Designed by Greta M. Grossman in 1952, but called the 62 Desk ten years earlier than that. The 62 desk looks usually light in weight and appears to defy gravity with its odd asymmetrical line and slim metal legs, a characteristic of its creator and balance on tiny woot feet.
The elegant combination of materials highlights its exceptional form. The desk has a deep, black and full glass finish in American Walnut, on the top of the table and on the doorway to the customer. A left cabinet with 2 low drawers and a top drawer is accessible at the desk.
Designed by Greta M. Grossman in 1952, but named the 62 Dresser ten years earlier. The drawer shows a designerâ s propensity for excellent forms and rare material pairing.
The elegant metal legs with ball-shaped feet, a traditional characteristic of Grossman, contrast the sharp rectangular form of luxury American Walnut, giving the furnishings an unrivaled and almost gravitational look. The drawer has a dark, black full glass finish on top of the table and tiny solid wooden spheres in addition to its beauty.
Designed by Greta M. Grossman in 1952, it was named the 62 Dresser ten years earlier than it was. The drawer shows the desserts for excellent shapes and rare blends of materials.
The slender metal legs with ball-shaped feet, a traditional Grossman design, contrast the sharp rectangular form in the luxury American walnut, which gives the furnitural look a light look, almost defying gravity. The drawer has a deep, black total glossy finish on the top of the counter, and a small wooden solid bottom with elegance.
Designed in 1952 by Greta M. Grossman, but named the 62 Dresser as it was deemed to be ten years ahead of its time. The drawer illustrates the designer™s penchant for exceptional shapes and unusual pairing of materials.
The slender metal legs with ball shaped feet, a characteristic trait of Grossman, contrasts the sharp rectangular shape in luxurious American walnut, giving the furniture a characteristic appearance of lightness and almost seeming to defy gravity. Adding to its elegancy, the drawer is provided with a deep, black full gloss finish on table top and small solid wooden spheres.
The architecture of the 70/70 table is minimalist with an excellent profile of a light voice. A closer look at the table provides a detailed description of its unique character. With fine details in the splay-layered table and form of the angular frame, the almost reduced style is balanced. 70/70 is available in three sizes and is suitable for home, office or any other public setting..
About a table share the series ‘ overall flexibility and the vocabulary of the rest of the family. The table has a powder-colored frame like most chairs in the series have and its light expressions are provided by the organic curves and foot which raise the table out of the floor. Round and rectangular tables are available. The round tabletop lies on a centered base, while the rectangular version features legs on both ends and a cross bar design which creates graphic and structural harmony. A table in two highs and a variety of measurements is available that helps you to build a custom solution to fit your requirements.
About a table reflects the show ‘ overall flexibility, and uses the same language as the rest of the family. The table has a powder-colored frame like most chairs in the series have and its light expressions are provided by the organic curves and foot which raise the table out of the floor. Round and rectangular tables are available. The round tabletop lies on a centered base, while the rectangular version features legs on both ends and a cross bar design which creates graphic and structural harmony. A table in two highs and a variety of measurements is available that helps you to build a custom solution to fit your requirements.
About a Table is the same as the rest of the family and shares the generic simplicity of this sequence. The table is made with the same powdered frame as most chairs in the show, while its light expression is provided by organic curve and feet, which lift the table off its floor. Tables with round tablets or rectangular tablets are available. The round tabletop is centered on a center frame, while the rectangular version features legs at either end and a bar-cross arrangement that provides graphic and structural harmony. Two heights and a wide range of dimensions are available on a table that allow you to construct a single solution that fits your needs.
The Adnet coffee table was originally developed by Jacques Adnet (1901-1981) from the Modernist French era of 1950’s. Adnet was forever ahead of new trends and was renowned for its avant-garde style and unique leather, metal and glass combinations. The legendary Adnet Coffee Table reflects everything that the French architect and interior decorator stands for, merging his Art Deco style beautifully with his deep commitment to functionalism.
The round glass top has a hand-made leather ripe and is decorated with three gold-made brass rings, set on three smooth, curved, elegant legs that meet in the center of the table. The Adnet Coffee Table’s timeless architecture blends innovative fabrics and excellent craftsmanship and gives every home or professional room its distinctive importance.
