The 13Eighty-piece Chair designed by designers from the Netherlands, Scholten & Baijings, is well named according to the number of small hole in the molded polypropylene frame. The drillings establish a traditional aesthetic, in which transparency and a play of light and shades contribute to the expression of chai , while variations in the hole sizes give the visual appearance a sense of movement. These also work in the absorption of rainwater when the chairs are used outside. Available in a stackable form, with or without armrests, that has steel legs with a meteoric covering that allows for outdoor use.
The 13Eighty-piece Chair designed by designers from the Netherlands, Scholten & Baijings, is well named according to the number of small hole in the molded polypropylene frame. The drillings establish a traditional aesthetic, in which transparency and a play of light and shades contribute to the expression of chai , while variations in the hole sizes give the visual appearance a sense of movement. These also work in the absorption of rainwater when the chairs are used outside. Available in a stackable form, with or without armrests, that has steel legs with a meteoric covering that allows for outdoor use.
14 is a cast glass sphere enclosed by frosts with a cylindrical vacuum, holding a low-voltage xenons or LED lamps. It is also responsible for Bocci’s vaulting in the frontline of the lighting market.
Individual clockwork is subtle visually, but gains atmospheric quality if multiplied and grouped into groups-as they are often
16 consists of three layers sequentially pouring of a molten glass “into a horizontal plane in various opacities .” Each layer responds to the preceding shape indeterminately to create a singularly layered whole. Two of the pieces will be fitted with the inner LED light and illuminated. The glass parts are attached to a variety of branches and stalks with a rigid stainless steel frame.
In 1948, Paavo Tynell designed the 1965 Pendant. Like many of his best known designs, this pendant has been designed for the Finland House in New York — one of Finnish design’s most ambitious and successful projects ever.
Tynell created the 1965 Pendant with his remarkable ability to catch and translate a grace and exuberant lightness into his brass works, perfecting the techniques of metal finish. The 1965 Pendant represents the distinguished craftsmanship of the Finnish designer, distinguished by its triangular perforation pattern, an artistic feature used by Tynell in many of his lighting posts. The pendent contributes to a subtle and calm atmosphere with a freezed glass diffuser which softens the light.
Since 1958, this legendary style of Gino Sarfatti has depicted the conventional mid-century chandelier in an ultra-modern manner. Every detail in this modern ceiling light is remarkable, from its mirror-polish finish to the way each bulb is fitted with its own horizontal arm and the grateful wire meander down the stem. Each of the finishing points is exceptional.
28 results in an revolutionary manufacturing process that manages air flow in blown glass both in temperature and direction. The effect is a slightly distorted sphere with a satellite shaped interior environment, including an opaque milk glass diffuser holding a low voltage xenon or a LED lamp. This is used to create infinite combinations, or to hang as a single pendant or as a wall light. Bocci is all about tailor-made systems
28 is the result of an innovative manufacturing process which manipulates the air flow temperature and direction in blown glass. This resulted in a slightly blurred region, including an opaque milk glass diffuser with an internal satellite lamp. It includes an LED lamp. Even available as a pendant, a candlestick or a table lamp.
28s is an illumination fixture mounted on the surface with a mounting plate with a diameter of 3.3 € (83 mm). Please note that the 28s do not directly attach to a junction box and the transformers need to be mounted remotely.
28 is the result of an innovative manufacturing process which manipulates the air flow temperature and direction in blown glass. This resulted in a slightly blurred region, including an opaque milk glass diffuser with an internal satellite lamp. It includes an LED lamp. This style is also given as a pendant, candlestick or wall lamp.
The 360 Degree collection consists of a chair, a stool, a table and a container on wheels, which rotates to a 360-degree angle. Designed by Konstantin Grcic.
38 pushes to its technological and material limits the production technology originally built for 28. A large glass sphere is blown by several haphazard internal cavities, which in unexpected ways converge and collide. Some of these satellite cavities are large enough to hold soil and succulent or cactus plants, while others have lighting. Every 38 consists of two or three large-scale light elements, which include one or two planters, either a 10-Watt LED light or a 1.8-Watt LED lamp.
38V is a variation of the original 38 series, in which a wide sphere of glass is blown with a host of haphazard inner cavities that cross and clash unpredictably. Smaller, lighter and coaxial cable suspended 38V. The cavities of the interior can be plant filled or left blank.
Boris Berlin and Poul Christiansen of Komplot Design are one of GUBI’s most creative items, the GUBI Lounge Chair. The GUBI Lounge Chair is an evolvement of the GUBI Chair, the first version of the furniture built on the groundbreaking three dimensional veneer moulding technology. The 3D architecture gives the chair a friendly and lightweight feeling “with every edge pointing away from the user. Thanks to this revolutionary technology, the veneer thickness can be reduced to half as normal.The design of the GUBI Chair is currently on display in New York City’s Modern Art Museum and has received several prestigious design awards.
