifts and lowers the lamp in various heights, and it purposely has the most distinctive design features. The A1965 Pendant uses light gracefully through frosted glass, preventing glare when lighting the room softly.
Tynell’s attempt to improve lighting stability of the ceiling and combined the benefits of the lamp and the portable lamp was a hanging counterweighted A1965. Paavo Tynell’s s fine design on the A1965 Pendant shows that ordinary light fixtures have now been elevated into practical art and this remarkable style played an important role in developing the esthetics of lighting in the mid-century.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-crafted with a conventional manufacturing. Jaime Hayon founded in 2013. A white, black, platinum or golden pottery base. This wall lamp. The diffuser consists of blown matt opal glass.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-with a conventional manufacturing. Jaime Hayon founded in 2013. A base in white, Platinum, platinum or ceramic is supplied with this surface lamp. The diffuser consists of blown matt opal glass. Either a wall or a ceiling may be connected.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-with a conventional manufacturing. Jaime Hayon founded in 2013. A base in white, black or gold ceramic is formed by this chandelier. The diffusers make of blown matt opal glass.
Two nobel items are combined in the glossy eye-catching range of Aballs: ceramic and glass. All of them are made using traditional handicrafts. The lamp has a revolving dimmer on the base with a polished cubicle handle. Jaime Hayon founded in 2013.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-crafted with a traditional manufacturing. Jaime Hayon founded in 2013. There is a white, black or golden base for this suspension light. The diffuser consists of blown matt opal glass.
“The general concept behind this project is to offer a lamp that can be modified indefinitely to satisfy all the lighting needs. We’ve created a new kind of lamp which is placed in the room, naturally like a plant, with long cables that allow full freedom to change the direction and height of the source of the light. The device is a variant of the industrial lamp shown in Paris in 2010 in the Kreo Gallery. The industrial variant is TO Liane’ lamp. & E. & & E. Bouroullec. Bouroullec. Light fitting suspended. Body with a photo-etched optical polycarbonate in a varnished aluminum pan. Photoetched ABS internal reflector. Body to be guided. Directly powered by the power supply. The cable is 9 meters long and can therefore be suspended from the ceiling by 3 metres. Type of wall plug and dimmer / cable switch.
The Alistair consists of simple geometrical forms, circular foundation, squared frame, cylindrical diffuser, and opal hand-blown glass. This lamp is pure beauty, exquisitely finished in golden and matt graphite. Designed for Parachilna in 2016 by Jordi Veclana. Included dimmer.
The Alistair consists of simple geometrical forms, circular foundation, squared frame, cylindrical diffuser, and opal hand-blown glass. This lamp is pure beauty, exquisitely finished in golden and matt graphite. Designed for Parachilna in 2016 by Jordi Veclana. Included dimmer.
The Alistair consists of simple geometrical forms, circular foundation, squared frame, cylindrical diffuser, and opal hand-glass. This suspension lamp is pure beauty and exquisitely polished into golden and matt graphite. Designed for Parachilna in 2016 by Jordi Veclana. Included dimmer.
The Allegretto series reinterprets the iconic chandelier, suspending its lines in a quite surreal harmony, offering a stunning focal point from which to plan an interior. Suspension lamp with direct, diffused and indirect illumination. The lamp consisting of a chromed metal base, and full aluminum rebar rods coated with epoxy powder. Using small metal rings the rods are bolted onto the shelf.
Suspension lamp with direct, diffused and indirect illumination. The lamp consisting of a chromed metal base, and full aluminum rebar rods coated with epoxy powder. Using small metal rings the rods are bolted onto the shelf.
Suspension lamp with directly and indirectly diffused light. The lamp is made of a chromed metal frame and full aluminum rebar rods lined with epoxy powder. Using small metal rings the rods are fixed to the shelf.
An assortment of lines that produce an elegant, fascinating symphony and carry a new light, which can be found in large private and public spaces, to a hanging, almost magic balance. Elements from aluminium flow and combine to make the lamp bright and smooth.
An assortment of lines that produce an elegant, fascinating symphony and carry a new light, which can be found in large private and public spaces, to a hanging, almost magic balance. Elements from aluminium flow and combine to make the lamp bright and smooth.