The concept behind AIRY was to make a café that didn’t scream but didn’t hate talking. The result is a collection of tables that manages the delicate balance of being light and airy while being personally and individually rich. This combination makes Airy multifunctional and makes the side tables ideal for all kinds of interiors.
Paul Leroy finds his motivation at the Aoyama table, a district in Tokyo known for its fashion stores, restaurants and fascinating shops. This piece is, therefore, Danish-French with a Japanese hint of style. The almost transparent base column, made of laser cut steel plate, strengthens the round table top and gives the table its visual lightness and characteristics. The Aoyama Table is a plain, compact, multifunctional design, which can be used either alone or together with additional tables.
Where Danish-French architect and designer Paul Leroy finds his motivation for the Aoyama table is a district in Tokyo known for its fashion houses, restaurants and interesting shops. This piece is accordingly Danish-French by nature with a touch of Japanese theme. The almost transparent base column in laser-cut steel plate supports the round table top, giving the table its visual lightness and characteristic traits. The Aoyama Table is a plain, compact, multifunctional design that can be used either alone or in conjunction with other tables.
AROUND is a series of coffee tables created with a modern and unique identity by Thomas Bentzen, created using materials and craftsmanship that represent traditional Scandinavian design values. The tables ‘ shape and frame make them both practical and elegant, with a warm and inviting look. AROUND tables perform well on their own or in groups of two, three or more. With two sizes and more than eight various finishes, the individual home or public setting can be adjusted to any number of specific set-ups.
The purpose of the design was to bring the table down to its archetypal shape. BASE’s practical simplicity is backed up by back-the-scenes technology to build a compact, lightweight, and solid table. Simultaneously time, BASE is cool and engaging in its way of appearing. The effect is a flexible metal frame table that can be used either as a meeting table or simply as a dining room table.
Base High Tables offers the classic Scandinavian style with a modern perspective through their aluminum frame and scaled-down proportions. The design reverberates to the essence of a table that provides a light and simple expression in every space, and acts as an ideal hot desk, bar or counter.
A number of variations are available on the traditional bistro-table in the elegant Belleville table by Ronan and Erwan Bouroullec. The smaller bistro tables are available in various types, with round or square tops and are ideal for both indoor and outdoor use. The Belleville Table also comes in different widths and lengths with a rectangular rim.
During Belleville Table creation, Ronan and Erwan Bouroullec have specified two versions in varying dimensions and materials for specific use as private dining tables. The Belleville Table has a distinctive aura of elegance with table tops made of natural or dark oak smoked in the wood or American walnut. The table family also contains other variants which, based on the choice of materials, are suitable for indoor and outdoor use.
Alongside the Soft Shell Chair, the Bistro Tables were developed and feature the same star foundation. The table can be paired with several different styles of seats, due to its discreet design. Also suited for outdoor use is the table edition featuring a table top constructed from solid-core material.
Shane Schneck™s Bowler table is a lightweight side table, suitable for small spaces. Bowler table. The single tube reaches upwards, which also acts as a handle, provides a given profile. The stem, stem and tile are made of powdered steel with a solid base of granite which offers stability but remains light enough to move around. Bowler is packed flat and easy to assemble and suitable for all types of home and business environments.
The Cloud range includes a sofa and a pouf for one, two and three seats, both of which combine a solid and defined weight-bearing structure with cushions and pillows to ensure maximum comfort. Cloud welcomes you in a welcoming environment while maintaining an elegant and streamlined exterior profile. The base feature of the cloud is no-sag springs and the pillows are made with a mixture of HR foam and feathers, offering utmost comfort. Its supporting structure – the back-and armrest section and base – is made of bend plywood, while its frame and legs are made of powder-coated steel, which is designed to suit upholstery colours.
English designer John Astbury has experimented more than one shelf with lengths, surfaces and materials “however, in a limited sense, didn’t appear to be added. The result? Two different shapes and different finishes. The long shelf is a gentle rectangle and the best companion is its little sister. Pair them at various heights and settings or position them on their own as a side table or in-store show. Enjoy waxed aluminium option for both the rack and supporting columns and black anodised aluminium for the oiled walnut shelf.