The GUBI Lounge Chair is the first furniture concept focused on the groundbreaking 3-dimensional veneer mounting technology, developed through the creative collaboration of Komplot Concept. The 3D architecture offers a relaxed sitting and lightness to the lounge chair, as all the corners point away from the user. The plain, clean chair design offers an uncluttered look that is ideally suited for a private home or commercial space where individuality and unique furniture pieces are sought with its possession of complete upholstery in either fabric or leather. The construction of the GUBI Chair has gained many prestigious construction awards and has been displayed permanently at the New York Modern Art Museum (MoMA).
In the 5321 table lamp, designed by the Finnish artist in 1941, Paavo Tynellâ s inventive take on nature is gracefully echoed. Under the distinctive shell-based shade of brass, the bulb emerges subtly from below: the picturesque detail that resembles the coveted pearl from a seabed and makes the Table Lamp 5321 a perfect illustration of how Tynell marketed the streamlined form of modernism with playful nature and romance. The 5321 table lamp combines a timeless esthetic with a special shape meaning that adds to every modern space an exquisite character. The lamp, both practical and decorative, is a balance between sophistication and curiosity, which provides a subtle and surprising style at once.
57 comes from a production process where air vows are made into a larger mass of dark gray or white opaline glass in different sizes and configurations. The air pockets are invisible if the object is unlit and come alive when 57 are illuminated to reveal an inner universe. Every 57 is entirely special by the method of producing.
The 60 Stool is easily stackable because of its three legs and saves space by stacking in a spiralling tower structure. The 60 Stool can be used as a seat, a table, a display surface or a storage unit.
Designed by Greta M. Grossman in 1952, but called the 62 Desk ten years earlier than that. The 62 desk looks usually light in weight and appears to defy gravity with its odd asymmetrical line and slim metal legs, a characteristic of its creator and balance on tiny woot feet.
The elegant combination of materials highlights its exceptional form. The desk has a deep, black and full glass finish in American Walnut, on the top of the table and on the doorway to the customer. A left cabinet with 2 low drawers and a top drawer is accessible at the desk.
Designed by Greta M. Grossman in 1952, but named the 62 Dresser ten years earlier. The drawer shows a designerâ s propensity for excellent forms and rare material pairing.
The elegant metal legs with ball-shaped feet, a traditional characteristic of Grossman, contrast the sharp rectangular form of luxury American Walnut, giving the furnishings an unrivaled and almost gravitational look. The drawer has a dark, black full glass finish on top of the table and tiny solid wooden spheres in addition to its beauty.
Designed by Greta M. Grossman in 1952, it was named the 62 Dresser ten years earlier than it was. The drawer shows the desserts for excellent shapes and rare blends of materials.
The slender metal legs with ball-shaped feet, a traditional Grossman design, contrast the sharp rectangular form in the luxury American walnut, which gives the furnitural look a light look, almost defying gravity. The drawer has a deep, black total glossy finish on the top of the counter, and a small wooden solid bottom with elegance.
Designed in 1952 by Greta M. Grossman, but named the 62 Dresser as it was deemed to be ten years ahead of its time. The drawer illustrates the designer™s penchant for exceptional shapes and unusual pairing of materials.
The slender metal legs with ball shaped feet, a characteristic trait of Grossman, contrasts the sharp rectangular shape in luxurious American walnut, giving the furniture a characteristic appearance of lightness and almost seeming to defy gravity. Adding to its elegancy, the drawer is provided with a deep, black full gloss finish on table top and small solid wooden spheres.
The architecture of the 70/70 table is minimalist with an excellent profile of a light voice. A closer look at the table provides a detailed description of its unique character. With fine details in the splay-layered table and form of the angular frame, the almost reduced style is balanced. 70/70 is available in three sizes and is suitable for home, office or any other public setting..
73 results in a folding, high heat, ceramic fabric vessel blowing liquid glass. The resulting shape is intuitively connected to a formal and textural expression that is permanent and rigid when it refreshs. To accentuate the piece’s volumetrically perception the resulting volume is placed in a flat LED with diffuse light.
A hot, white-clear glass strata with a copper mesh is inserted into a vacuum, which causes the White Layer to pull off the embedded mesh, leaving a large number of whites ‘ tendrils suspended in an interstitial field. The 76 is manually blown glass pendant which can also be produced as a surface light (wall or ceiling).
A hot, white-clear glass strata with a copper mesh is inserted into a vacuum, which causes the White Layer to pull off the embedded mesh, leaving a large number of whites ‘ tendrils suspended in an interstitial field. The 76 is manually blown glass pendant which can also be produced as a surface light (wall or ceiling).