An assortment of lines that produce an elegant, fascinating symphony and carry a new light, which can be found in large private and public spaces, to a hanging, almost magic balance. Elements from aluminium flow and combine to make the lamp bright and smooth.
Dynamics and Lightness “in Arabic-this pendant lamp is characterized by Alya. Three slim, light arms remember rather than the material object a movement or drawing in the air. The fluid forms of Alya, in reality, originate from a natural aluminum bend that contain the LED lights and provide it with an extremely delicate look. Is possible with a dimmer.
Ambit is a high-character timeless and flexible pendant. The shade of the lamp consists of old traditional braziers, pressed by hand, polished and then painted by hand. The Ambit pendant is available in five different colors and has an inside white-painted shade, which provides a delicate contrast and guarantees full brightness.
AMBIT is a high-profile and flexible timeless board. The lamps are hand-painted and polished, the shadow of the lamp is from ancient brazier rituals. In five different colors, the AMBIT pendant features a white color inside which provides a delicate contrast and ensures maximum light is released from the LED.
Ambit is a high-character, timeless and flexible pendant. The shade of the lamp is ancient brazier, hand-spun hammer, polished and eventually hand-painted. The Ambit pendant comes in 5 different colors and is colored in white, which provides a slight contrast and ensures that the light is released as much as possible.
A modern interpretation of the quintessential table lamp was created by Stockholm-based TAF Architects, as an extension of the AMBIT sequence. AMBIT RAIL is a well-known but adorable type of tube that shows what looks like a refurbished, modernized candlestick. The AMBIT RAIL offers a minimal but striking look that compliments a wide range of environments. The fluidity of the light was a key focus in the design process. Both joints and cables are covered and the supporting wires are incredibly thin which makes the lamp float in the middle of the air effortlessly.
With silent, modern language and subtle details, the Ambit Wall Lamp is designed. Turn the Ambit Wall Lamp into a revolving arm and head that will provide you with a stylish view of every bedroom, kitchen or hallway. The Ambit Wall Lamp arm can be balanced from the wall bracket around a 120 degree axis. The Ambit Wall lamp’s lamp shadow can be rotated 60 ° from each side so that the user can switch between both direct and indirect illumination.
Floor lamp with the framework of a support frame. The cure for Cataphoresis has been added to Fixture in order to prevent elements exposure. The lampshade consists of synthetic fibres, hand-wrapped polyethylene, in various colours. A frosty polyethylene medium-density globe and UV cover blocks light sources. A waterproof neoprene covering provides protection of the electrical cable, and the connection is direct wire, with no cable or fixture switch. Offered in 3 sizes. Amphora is not a commodity that can be personalized. For surface wiring, it can be firmly connected to the board.
Anisha outlines an empty space, describes it and covers it with its light, creating a magical sensation, like a fluid and enveloping frame, an unusual ellipse which gives a sense of being. The table lamp Anisha, manufactured in ABS, is available in one colour-pure white that combines with space, recognisable presence. It suits a wide range of situations, climates, and uses. With its light spirit and unmistakable presence in the lobby, in a lounge, bedroom or on a desk: both on and off.
Stephen Burks, a designer from the Anwar family, says “Anwar is a sculptural study of kinetic energy in a dynamic power line.” Anwar means simply luminous. There are almost 100 rods in each structure, one by one, welded. This is a handcrafted lamp that resembles one of the popular wicker squares.
There can be a variety of various shapes and finishes to make amazing combinations.
Stephen Burks, a designer from the Anwar family, says “Anwar is a sculptural study of kinetic energy in a dynamic power line.” Anwar means simply luminous. There are almost 100 rods in each structure, one by one, welded. This is a handcrafted lamp that resembles one of the popular wicker squares.
There can be a variety of various shapes and finishes to make amazing combinations.
Stephen Burks, a designer from the Anwar family, says “Anwar is a sculptural study of kinetic energy in a dynamic power line.” Anwar means simply luminous. There are almost 100 rods in each structure, one by one, welded. This is a handcrafted lamp that resembles one of the popular wicker squares.
There can be a variety of various shapes and finishes to make amazing combinations.
Stephen Burks, a designer from the Anwar family, says “Anwar is a sculptural study of kinetic energy in a dynamic power line.” Anwar means simply luminous. There are almost 100 rods in each structure, one by one, welded. This is a handcrafted lamp that resembles one of the popular wicker squares.