English designer John Astbury has experimented more than one shelf with lengths, surfaces and materials “however, in a limited sense, didn’t appear to be added. The result? Two different shapes and different finishes. The long shelf is a gentle rectangle and the best companion is its little sister. Pair them at various heights and settings or position them on their own as a side table or in-store show. Enjoy waxed aluminum option for both the rack and supporting columns and black anodised aluminum for the oiled walnut shelf.
Around 1950 Jean Prouvi designed many variants of the Compas table, based the concept on the structural concepts he is known for. The slim, elegantly splayed legs are typical to all of them, bringing to mind the hinged arms of a compass le compas’ in French. Compas Direction is provided an individual touch by the oiled solid wood table top. The Desk is suitable for the contemporary, mostly paperless home office with its compact dimensions.
The organic shapes and lightness of touch of Mathieu Mategot offer a sense of joy and his groundbreaking and creative techniques contributed to unique aesthetics and, in particular, contemporary design. Today, the style is as well fitted as when originally created, and his iconic designs include the Nagasaki Chair & Stool, The Dedal Bench, the Kangourou Table, The Mategot Coatrack & Trolley, The Demon Bench System, The Copacabana Chair and Table and are timeless as well as a classic. The original Mategot style is also present.
Trying to share the same angled legs feature as the rest of the Bouroullec brothers’ Copenhagen collection, the CPH 20 table features a round tabletop softening the engineered expression. Similarly suitable for informal gatherings and wider, café-like settings, this flexible table is capable of blending into both private residences and public areas. The tables come in a range of heights and sizes, and are accessible in veneer, laminate or linoleum aged, soap-finished and lacquered oak with tabletops.
In this edition, a little easier than the smaller and more narrative edition CPH90 is the Copenhagen Desk. The legs are invariant, with a larger table and a versatile feature. This makes it more flexible and able to be a bed, dining table « or both. Copenhagen Bed CPH10
We have tried to develop a collection of educational furniture that has a simple dating in form and identity in our age, and with it’s powerful way to reveal a university’s current functional needs. This was our desire, too, to separate ourselves from the very institutional term.
The Copenhagen set tables are in fact minimalist, with simple functional qualities and an artistic language that hits the mark. The tables are available in polished, soap-finished and lacquered oak with veneer or linoleum tabletops in a subtle and elegant palette of colours. Equally good for informal gatherings and broader, cafi-like settings is the round table. The Copenhagen series reveals its versatility here, with its ability to blend into private homes and larger interiors.
The Cork Family is the three little friends, strongly built, strong, person in character and lovable in appearance. The three separate brothers profit from the beneficial properties of the natural element, whether as side-tables or as stools: cork. It is fairly thin, extremely strong and has a good soft feel.
The Copenhagen Deux series of the Bouroullex brothers is a multifaceted array of tables and benches specifically built for compact areas. The range comprises restaurants, coffee tables and benches in a number of styles and sizes, each bearing the same luminous, unequaled profile. The top of the table consists of a new nanotechnology based laminate which gives an ultra-matt surface a smooth, easy to clean, anti-fingerprint contact. Ideal for offices, homes and cafés and close on the ground everywhere.
The idea behind the side table known as DLM (Don’t Leave Me), with its handle on top, is obvious to bring me along! A tray with legs and handle that helps you to carry your table and coffee cup to your comfy chair or bedside table anywhere as you walk around the house. The table is an alternative to the conventional, often huge, heavy and motionless coffee tables. This is a nice, modern-day table.
The nesting cluster of eclipse tables was influenced by the organic forms found in nature. Eclipse consists of four tables of various shapes, varying sizes and heights. The smaller plates, much like a natural eclipse, can be hidden under the larger ones and completely vanish. The table types complement one another, and they can be combined to create free flowing variations that are private and ever-changing. A modern definition of conventional nesting tables is the eclipse tables. Eclipse’s essence is the organic nature of the table forms, as well as the many physical combinations that can be made.