In a thin copper mesh basket, a white glass moil is captured, and then dipped into a warm clear glass. Air is blown into the matrix and the white glass is gently pushed across the mesh to form a sensitive pillow shape, which is hanging within the thick external layer of clear glass.. The copper mesh folds and shrinkles often adding special characteristics to each piece. External undulations are a natural product of the production process and accentuate the gentle white skin. A light source of low-voltage xenon or LEDs cast a dry coppery color.
In a fine copper mesh jar, a white glass moil is caught and plunged into a wet clear opening. The air is pumped into the matrix and gently forced through the mesh by the white glass, forming a sensitive, pillowed shape, suspended within the thick outer glass layer. Often the copper mesh folds and crinkles the basket, giving each piece additional detail. External undulations are the normal product of the production process and stress the soft white pillow below. A xenon or an LED light source with a low voltage reflecting a warm copper color is inserted into the piece.
Soda water is used to trap air into a super heated matrix of glass that is stretched vertically and folded back to itself several times between the sticks. When the glass cools, the pliable movement along the loop’s grain turns captured air into a microfilament, giving the piece a perlescent visual appearance. At one end the loop reflecting light through the microfilaments and a gentle gradient is placed in a low voltage xenon or LED light source.
A perfect example of how the Finnish artist introduced light to an art form is the 9,464 Wall Lamp designed at the beginning of the 1950s by Paavo Tynell. The smooth, sculpted brass shade gives you the charm of Tynell’s distinctive design, combined with the knotted edges, rendering the wall lamp elegant and admirable in its simplicity. The Wall Lamp 9464 is equally important today as at the first time it was introduced in contemporary interiors and produces a sculptural effect on the wall while also providing a comfortable indirect illumination.
Paavo Tynell designed the 9602 Floor Lamp for Hotel Aulanko in 1938, also known as Chinese Hat dare. The Floor Lamp 9602 reveals the designer’s endless creativity and unprecedented ability to construct designs of permanent beauty with an elegant and airy lampshade and rattan-covered base. The 9602 Floor Lamp is ideally suitable for the production of mild ambient light in the home living room with a playful exuberant appearance on the top, fitted with the more static shape of the foundation.
The A1965 Pendant was an instant success for Paavo Tynell and a lighting system planned to assess its height at the middle of the century, it was opened in the Finland House in NY in 1948. The coated and polished metal structure with a special lifting mechanism lifts and lowers the lamp in various heights, and it purposely has the most distinctive design features. The A1965 Pendant uses light gracefully through frosted glass, preventing glare when lighting the room softly.
Tynell’s attempt to improve lighting stability of the ceiling and combined the benefits of the lamp and the portable lamp was a hanging counterweighted A1965. Paavo Tynell’s s fine design on the A1965 Pendant shows that ordinary light fixtures have now been elevated into practical art and this remarkable style played an important role in developing the esthetics of lighting in the mid-century.
Two special and rather decorative styles appear in the Leroy Collection: the Aoyama Table and the stool A3. Aoyama, a Tokyo district known for its fashion houses, restaurants and fascinating stores, is where Paul Leroy finds his inspiration for the table at Aoyama. The basis for the stool frame is the letter “A” because a sheet of A3 paper fits the seat dimensions.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-crafted with a conventional manufacturing. Jaime Hayon founded in 2013. A white, black, platinum or golden pottery base. This wall lamp. The diffuser consists of blown matt opal glass.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-with a conventional manufacturing. Jaime Hayon founded in 2013. A base in white, Platinum, platinum or ceramic is supplied with this surface lamp. The diffuser consists of blown matt opal glass. Either a wall or a ceiling may be connected.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-with a conventional manufacturing. Jaime Hayon founded in 2013. A base in white, black or gold ceramic is formed by this chandelier. The diffusers make of blown matt opal glass.
Two nobel items are combined in the glossy eye-catching range of Aballs: ceramic and glass. All of them are made using traditional handicrafts. The lamp has a revolving dimmer on the base with a polished cubicle handle. Jaime Hayon founded in 2013.
The Aballs are a brilliant and interesting selection. Two products are combined: glass and ceramic, both hand-crafted with a traditional manufacturing. Jaime Hayon founded in 2013. There is a white, black or golden base for this suspension light. The diffuser consists of blown matt opal glass.
About a chair has an accessible frame structure made of bent steel which gives the expressive design extra lightness. The shell is round and upright at the same time and blends an engaging phrase with a high degree of seating comfort. The open frame is available in stainless steel as well as a black or white powder coating which allows you to design contrast-rich variations of frame and seat colour. The several possible variations of frame, shell, and colors make About a Chair an extremely-flexible and customizable chair which celebrates uniqueness.
About a chair, the open frame structure in curved steel provides the elegant design with extra lightness. The shell is simultaneously round and upright and blends high seating convenience with a moist feel. The open frame is made of stainless steel with a powder coating of black or white that allows you to create contrasting variations of color between the frame and the seat. A chair is an extremely flexible and versatile chair that celebrates uniqueness thanks to the many different combinations of frame, shell and paint.