There can be a variety of various shapes and finishes to make amazing combinations.
Stephen Burks, a designer from the Anwar family, says “Anwar is a sculptural study of kinetic energy in a dynamic power line.” Anwar means simply luminous. There are almost 100 rods in each structure, one by one, welded. This is a handcrafted lamp that resembles one of the popular wicker squares.
There can be a variety of various shapes and finishes to make amazing combinations.
The concrete lamp provided in three colored finishes celebrating its individuality, mixing different types, ranging from traditional cement gray in its raw condition which adds volume, to a trendy white hue and to warm intense brown. The LED technology now incorporates the textured, modern elegance of the concrete, in a modern version of the Aplomb suspension lamp, for occasional tables, peninsulas and counters. The long life provided by the light source decreases maintenance work, while its special efficiency gives additional value to energy savings and environmental sustainability.
The Aplomb lamp has been extremely popular since its development because of its ability to use rough concrete, common for large modern buildings, in order to produce a light object in sleek, elegant shapes. An elegant and inimitable commodity has been developed by a special concrete process that can be poured into slender moulds. Foscarini proposes an even smaller version of the original Aplomb lamp suspension by using the same material.
Small concrete hanging lamp provided in three colored finishes that reflect its personality, putting together various types, from the conventional cement gray in its raw state, adding dimension to the volumes, to a trendy white color and a warm, intense brown colour. Fit for tables, peninsulas and counters on occasion, either individually or in a group
Aplomb wall lamp is a discovery of the creative potential of rugged concrete rendered fluid in its mould and, thanks to its unique amalgam, exciting to see and touch.
Floor light with direct lighting. Foundation in marble of white Carrara. Telescopic stem of satin finished stainless steel. The aluminum swivel and the height-adjustable reflector are pressed, polished and zapon-lacked. “We thought of a lamp that reflected light upon a table. It already existed, but you needed to walk around it. To provide enough room around the table, you had to be on the base, at least two meters away. That’s how the concept was developed for Arco. We tried to make it commercially viable, so we noticed that curved iron steel angles worked very well.
Diffuse light suspended lighting system. Body made of extruded, black powder-NC machining aluminum, diffuser of optical silicone in platinum. With an electrical and mechanical link system designed for a personalized product setup, every part can be linked to the power pack. Two-lamp roses are available: lamps under 70W power, and lamps under 190W power. Class III Roses are also available for remote power supply systems: the variant for cement installations is recessed for plasterboard ceilings. Class III Roses are also available for remote energy suppliers. The integrated electronics in the rose make the use of dimming systems: move, 1-10, potentiometer, DALI. Under the absence of such devices, the push mechanism used in the rose may be used to set the light flow. Size of cable 2.5 m
Foscarini’s ability, by using cautious, manually polished inside surface and outside borders together with the hand made irregular finish of all outer surfaces and three reliefs that bring rhythm to a piece, reflects Arumi’s ability to transform an industrial object made of aluminum die-into a finely crafted artifact. Arumi is an elegant, interesting paradox that makes it beautiful even though it is not in use. Once activated, the luminous part was designed to be gentle, efficient but also soft with the eyes of the observer to enhance the elegance of the polished inner part. Within a completely transparent cylinder that ends within detail to project the beam onto polished inner walls, the light flow of a dimmbable LED of the most recent century is transmitted.
The lamp B-4 was modelled by Greta M. Grossman in 1945 and has a whimsical theme. The table lamp is distinguished by its colourful and mobile views with its playful angles and geometric features, allowing light to scatter across each table. The lamp can easily fit into virtually any atmosphere, adding a hint of a modern plume in the air.
The model of theB-4 table lamps is more similar to Greta M. Grossman’s most famous architrate, with its style base and alternating colour panels than any other design element in her career. Her houses have traditionally been built high up on stilts with raised decks and glass doors, to enjoy the beautiful views of Southern California-and theB-4 Table Lamp with a sophisticated theme represents her Modernista design concepts.
They say the beauty is within and definitely the B15 selection lives up to that term. A notable way to create a superb light effect is the high-quality extruded glass diffuser. “The durability of the concept and the resistance to trends of a company is important,” said Jordi Veciana, who designed the family exclusively for Parachilna in 2014.