Depping & Jérgensen, based on a basic layering concept, have developed an infertile and multipurpose family of racks and surfaces using aluminum leg cast modules in various dimensions with powdered MDF squares, triangular or rectangular plates. Registration systems and tables are available in different colors, heights and types and can be used in a wide variety of private and public environments.
Prouvi designed the EM Table for the Maison Tropique project at the beginning of the 1950s. The table follows the aesthetic appeal of necessity with every single detail regulated by its construction. It shows the vectors of force and the static relations in a manner usually only common in civil engineering works.
The Enfold Sideboard is the place of the technical elements of the factories. Combining cold and warm materials with the Enfold sideboard, made from lacquered stain that folds both top and back in solid oak. The design is in two sizes; one vertical and one wafer; the horizontal one has two regiments which are placed on five different levels, while the vertical one has one regiments that can be situated on three different levels. The horizontal one has two different levels.
The Enfold Sideboard takes the industrial features of factories home. The Enfold sideboard is made of lacquered steel, which gently wraps up the top and the bottom into solid oak, mixed cold and warm materials for a special look. The concept comes in two dimensions: one vertical, one horizontal and both with adjustable regiments, two horizontal regiments which are available across five levels and one vertical one, which is positioned over three levels. the horizontal one has a single regiments.
GamFratesi designed the GUBI Epic Dining Table as a piece of sculpture influenced by Greek columns and roman architecture, named after ancient epic poems.
Built from travertine stele in Italy, the monolithic style underline the stone’s materiality, its vein’s natural beauty and its unparalleled patina’s vivid texture, in which every application reveals a new dimension.
Originally a dramatic and sculptural take on a classic British style, Fan is available as a high back chair, restaurant chair, stool and table. The stools and chairs are fitted with a black leather seat cover, while the chairs have a curved back, which provides support and comfort. Available in table tops of Black Birch or Natural Oak, and Black Oak, Fumed Oak, Red Oak, Yellow Birch, White and Green Marble.
Mainly a dramatic and sculptural take on a classic British style, Fan is offered as a high back chair, restaurant chair, stool and table. The stools and chairs are fitted with a black leather seat cover, while the chairs have a curved back, which provides support and comfort. Available in table tops of Black Birch or Natural Oak, and Black Oak, Fumed Oak, Natural Oak, White Birch, White and Green Marble.
The Space Copenhagen Fly Series is a series of lounges consisting of two sofas, an armchair, two tables and a pouf. Advancing the lounging concept to its utmost, Fly is a sequence that allows the user to sit down, lay down, rest and relax. Unlike many of Scandinavian design history’s sofas and easy chairs, Fly doesn’t place any specific stance on the sitter.
The GUBI 2.0 table by GUBI consists of the best materials that contribute to its uniqueness. The table celebrates the genuine way to put people together in its circular or elliptical shape and offers an informal connection whether it be for suppers, meetings or relaxed socialization.
The GUBI design team has developed the features and concepts of the circle for the GUBI 2.0 table. It is placed on a circular plate with one or two circular bases and ends with a rounded table top. This table series, with its clean lines and clear details, though durable and exclusive materials, offers fresh and specific uses and style opportunities combined with the whole GUBI range of new modern classics.
Komplot Concept is planned for GUBI Dining Table in 2013. The GUBI Restaurant Table is a beautiful match with the emblematic GUBI 3D chair as it has the same style and esthetics as the traditional veneer table on the round and organic table. But, due to its sleek and classic style, Komplot’s warm wooden table most definitely compliments any chair.
Komplot Concept is planned for GUBI Dining Table in 2013. The GUBI Restaurant Table is a beautiful match with the emblematic GUBI 3D chair as it has the same style and esthetics as the traditional veneer table on the round and organic table. But, due to its sleek and classic style, Komplot’s warm wooden table most definitely compliments any chair.
Komplot Design designed GUBI Dining Table in 2013. The GUBI dining table is an iconic pair with the GUBI 3D chair, as this round organic table is much like the traditional veneer chair, with a similar design language and aesthetics. Nonetheless, because of its elegant and classic expression Komplot’s warm and wooden table would most probably complement any chair.