Offered with Sierra Leather black seat pad Available with Sierra Leather black seat pad.
This version of About a chair has a powder-coated steel pivot, which offers the chair a much more traditional term, because the wooden frame has been substituted with stainless steel and the delicate and graceful legs almost rise on their tiptoes and lift the chair optically from the floor. The welcoming seat provides a relaxed break in a private or professional setting in this open edition.
Disposable with black Sierra Leather seat pad with black Sierra Leather seat pad.
This version of About a Chair has a powder-coated steel swivel base, which gives the chair a more formal tone, mostly because the wooden frame has been replaced with steel and because the delicate and elegant legs fan out from the center base, almost standing on tiptoes and optically lifting the chair off the floor. The welcoming seat provides a relaxed break in a private or professional setting in this open edition.
Disposable with black Sierra Leather seat pad with black Sierra Leather seat pad.
About a Chair here is the ideal office chair, adding a warm and friendly feel to a pleasant and technological genre otherwise. The chair uses that same simple and recognizable shell while the elegant steel frame, when paired with the spherical castors, develops a narrative charm. This version of About a Chair is ideal for official environments and is an appropriate choice for both large corporate situations and work-at-home workplaces, or even a dining chair?
Here, About a chair is the ideal office chair and gives the otherwise cool and technical feel to a warm and friendly feel. The chair uses that same simple and recognizable shell while the elegant steel frame, when paired with the spherical castors, develops a narrative charm. This version of About a Chair is ideal for official environments and is an appropriate choice for both large corporate situations and work-at-home workplaces, or even a dining chair?
The stackable workhorse of the show is a four legged About a Chair. The four legs slip in a rounded corner under the seat and form the shell in an upright and organic position. The legs are available in chrome and with a powder coating of black or white that allows you to design colorful variations of frame and seat. A chair is an extremely flexible and versatile chair that celebrates individuality thanks to the many possible combinations of frame, shell and paint.
The stationary working cell is the four-legged About a Chair. The four legs are glistening in a circular angle under the seat and frame the shell’s straight and organic position. The legs are also available in chrome and with a white or black powder coating, which allows for a colorful combination of frame and seat to be built. A chair is an ultra-flexible and versatile chair that is promoting creativity with many different variations of the frame, shell and colours.
Another version of the About a Chair, slightly more formal, features elegant legs and armrests, which surround the shell in order to maintain a healthy and relaxed feeling. The upright, organic posture of the chair offers great lumbar support and the front is open. About a chair is a great conference chair in this edition, but it maintains a chic sense of homeliness that suits right at a dinner table or a work-at-home office.
The seating pad is available in black Sierra Leather
This much more formal version of About a Chair includes elegant legs and armrests surrounding the seat shell for a relaxed and safe feel. The upright and organic posture of the chair provides excellent lumbar support and you are welcomed by the open front. About a chair is a great conference chair in this edition, but it maintains a chic sense of homeliness that suits right at a dinner table or a work–office. Available with seat pad in black Sierra Leather
This version of About a Chair has a powder-steel swivel base, that makes the chair gets more traditional tone, both because the wooden frame has been substituted with steel and because the delicate and elegant legs fan out from the center base, almost standing on tiptoes and optically lifting the chair off the floor. Unlike the other models, this one also comes with three upholstery options: full shell upholstery, rounded shell front upholstery or a seat cushion. All three versions allow you to customize the term with fairly simple upholstery variations, which of course owes a lot to textured fabrics and colours.
This version of About a chair has a powder-steel pivot, which gives the chair a more elegant expression, both because the wooden frame has been exchanged with stainless steel and the delicate and graceful legs almost rise on their tiptoes and lift the chair optically from the floor. Like the other models, this edition also comes with three options for upholstery: full shell upholstery, rounded shell front upholstery or a seat cushion. All three versions allow you to customize the term with fairly simple upholstery variations, which of course owes a lot to fabric textures and colours.Available with seat pad in black Sierra Leather
The curvy version of About a Chair is built to encourage you to sit back and let your chair do the job. There are three choices in this version of About a Chair: the whole shell, a reinforcement at the front of the rounded shell or a sitting cushion. The shell is fully enclosed. Every version may vary the phrase with fairly simple upholstery variations, which owe much to texture and colour, of course.
Disponible in black Sierra Leather with seat pad andnbsp;
About a chair as a desk chair has a rounded shell that adds executive weight and gives a warm and inviting feel to a cool and technological genre or maybe because the castors offer a narrative character to the industrial steel frame? Is it ideal for official settings and an appropriate choice for both broad organizational environments and work-at-home workplaces, or maybe as a dining chair, about a chair? Like the other models, this edition also comes with three options for upholstery: full shell upholstery, rounded shell front upholstery or a seat cushion. The three versions enable you to customize the term with fairly simple upholstery variations, which of course owes a lot to textured fabrics and colours.