The light is available in two sizes and can be used vertically or horizontally.
They say the beauty is within and definitely the B15 selection lives up to that term. A notable way to create a superb light effect is the high-quality extruded glass diffuser. “The durability of the concept and the resistance to trends of a company is important,” said Jordi Veciana, who designed the family exclusively for Parachilna in 2014.
Babel was the first library ever compiled with all human information. Its spiral shape has built a bright tower of stack cylinders in its illustrations. The Babel family is a series of suspended lights, made of various heights and diameters of aluminum structures. Colors and structures can be randomly mixed to create totem-like characters. Babel was specifically built by Stephen Burks in 2014 for Parachilna Different and specific part configurations are possible. Price’s going to adjust.
Babel was the first library ever compiled with all human information. Its spiral shape has built a bright tower of stack cylinders in its illustrations. The Babel family is a series of suspended lights, made of various heights and diameters of aluminum structures. Colors and structures can be randomly mixed to create totem-like characters. Babel was specifically built by Stephen Burks in 2014 for Parachilna Different and specific part configurations are possible. Price’s going to adjust.
Babel was the first library ever compiled with all human information. Its spiral shape has built a bright tower of stack cylinders in its illustrations. The Babel family is a series of suspended lights, made of various heights and diameters of aluminum structures. Colors and structures can be randomly mixed to create totem-like characters. Babel was specifically built by Stephen Burks in 2014 for Parachilna Different and specific part configurations are possible. Price’s going to adjust.
Behive offers a warm light to which a downward light is applied. The electrical components are hidden by a diffuser panel inside and the light source is free to light downwards. The white light thus takes on a double value: the specific graphic art of the rings is emphasized and the light is centered on a well-defined sphere.
The Bai Family takes the traditional Chinese lantern sophisticatedly, and invokes a feeling of modern industrialism. The old bronze metalllic structure was crafted solely by Neri & Hu for Parachilna in 2014 and consists of blown glass in the black, amber or transparent finishing process. This light is beautiful in any space and comes in one other form, a rail and a pendant light.
The Bai Family takes on the Chinese classical lantern and evokes an elegant sense of industrialism. The aged bronze metallic design, containing blown glass available in brown, amber, or translucent finish, was produced exclusive to Parachilna by Neri & Hu in 2014. This light comes in one other shape, a train version, and a pendant light in every room.
The Bai Family takes the traditional Chinese lantern sophisticatedly, and invokes a feeling of modern industrialism. The old bronze metalllic structure was crafted solely by Neri & Hu for Parachilna in 2014 and consists of blown glass in the black, amber or transparent finishing process. This light is beautiful in any space and comes in one other form, a rail and a pendant light.
The Bai Family takes the traditional Chinese lantern sophisticatedly, and invokes a feeling of modern industrialism. The old bronze metalllic structure was crafted solely by Neri & Hu for Parachilna in 2014 and consists of blown glass in the black, amber or transparent finishing process. This light is beautiful in any space and comes in one other form, a rail and a pendant light.
The Bai Family takes on the Chinese classic lantern and evokes an elegant sense of industrialism. The aged bronze metallic design, containing blown glass available in brown, amber, or translucent finish, was produced exclusive to Parachilna by Neri & Hu in 2014. This light comes with two other kinds, a rail and a wall light, which is lovely in any room.
The Bai Family takes on the Chinese classical lantern and evokes an elegant sense of industrialism. The aged bronze metallic design, containing blown glass available in gray, amber, or translucent finish, was produced exclusive to Parachilna by Neri & Hu in 2014. This light comes with two other kinds, a rail and a wall light, which is lovely in any room.
The Bai Family takes on the Chinese classical lantern and evokes an elegant sense of industrialism. The aged bronze metallic design, containing blown glass available in gray, amber, or translucent finish, was produced exclusive to Parachilna by Neri & Hu in 2014. This light comes with two other kinds, a rail and a wall light, which is lovely in any room.
A set of simple but iconic lamps based on a translucent, almost invisible balloon with a floating reflector that can serve in any setting as a stylish and majestic source of light. The clean look of the transparent balloons highlights the natural beauty of the standard hand-blown glass. A tiny table model and two freestanding versions are included in the range. The scale of the largest balloon shade is the embodiment of outstanding craftsmanship in glassblowing, as it drives the technique to its very edge.