Jean Prouvi turned his focus gradually towards wood as a resource in the earlier 1940s. Throughout the case of the coffee table Guiridon Bas a robust top is set on three strong oak feet. In a folded sheet metal structure the elements are linked to each other. This re-edition is also available in impregnated dark oak and refers to a tropical wood variant of the period named Table Africaine.
The technological elegance and healthy balance between esthetics and functionality were successfully identified by Halves. Halves The table is made of an acrylic composite in stones, making it the symbol for MSDS, a constant and open board. The group based in Canada catches the spirit of northern architecture cleverly. The smooth joints help to create a symmetric structure, while the half distinctive rounded edges display precision. The table can be transformed simply by placing it in various angles on the second floors. This allows a dynamic but uncompromising profile to be highlighted. Both works in a private and public setting, as well as a couch, as a bedside table, or a separate surface.
Samuel Wilkinson’s Hoof table was mainly inspired by feet sharpened at the ends which create striking yet functional images. The term hoof comes from the defensive portion of ungulate animals ‘ feet. Unlike other tables, the leg ends of Hoof are kept in natural wood so that the paint can not be tamed or knocked during cleaning. By reversing the normal production cycle, the foot details are produced. The majority of furniture with a painted portion and a natural component is mounted, masked and painted initially. Hoof is first painted and then removed to expose the natural straw.
Samuel Wilkinson’s Hoof table was mainly inspired by feet sharpened at the ends which create striking yet functional images. The term hoof comes from the defensive portion of ungulate animals ‘ feet. Unlike other tables, the leg ends of Hoof are kept in natural wood so that the paint can not be tamed or knocked during cleaning. By reversing the normal production cycle, the foot details are produced. The majority of furniture with a painted portion and a natural component is mounted, masked and painted initially. Hoof is first painted and then removed to expose the natural straw.
Looking within the larger In Between series, these three lounge tables carefully echo a lot of aspects of the In Between chair. Their legs all splay outward and come in two different heights. They are available in three finishes: white oiled oak, smoked oiled oak and black lacquered oak.
The In Between chair was the first chair to be introduced to the furniture stable & tradition and Kallio reinterpreted several elements of the chair when designing the table. For starters, the curvature of the circular table reminds one of the negative space of the back rest of the chair. The angles of the legs of the table also represent the corners of the chair legs. The legs of the table were created using wood turning technique, conventional wood-shaping technique.
The chair In Between was the first chair to be added to the furniture stable, and Kallio interpreted some aspects of the chair again during the table’s development. For example, the curvature of the circular table recalls the negative space in the form of the chair’s backrest. Similarly, the corners of the legs match the corners of the legs in the chair. The legs of the table were created using woodturning, a common process utilizing wood-forming timbers.
The In Between chair was the first chair to be introduced to the furniture stable & tradition and Kallio reinterpreted several elements of the chair when designing the table. For starters, the curvature of the circular table reminds one of the negative space of the back rest of the chair. The angles of the legs of the table also represent the corners of the chair legs. The legs of the table were created using wood turning technique, conventional wood-shaping technique.
The In Between chair was the first chair to be introduced to the furniture stable & tradition and Kallio reinterpreted several elements of the chair when designing the table. For starters, the curvature of the circular table reminds one of the negative space of the back rest of the chair. The angles of the legs of the table also represent the corners of the chair legs. The legs of the table were created using wood turning technique, conventional wood-shaping technique.
At first glance, Lato looks like a sculpture with an oval-shaped base, with its tall, oval or round tables. A simplicity of form is stunning, graphic and poetic, showing that the plain is elaborate. The original impetus for Lato was first backslidden by the concept of the lollipop. Most people know from childhood a traditional form of a candy. But how do you make a table with lollipop? “I was surrounded by creativity on an island like Murano,” Nichetto explains. The artisans, who I saw transform the abstract concepts in concrete reality, have immense knowledge and love of materials. with Lato, I decided to keep the simplicity and standardize it into a timeless side table in a design that could easily be the subject of attention.’s appreciate this amazing example of a side table sculpture that’s and vice versa.