About a chair as an office chair has a circular shell that adds executive weight and gives a warm and inviting feel to a cool and technological genre or perhaps because the castors offer a narrative quality to the industrial steel frame? Is a chair ideal for official settings and an obvious alternative for broad corporate contexts as well as work-at-home offices or maybe as a dining chair? Like the other models, this edition also comes with three upholstery options: full shell upholstery, rounded shell front upholstery, or a seat cushion. All three versions enable you to customize the term with fairly simple upholstery combinations, which of course owes a lot to textured fabrics and colours.
The collection is the most flexible sequence of furniture of HAYA . It started with a chair and became a series of almost limitless potential. Hee Welling has proved with the About series that a solid idea can have a great number of opportunities for development. A chair has a bent steel, open frame structure that gives the intuitive design added lightness. The shell is respectively round and upright and blends a high level of comfort with an attractive look. The open structure is in stainless steel with a black or white powder coating, which allows you to create color combinations of frame with seat, which are rich in contrast. A chair is an ultraflexible and multifaceted chair that is customizable with a variety of possibilities: base, shell and colors.
This version of About a Chair has a powder-coated steel swivel base, which provides the chair a more formal tone, mostly because the wooden frame has been substituted with steel and because the sleek and elegant legs fan out from the center base, almost standing on tiptoes and optically lifting the chair off the floor. The inviting seat provides an intimate break in this open edition, in a personal or professional sense.
About a chair is an insightful take on a chair term. The organical posture actually offers strong lumbar support and you are encouraged to take a seat by the open shell. About a chair comes in a colored plastic version as well as a variant in hard-wearing furniture fabrics with either front or full upholstery fabric paired with round legs in soap-finished or lacquered oak or ash wood painted black. The many possible combinations of frame, shell, and colors make About a Chair an extremely-flexible and customizable chair which celebrates uniqueness.
The curvy edition of About a Chair is supportive, and you should just sit back and let the chair do the magic. This version of About a Chair comes with three upholstery choices available: full shell upholstery, rounded shell front upholstery or a seat cushion. All three forms allow you to customise the term with fairly simple upholstery variations, which of course owes a lot to the texture and colours of the fabric.
Featuring a swivel base in aluminium, the AAC 121 has a slightly more formal expression than the other variants in the series. Retaining the same high backrest and generous seat that characterises the series, this design features a functional base with legs that fan out from the centre. The base is available in either polished or powder-coated black aluminium, and the shell comes in a variety of upholstery options, providing a multitude of design combinations that give this series versatility in a wide range of corporate, public, and private contexts.
Also available in a ˜soft™ version with built in padding
The timeless and organic AAC 123 has a wooden frame with sleek, tapered legs. This style features a sturdy base with angled legs that gradually lean outwards to ensure an excellent stability, maintaining the high backrest and a highly generous stand defined by the show. The base of the oak is available in various finishes and the shell comes with a number of taping options. The flexibility of this series is offered by a variety of design variations, in a wide range of industry, public or private contexts.
The AAC 127 has a sleek and elegant look with a four-legged steel frame and long legs. This design features a compact base with angled legs, which subtly slant to optimum stability with the same high backrest and spacious seat as the series. The base is available in chromium and powder coated finishes and the shell comes with a wide range of upholstery choices that provide a wide range of design combinations that offer great flexibility in a wide range of business, public and private contexts.
The AAC 153 combines outstanding versatility and classic design with a five-legged rod frame. The base is fitted with a gas lift that can change the height of the seat with a range of 14 cm to retain the same high backrest and comfortable seat that characterises the show. The shell comes in a wide range of polishing options, offering a multitude of design variations that offer this series flexibility into a wide variety of sector, private and public contexts. The shell comes complete with polished or powder coated black aluminium.
About a chair has a bent steel, open frame structure that gives the intuitive design added lightness. The shell is respectively round and upright and blends a high level of comfort with an attractive look. The open frame is in stainless steel with a black or white powder coating, which allows you to create color combinations of frame with seat, which are rich in contrast. About a chair is an ultraflexible and multifaceted chair that is customizable with a variety of possibilities: base, shell and colors.
The About series is the most flexible collection of furniture. It started with a chair and developed into a collection of virtually unlimited possibilities. In the About set, Hee Welling has illustrated that there are multiple production choices for a single, strong idea. The chair has a open structure of the frame in flexed steel which gives the intuitive design additional lightness. The shell is both round and upright and offers high seating comfort and a welcoming look.The open frame is in stainless steel with a black or white powder coating, which allows you to create color combinations of frame with seat, which are rich in contrast. A chair is an ultraflexible and multifaceted chair that is customizable with a variety of possibilities: base, shell and colors.