A set of lights no nonsense. The base is cast in rough iron with clay. The shade of brass is ground, rolled and lacquered with a soft satin finish. A gentle, ambient light is provided by the warm hued brass.
A light wall sand set in raw iron and finished with a coat of black powder. The shade of brass is spun, roll and lacquered with a soft satin finish. The hued warm brass offers a gentle, ambient light. The Base Set includes a light floor and a light table.
Beam is a powerful table lamp with a sleek look and simple usability. The consumer is able to pick from three different lights volumes of light emanating from the ends of a cylinder shape and slowly alter a volume of light missing at each end by turning the fun dial. The Beam Lamp can be altered for any location, whether it be direct or ambient light in any home, offices, hotel room or education area, thanks to its rotating base and sleek body made up of anodized aluminium.
In addition to our Stout and Fat pendants, we have designed more architectural lighting for Beat. Beat Waist has a fresh shape and offers more light production.
Such illuminated floor lamps are available in black and polished brass for further enhancements to the famous Beat collection. The Beat Lights are spun and hand-beaten in Northern India by renowned professional Moradabad craftsmen.
A collection of lightings influenced by the subcontinent’s sculptural elegance of brass cooking pots and conventional water vessels. The Beat Lights are spun and hand-beaten in Northern India by renowned professional Moradabad craftsmen.
The Beat Stout is made of solid metal and has a patina black, glossy white, polished brass or matt gray external surface, as opposed to its soft, golden or silver interior (only for blue). The Beat Light can also be used to make a dramatic statement in several different configurations. Use one or more shapes and one of our round or linear pendant systems, hang them independently or as a group.
The Beat Tall is made of solid brass and has a patina black, glossy white, polished brass or matt gray outer surface, in comparison to its soft, golden or silver interior (only for the gray version). The Beat Light could be used to make a dramatic statement in several different configurations. Use one or more shapes and one of our round or linear pendant systems, hang them individually or as a group.
Compared to its soft, golden or silver (only with gray) interior, the Beat Wide is made of solid brass and has a patina black, white, brass or gray external surface. The Beat Light can be used to make a dramatic statement in several various configurations. Use one or more shapes and one of our round or linear pendant systems, hang them individually or as a group.
A variation on the popular basic Beat Light, this table standing version can be modified to direct the beam of light on a slender articulated arm. Solid brass part and iron sand cast bases give any interior an iconic footprint. Provided in black and as light to the surface.
The Beat lights collection of Tom Dixon is a worldwide tradition of expressive minimalism and is known in homes, restaurants and hotels. New addition to the beloved family Beat, influenced by the sculptural beauty of Indian traditional watersheds. Made of spun brass and made from a solid brass dimming dial, the Beat Wall light integrates the familiar hand beaten shade.
Behive offers a warm light to which a downward light is applied. The electrical components are hidden by a diffuser panel inside and the light source is free to light downwards. The white light thus takes on a double value: the specific graphic art of the rings is emphasized and the light is centered on a well-defined sphere.
A white table light with a circular base available in opaque ABS and the upper polycarbonate diffuser. Its volume is the product of various diameters of the overlaid rings. The warm, enveloping light is reflected on the surface on which it rests and diffuses upwards
Bell is a reductionist exercise, its smooth surface representing its surrounding characteristics and colours. The floor lamps have a balanced base which provides added stability.
Crash and Bell are two lamps motivated by stringed instruments which are separate but interchangeable. Crash looks like a cymbal while Bell looks just like its title implies. Both are available in bronze or aluminum colors and are given a small condensed grooves surface treatment. Both use the same multi-faceted blown glass item resembling vintage glassware which projects beams of fragmented light on the metal surface of the diffuser while at the same time leaving the naked bulb in full view in a clear reference to the industrial world. As a twosome or in groups on their own, it’s this double-light effect that gives Crash & Bell its strong and unique effects.
Bell is a reductionist exercise, its reflective surface representing its surrounding characteristics and colours. The table lamps have a built-in, smooth darker and a weighted foundation for added stability.