The wood table of Lau is Jesus Gasca’s is one of his delicate designs. The table Lau was designed to fit with the chair of Laclasica. This table design is unique because of its details: a slight inclination of the legs and a smooth and curved relation to the top of the table. This is why this table is unique in that legs and top float fluidly. The laau table has a circular or rectangular ceiling and is available also as the console in four colours.
The wood table of Lau is Jesus Gasca’s is one of his delicate designs. The table Lau was designed to fit with the chair of Laclasica. This table design is unique because of its details: a slight inclination of the legs and a smooth and curved relation to the top of the table. This is why this table is unique in that legs and top float fluidly. The laau table has a circular or rectangular ceiling and is available also as the console in four colours.
This new model was designed by Jesus Gasca, the creator of STUA: Lau, a wooden table with the intention of being a permanent design. The singularity of this design stems from its specifics: a slight indentation of the legs with a smooth & curved relation to the top of the table. Therefore, this table is special where legs and top stream in a fluid manner. In rectangle version now available.
The Leather Side Tables have a high-quality, durable split leather covering. The leather coverings, which are precisely made with decorative edges, give these side tables a rich, warm look and a friendly touch feel. The visual value of these sophisticated tables lies in the contrast between the flat, planar table tops and the plinth-like volumetric bases. The Leather Side Tables are available in nero or chocolate colors and in small or medium sizes, with cover.
With its intriguing, asymmetrical profile, the Level Side Table presents a modern expression based on a solitary geometric form: its frame a single, continual line. With two levels that offer ample surface space, the table is ideal for extra storage. The side table is crafted from powder-coated steel and can be used both indoors and out.
With the modern shaped language and understated details for long-lasting expression, the linear wood table offers a simple and elegant perspective on woody furniture. The Linear Wood Table is physically clean for long-lasting esthetics, with subtle details and a clear expression, it seeks distinctive character.
An ash strip is dampened, spread and subsequently molded into a double hook shape. Inlay recessed fixing brackets on the side of the strip facing the wall. Powerful, an item made everyday for both jackets, bags and hats. This incorporates formal serenity and a basic sense of utility.
Designed to order.
Massive heavyweight, metallic pieces, minimalism. Mass is positive, with real presence and immediately recognisable dynamic minimalism over scaled furniture. Material will grow a natural patina over its surface, as it takes on the marks of time, ensuring that each piece will age like a cherished bronze statue.
The natural styles and lightness of touch of Mathieu Mategot produce a feeling of joy and the creative and revolutionary techniques he employed resulted in special designs and, above all, modern design. Currently, the designs of Mategot are just as good for the task as they were initially created, and the iconic designs are both timeless and classic. Gubi’s initial Mategot product range includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System, and Chair and Table Copacabana.
Mathieu Mategot’s organic shapes and lightness create a sense of satisfaction and his innovative and groundbreaking methods lead to a specific esthetic and, in a special way, contemporary designs. At present, the Mategot designs are as perfect for the job as they were initially designed as both modern and classic iconic designs. Gubi’s initial product range includes The Mategot Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and The Chair & Table Copacabana.
The Metal Side Tables belong to the group of furniture that is not at the center of interest, but is important for completing an interior. They serve a number of precious purposes as small, and very unobtrusive side tables. The thin table tops and the plinth-like bases voluminous shapes create an attractive contrast.
For various purposes, a table is where different people come together. Meet and talk about a topic. To accept, disagree or only laugh and have shared fun in company s. It’s the vision for merging individuals, concepts and elements that is at the heart of Mezcla–an innovative blend of different materials that is a Spanish designer Jaime Hayon table concept.
The Spanish term is Mezcla,— Hayon states — mixture explicitly to Mezcla. It captures for me the very essence of people and dynamic design elements-in a collection of tables that could meet and greet objects, shapes and colors, so to speak.
For various purposes, a table is where different people come together. Meet and talk about a topic. To accept, disagree or only laugh and have shared fun in company s. It’s the vision for merging individuals, concepts and elements that is at the heart of Mezcla–an innovative blend of different materials that is a Spanish designer Jaime Hayon table concept.
The Spanish term is Mezcla,— Hayon states — mixture explicitly to Mezcla. It captures for me the very essence of people and dynamic design elements-in a collection of tables that could meet and greet objects, shapes and colors, so to speak.