The About collection is the most flexible collection of furniture from HAY. It began with a chair and flourished into a quasi-unlimited potential sequence. This iteration of About a Chair is height-adjustable because there is a semi-automatic gas lift on the five-legged platform. As the conventional office chair it is, the latest aluminum frame has castors and the adjustable seat height ranges from 42 cm to 56 cm. A chair with gas lift is accessible with the original, open seat or rounded shell as is the case with the other variants Of a Chair.
The About collection is the most flexible collection of furniture from HAY. It began with a chair and flourished into a quasi-unlimited potential sequence. This iteration of About a Chair is height-adjustable because there is a semi-automatic gas lift on the five-legged platform. As the conventional office chair it is, the latest aluminum frame has castors and the adjustable seat height ranges from 42 cm to 56 cm. A chair with gas lift is accessible with the original, open seat or rounded shell as is the case with the other variants Of a Chair.
In a rounded, cornered and warm version of the lounge chair, the light-metal frame gives a more modern look to the Chair, as though paired with the dark, industrial frame it is energizable. The light-metal frame is the same compact design. The high-backed version of About a Lounge Chair is more formal, but the visual structure seems to have shifted somewhat. The body of the chair dominates the design and the effect is not ” in fact: it makes About a Lounge Chair look more comfortable. In reality the effect is quite the opposite. The shell with its high back has a lighter look, which the low critical base emphasizes.
In this edition, the high-backed About a Chair has a majestic atmosphere with a steam-bound structure that is accentuated by the somewhat open shell. While the lower version has a closer look, the highly sponsored version is more spacious. The high as well as low models are fitted with the same minimum wooden frame, which gives the chair a more streamlined look than the round wooden legs. Nonetheless, however your legs you like, the Lounge Chair is a comfortable and practical sculpture with a high or low back that contributes to a subtle or striking graphic expression depending on your option of taping.
A lightweight frame containing legs consisting of round wooden poles exists over a Lounge Chair. About a Lounge Char, with its classic references and modern texture, has a strong signature and clear sense of proportions. This is available in a low-or low-version. In this variant, with a high back, the structure consists of brace, making the sitting softer and removing the need for a cockpit. The stitches in the back lead to a subtle or dramatic graphy line depending on the choice of tapestry. A lounge chair has a sculptural look. The lounge chair has a good backrest to create up a whole with About an Ottoman, but even though it has a place to put your feet on, it has a obvious appeal, it fits better without the footstool over a lounge chair.
The swivel standard version of About a Lounge Chair has the same compact structure, but the light metal frame gives the chair a more trendy tone, as when paired with the heavy, modern frame, the rounded, curvy and warm are energised. The strongly backed version of About a Lounge Chair has a more structured expression, although it appears that the visual point of gravity has changed slightly. The chair’s body dominates the design without simply being out of proportion, the result is the opposite: it makes it more inviting about a lounge chair. The high-backed shell has a lighter feeling that the low swivel base emphasizes.
The range About is HAY’s most flexible collection of furniture. It began with a chair and became a sequence of almost infinite potentials. Hee Welling has shown with the About series that a single strong idea can contain several opportunities for growth. Today’s range features dining and conference chairs, office seats, bar stalls, lounge chairs, tables, a footstool, and a sofa for the new addition. The About series is a true pragmatist who, depending on the role he is given, can blend or stand out. Sensationalize the heavier upholstered style or use more subtle fabrics and colours. A specific strength lets you tweak the design without losing the basic concept are the many paint, polish and system choices.
A lightweight frame containing legs consisting of round wooden poles exists over a Lounge Chair. About a Lounge Char, with its classic references and contemporary texture, has a strong signature and clear sense of proportions. This is available in a low-floor or low-floor version. In this variant, with a high back, the structure consists of brace, making the sitting softer and removing the need for a cockpit. The stitches in the back lead to a subtle or dramatic graphy line depending on the choice of tapestry. A lounge chair has a sculptural look.The lounge chair has a good backrest to create up a whole with About an Ottoman, but even though it has a place to put your feet on, it has a obvious appeal, it fits better without the footstool over a lounge chair.
The new addition to the About series is About a lounge couch, however the style is so simple that it seems to have always been a part of the show. There are actually two lounge chairs over a lounge couch, which are joined and proportioned in harmony. The two-bedded sofa features an open and inviting structure and while its curved lines and organic appearance often welcome near and intime meeting.
The series ‘ bar stool is the About a Stool. It has the same transformation potential as the other family members and ranges from a minimalist plastic stool to a more full, upholstered version. About A Stool has a good visual presence and foot planted firmly on the ground with its Scandinavian legs made from painted or soap-finished oak or black-stained cider wood.
About a Stool is the series ‘ bar stool, Which has the same transformative potential as the other family members and ranges from a minimalist and basic plastic stool to a more bodied upholstered model. The frame in this About a Stool version has a delicate expression but is made of solid, sturdy materials. You may have stainless steel or black or white versions with powder coatings.