Bell table illumination “shallow ” in black gloss fetishistic. Bell is fitted with a built-in smooth dimmer, with a weighted base for added stabilité, and is popular with traditional Japanese lacquer or interior designs in the Bauhaus area.
The Bellevue Lamp is caught in its reality–in a lovely plug-in table lamb, available in two models, with and without the turn, in memory of Arne Jacobezsen’s legendary Bellevue architectural designs. This is the emblem of elegance and simplicity, with its signature swan neck with 45 degrees of shadow, a curve profile that lures you closer to the other. Search for a fresh mix of intriguing new colors and materials. Part of & Tradition’s want this symbol alive for decades to follow in their hearts and minds.
The Bellevue Lamp is shown with all its accuracy in tribute to Arne Jacobsenâ s iconic architecture projects Bellevue, in a lovely plug-in table lamp that can be used in two models, with and without a turn. It is a beauty-simple epitome in a curvastic silhouette, featuring a distinctive swan neck, and a 45-degree shadow. Look out for an interesting modern fusion of new colors and materials. Part of s want to keep the symbol alive in the hearts and minds of future generations.
The Bellevue lamp reflects the simplicity of the Modernist Movement and the Bauhaus functionalism of the Danish architect and designer Arne Jacobsen. Jacobsen’s preference for sleek lines and plain organic forms can be readily identified in the Bellevue Lamp as the guiding force behind Danish Modernism. The famous lamp will restart in three styles: the floor lamp, the three desk-lights and a wall-light, the original Bellevue form of the lamp. New colors and a mix of materials increase their appeal in a contemporary environment.
The Bellevue lamp reflects the aesthetics of the Modernist movement as a product of the practicality of Bauhaus by Danish architect and designer Arne Jacobsen. Jacobsen’s preference for sleek lines and plain organic forms can be readily identified in the Bellevue Lamp as the guiding force behind Danish Modernism. The famous light is re-inauguratedby three styles: the floor lamp, three desk light and the wall lamp in its original Bellevue form.
The Bellevue Lamp is the embodiment of the minimumism of the modernist movement and the versatility of the Bauhaus movement by the Danish architect and designer Arne Jacobsen. Jacobsen’s preference for sleek lines and plain organic forms can be readily identified in the Bellevue Lamp as the guiding force behind Danish Modernism. The famous lamp is restarted in three styles: floor light, desk light and wall lamp, with its original Bellevue form restored. New colors and mixtures of materials improve their appeal in a contemporary setting: sated bronze, black and silver, anthracite with straps and ivory or gray beige models with bronze.
Rechargeable direct light table lighting device. Base and dome in coloured PC. Diffuser in Opaline injection moulded photo-engraved PC. 24-hours’ autonomy, charging via Micro-USB-C. Push-button switch positioned on the base provides the 4-step dimmer function. Battery status indicator positioned under the base. USB-C charging cable included, useful length 120cm. USB battery charging on plug with interchangeable plugs.
The Bouroullec brothers designed a technical lighting line that has been covered in a thin leather cover to achieve a sinuous line without interruptions. It is the perfect balance between the soft leather and the hard aluminium that keeps its shape.
Bestlite has been producing continuously since 1930. Between its other famous users Winston Churchill is counted. The Bestlite design was developed by Robert Dudley Best, who was strongly inspired by the Bauhaus. Bauhaus was a school in Germany that combined functional crafts with the fine arts and was famous for the philosophy of design that it published and taught. Bauhaus had a profound impact on subsequent fashion, architecture, graphic design, interior design, and industrial design trends and Bauhaus style was one of the most influential forces behind modernist architecture and modern design.
Bestlite has been producing continuously since 1930. Among its other famous users Winston Churchill is counted. The Bestlite design was developed by Robert Dudley Best, who was strongly inspired by the Bauhaus. Bauhaus was a school in Germany that combined functional crafts with the fine arts and was known for the philosophy of design that it published and taught. Realeased as a form of Table Illumination.
Bestlite has been producing continuously since 1930. Between its other famous users Winston Churchill is counted. The Bestlite style was developed by Robert Dudley Best, who was strongly inspired by the Bauhaus. Bauhaus was a school in Germany that combined functional crafts with the fine arts and became famous for the philosophy of style that it published and taught. Realeased as a floor light with the original shade as sketched by the Architect and defined by.