Jaime Hayon’s outdoor table. Material: steel tube frame, polyester powder painted or catered for cataphoresis. Joint aluminum die-cast coated in polyester powder. HPP, natural veneered oak, Carrara, Marquina, or Emperador marble. Top in various finishes. Table in various sizes available.
A harmonious marriage of natural materials and contrasting finishes, our Mineral Coffee Table showcases the intrinsic beauty of stone and glass. The smooth, rectangular glass top is placed on a base of two stone blocks – each with one end of which is left unfinished for a raw, textural look.
The Danish word for presence, Naervaer, is the idea that invites you to be present at the heart of this simple table by Norm Architects. Whether it’s a chat or an intimate meal, there’s all you’re looking for personally and right now. Interestingly, Naervaer architecture is as basic as that it doesn’t enforce its own space presence. Naervaer promulgated comprising a powder-coated, circular stainless steel base and cylindrical stem that houses a round or square laminate tabletop. Don’t overlook the oak veneer along the top of the table, a detail that could easily get into a corner or a crowded space. You can concentrate on the space and the people who fill it.
The Neu table is HAY’s current collection’s newest addition. A round or square top with tapered central pole and angled 4-star pedestal base is given with the basic design. Made outdoors with powdered steel or aluminum, it has a multi-faceted consistency that is ideal for indoor and outside use, providing higher longevity and resilience. It has a sleek, understated expression due to its uncut lines that makes it a common choice for public spaces like cafés, offices and private areas such as gardens and balconies.
The Neu table is HAY’s current collection’s newest addition. A round or square top with tapered central pole and angled 4-star pedestal base is given with the basic design. Made outdoors with powdered steel or aluminum, it has a multi-faceted consistency that is ideal for indoor and outside use, providing higher longevity and resilience. It has a sleek, understated expression due to its uncut lines that makes it a common choice for public spaces like cafés, offices and private areas such as gardens and balconies.
Isamu Noguchi has turned the biomorphic esthetics of his sculptures into a piece of furnishing with characteristic organic shapes when he designed the coffee table. Noguchi possibly saw the table as his best furniture design for this purpose. Two stylish wooden legs, available in black ash, clove or walnut. It is positioned at a appropriate angle to give the heavy glass top stability and support.
The Dining Table at Noguchi is one of the most elegant dining tables constructed in the 20th century. A variant on the Rocking Stool concept by Noguchi, the table resembles the central supporting base made of chromed rods by this latter. The ring-shaped cast iron foundation provides weighty support with a light aesthetic. Vitra Design Museum collection.
Two types are combined in each palette design: an elongated beanshape with a simple round form. Both incorporate a great mix of shelters in three different configurations. Select from polished marble Nero Marquina or BiancoCarrara tile, polished satin brass or a gray-green stained-ash veneer for the tabletops, in black redor. The foundation is made of sold and polished steel tubes and gives this collage of contrasts a contemporary touch.
The ability to relax and enjoy the company of others is implied in the idea of lounging. With Jaime Hayon’s large lounge edition of the Palette table, we’ve has increased your chances for interesting exchanges and experiences. With a multi-tiered table where various forms, sizes, colors and textures combine. In this convincing collage of textures, beauty is everywhere. Start with the choice of walnut or black ash along with black marble and brass polished with satin. The effect is understated and subtle, combining wood’s warmth with marble’s patterned surface in contrast to the satin-polished brass’s silky effect.
Two types, sizes and materials combine to create a cozy enclave with the Palette side table by Jaime Hayon. The Palette side table creates a single look in an environment with different lingos of look, whether with a sofa or a nightclub, on the entry, bar, reception or in a part of an interior show.
Every Hayon Lounge table at first glance is a geometry tutorial. A rund shape with a hexagon and an elongated oval has one variant. One version has the palette of a painter, while a separate version has a rounded rectangle with an elongated oval and circle in front of each other. Table consists of three distinctive types that are well balanced and shape a single whole at different heights. The Hayon Lounge Tables offer a linear feel to a 3D object, ranging in length from 67 cm to 83 cm to 116 cm. A sculpture in which you can see and work.
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