The series bar stool is About a stool, which has the same transformative potential as the other family members and ranges from a minimalist and basic plastic stool to a more bodied upholstered model. The frame in this About a Stool version has a delicate expression but is made of solid, sturdy materials. You may have stainless steel or black or white versions with powder coatings.
The bar stool in the series is called A Stool. It has the same transforming potential as other family members and varies from a compact and basic plastic stool towards a more full-bodied upholstered version. About A Stool has a good visual appearance, with its Nordic legs in lacquered or soap-finished oak or black-stained ash wood, and feet firmly planted on the table.
About a table share the series ‘ overall flexibility and the vocabulary of the rest of the family. The table has a powder-colored frame like most chairs in the series have and its light expressions are provided by the organic curves and foot which raise the table out of the floor. Round and rectangular tables are available. The round tabletop lies on a centered base, while the rectangular version features legs on both ends and a cross bar design which creates graphic and structural harmony. A table in two highs and a variety of measurements is available that helps you to build a custom solution to fit your requirements.
About a table reflects the show ‘ overall flexibility, and uses the same language as the rest of the family. The table has a powder-colored frame like most chairs in the series have and its light expressions are provided by the organic curves and foot which raise the table out of the floor. Round and rectangular tables are available. The round tabletop lies on a centered base, while the rectangular version features legs on both ends and a cross bar design which creates graphic and structural harmony. A table in two highs and a variety of measurements is available that helps you to build a custom solution to fit your requirements.
About a Table is the same as the rest of the family and shares the generic simplicity of this sequence. The table is made with the same powdered frame as most chairs in the show, while its light expression is provided by organic curve and feet, which lift the table off its floor. Tables with round tablets or rectangular tablets are available. The round tabletop is centered on a center frame, while the rectangular version features legs at either end and a bar-cross arrangement that provides graphic and structural harmony. Two heights and a wide range of dimensions are available on a table that allow you to construct a single solution that fits your needs.
About an Ottoman is constructed as a match for both models of About a Lounge Chair, but there is such a clear visual representation in the footstool that it can comfortably stand alone as an extra seat. Late modernism is redefined around an Ottoman, and like the rest of the Around show, depending on your choice of upholstery, colors and materials, it can blend into a similar present or future.
This unique collection of upholstered parts was created by Kerstin H. Holmquist. She was working in a furniture workshop and architect studio where for one of her many exhibits she produced this series. She called her Paradiset-inspired pieces (Swedish for Eden or Paradise). The first item of the set was the feminine lounge chair-Eva and then his masculine counterpart, Adam, followed up. She has also later produced a sofa to complement the two.
Jacques Adnet is an icon of French Modernism and a furniture designer best known for his Art Deco Modernist designs. Famous for its avant-garde designs, Adnet was among the first to incorporate metal and glass into the furniture structure and decor. His style represents the personification of luxury. Adnet formed a relationship with the French fashion house Hermes in 1950, where he created a range of leather-covered furniture and accessories for interior design. He did a round leather mirror with brass hinges, accordingly. In addition to the impressive leather and brass features, the mirror is also unusual in that the brace holding the mirror is in direct proportion to the mirror size.
The Adnet coffee table was originally developed by Jacques Adnet (1901-1981) from the Modernist French era of 1950’s. Adnet was forever ahead of new trends and was renowned for its avant-garde style and unique leather, metal and glass combinations. The legendary Adnet Coffee Table reflects everything that the French architect and interior decorator stands for, merging his Art Deco style beautifully with his deep commitment to functionalism.
The round glass top has a hand-made leather ripe and is decorated with three gold-made brass rings, set on three smooth, curved, elegant legs that meet in the center of the table. The Adnet Coffee Table’s timeless architecture blends innovative fabrics and excellent craftsmanship and gives every home or professional room its distinctive importance.
It comes out of Jaques Adnet’s collaboration with a popular French fashion House and a designer Jaques Adnet in 1950’s. The two parties produced a variety of outstanding interior designs, with the application of the fashion house’s experience and quality of leather to Jacques Andets creative concepts and design visions. Among them was the Adnet Rectangular Leather Mirror, a typical feature of Adnet’s work, packed with burnished brass rivets on the edges.
The Adnet Rectangular Mirrors, in three dimensions, serves in an corridor, bathroom and dressing room, whether horizontal, vertical, wall-mounted or spontaneous, with its simplicity of design, the comfort of leather and the finest detail. It adds depth, reflects light, extends horizons and produces a magical attraction.
“The general concept behind this project is to offer a lamp that can be modified indefinitely to satisfy all the lighting needs. We’ve created a new kind of lamp which is placed in the room, naturally like a plant, with long cables that allow full freedom to change the direction and height of the source of the light. The device is a variant of the industrial lamp shown in Paris in 2010 in the Kreo Gallery. The industrial variant is TO Liane’ lamp. & E. & & E. Bouroullec. Bouroullec. Light fitting suspended. Body with a photo-etched optical polycarbonate in a varnished aluminum pan. Photoetched ABS internal reflector. Body to be guided. Directly powered by the power supply. The cable is 9 meters long and can therefore be suspended from the ceiling by 3 metres. Type of wall plug and dimmer / cable switch.
The concept behind AIRY was to make a café that didn’t scream but didn’t hate talking. The result is a collection of tables that manages the delicate balance of being light and airy while being personally and individually rich. This combination makes Airy multifunctional and makes the side tables ideal for all kinds of interiors.
The fundamental concept behind the Alcove Sofa is that more than just a piece of furniture should be a sofa. This is especially true for the Alcove Highback Sofa, the side and back panels of which reach extraordinary height. When someone sits on the Alcove Highback they are in a secluded room. According to the Alcove Highback Sofa’s outstanding acoustic qualities and its visual screen feature, it creates a peaceful oasis particularly in spacious living spaces. This effect is even more pronounced when two sofas are positioned face to face, thus defining a space within a room.
With its exceptionally soft seat and backrest upholstery, and the high, adjustable side and back panels, Alcove Sofa provides the frame for such a cozy, healthy and secure environment, a place for relaxing isolation from the away from the hustle of life: two people can stretch and sit opposite each other, leaning back against the side walls, and the sofa also provides ample spa facilities if necessary. Alcove Sofa combines the contrasting qualities of a cozy, secluded relaxation area with an open invitation to come in and sit down.
Algues are parts of an interior design and decorative elements at the same time. The plastic elements, symbolic of plants, can be connected together to form weblike structures-from light curtains to dense, opaque partitions. 25 For 1 square meter of light mesh algae are needed.
The Alistair consists of simple geometrical forms, circular foundation, squared frame, cylindrical diffuser, and opal hand-blown glass. This lamp is pure beauty, exquisitely finished in golden and matt graphite. Designed for Parachilna in 2016 by Jordi Veclana. Included dimmer.
The Alistair consists of simple geometrical forms, circular foundation, squared frame, cylindrical diffuser, and opal hand-blown glass. This lamp is pure beauty, exquisitely finished in golden and matt graphite. Designed for Parachilna in 2016 by Jordi Veclana. Included dimmer.
The Alistair consists of simple geometrical forms, circular foundation, squared frame, cylindrical diffuser, and opal hand-glass. This suspension lamp is pure beauty and exquisitely polished into golden and matt graphite. Designed for Parachilna in 2016 by Jordi Veclana. Included dimmer.
The All Plastic Chair, conceived by Jasper Morrison, symbolic of classic wooden chairs when advancing this typology’s presence. The elegant chair combines excellent stability and comfort. The backrest is fixed to the frame with robust connectors to allow it to flex in response to the movements of the sitter. A variety of two-tone colours, the All Plastic Chair is ideal for indoor and outdoor use.
The Allegretto series reinterprets the iconic chandelier, suspending its lines in a quite surreal harmony, offering a stunning focal point from which to plan an interior. Suspension lamp with direct, diffused and indirect illumination. The lamp consisting of a chromed metal base, and full aluminum rebar rods coated with epoxy powder. Using small metal rings the rods are bolted onto the shelf.
Suspension lamp with direct, diffused and indirect illumination. The lamp consisting of a chromed metal base, and full aluminum rebar rods coated with epoxy powder. Using small metal rings the rods are bolted onto the shelf.
Suspension lamp with directly and indirectly diffused light. The lamp is made of a chromed metal frame and full aluminum rebar rods lined with epoxy powder. Using small metal rings the rods are fixed to the shelf.
An assortment of lines that produce an elegant, fascinating symphony and carry a new light, which can be found in large private and public spaces, to a hanging, almost magic balance. Elements from aluminium flow and combine to make the lamp bright and smooth.
An assortment of lines that produce an elegant, fascinating symphony and carry a new light, which can be found in large private and public spaces, to a hanging, almost magic balance. Elements from aluminium flow and combine to make the lamp bright and smooth.
An assortment of lines that produce an elegant, fascinating symphony and carry a new light, which can be found in large private and public spaces, to a hanging, almost magic balance. Elements from aluminium flow and combine to make the lamp bright and smooth.
Dynamics and Lightness “in Arabic-this pendant lamp is characterized by Alya. Three slim, light arms remember rather than the material object a movement or drawing in the air. The fluid forms of Alya, in reality, originate from a natural aluminum bend that contain the LED lights and provide it with an extremely delicate look. Is possible with a dimmer.
Ambit is a high-character timeless and flexible pendant. The shade of the lamp consists of old traditional braziers, pressed by hand, polished and then painted by hand. The Ambit pendant is available in five different colors and has an inside white-painted shade, which provides a delicate contrast and guarantees full brightness.
