HAY’s 13Eighty chair designed by Dutch designers Scholten & Baijings is aptly named after the number of tiny holes in the moulded polypropylene shell. These perforations create a characteristic aesthetic, where transparency and a play of light and shadows add to the chair’s expression, while the variations in the sizes of the holes bring a sense of movement to the visual appearance. They also have a functional use in draining rainwater off when the chairs are used outdoors. Available with or without armrests in a stackable design that features steel legs with a weather-resistant coating to make it suitable for outdoor use.
About a Chair has an open frame construction in bent steel that brings added lightness to the intuitive design. The shell is round and upright at the same time and combines a high degree of seating comfort with an inviting expression. The open frame is available in stainless steel as well as a black or white powder-coating, which lets you design contrast-rich colour combinations of frame and seat. The many possible combinations of frame, shell and colours make About a Chair an ultra-flexible and versatile chair that celebrates individuality.
About a Chair is an intuitive take on the concept of a chair. The organic posture provides good lumbar support, and the open shell invites you to take a seat. About a Chair comes in a dyed plastic version as well as a version with either frontal or full upholstery in hard-wearing furniture fabrics combined with round legs in soap-finished or lacquered oak or ash wood stained black. The many possible combinations of frame, shell and colours make About a Chair an ultra-flexible and versatile chair that celebrates individuality.
The four-legged About a Chair is the stackable workhorse of the series. The four legs slip under the seat in a rounded angle and frame the upright and organic posture of the shell. The legs are available in chrome as well as a black or white powder-coating, which lets you design contrast-rich colour combinations of frame and seat. The many possible combinations of frame, shell and colours make About a Chair an ultra-flexible and versatile chair that celebrates individuality.
This slightly more formal version of About a Chair features elegant legs and armrests that frame the seat shell for a secure and comfortable feel. The chair's upright and organic posture offers good lumbar support, while the open front invites you in. In this version, About a Chair is a perfect conference chair, but it has retained a stylish sense of homeliness that makes it fit right in around a dinner table or in a work-at-home office.
This curvy version of About a Chair is designed to be supportive, so you can just sit back and let the chair do the work. This version of About a Chair is available with three upholstery options: full upholstery of the whole shell, upholstery on the front of the rounded shell or a seat cushion. All three versions allow you to vary the expression with relatively simple variations in upholstery, which of course owes a great deal to fabric textures and colours.
With its Nordic legs in lacquered or soap-finished oak or black-stained ash wood, About A Stool has a strong visual presence and feet planted firmly on the ground.
About a Stool is the bar stool of the series. It has the same capacity for transformation as the other members of the family and ranges from a minimalist and simple plastic stool to a more full-bodied upholstered version. The frame in this version of About a Stool has a delicate expression but is made in strong and durable materials. You can have your choice of stainless steel or powder-coated versions in black or white.
Designed by Jasper Morrison, the All Plastic Chair is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter’s movements. The All Plastic Chair comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp has a white interior to heighten contrasts of its outside shade and enhance the light omitted in any room of a home, office or commercial space.
AMBIT is a timeless and versatile pendant with a strong character. The lamp shade is made from old brazier traditions, press spun by hand, polished and finally hand-painted. The AMBIT pendant comes in 5 different colours and has a white-painted inside which adds a delicate contrast while also ensuring that maximum light is emitted from the lamp.
The Moor Rugs are the second series of rugs designed by All The Way ToParis produced by &tradition. This time, ATWTP’s departure point camefrom the various shapes of gemstones. ìWe wanted to focus solely onthe shapes, colours and textures ñ without any patterns, notes TanjaVibe and Petra Olsson Gendt, Founders and Partners at ATWTP. ìFor us,a rug brings all the elements of a room together inharmony, creating afeeling of closeness. The result is a compelling sense of cohesion. Especially when you arrangeall the rugs together as a cluster of gemstones. The rugs have asubtle shimmer to the surface to echo the qualities of a gemstone.
A large hand-beaten bowl in gold-plated brass, with a pleasing matt finish. Presented in distinctive packaging, the bowl is both decorative and functional. Each piece is hand-made and therefore will have a unique personality. Ideal for us as an extravagant fruit bowl or as a contemporary sculpture. Available in large, small and in gold. Use with dry food only and wash in warm soapy water and dry with a soft cloth.
A small hand-beaten bowl in silver-plated brass with a pleasing matt finish. Can be used as an extravagant flower vase or as a contemporary sculpture. Our BASH bowl is both decorative and functional _xÐ surprisingly delicate given the aggressive hammering that is necessary in its crafting. Each piece will have a unique personality.
Also available in medium or large. Presented in gift-packaging.
Bella Desk and Bella Coffee Table were designed by HAY in 2011 specifically for the Bella Sky Hotel in Copenhagen. With a few adjustments they are now part of the HAY collection.
Rechargeable direct light table lighting device. Base and dome in coloured PC. Diffuser in Opaline injection moulded photo-engraved PC. 24-hours’ autonomy, charging via Micro-USB-C. Push-button switch positioned on the base provides the 4-step dimmer function. Battery status indicator positioned under the base. USB-C charging cable included, useful length 120cm. USB battery charging on plug with interchangeable plugs.
… a small table version of Bon Jour, ideal for cordless portable use. Its micro USB rechargeable battery has a life of six hours. Cordless table lamp providing direct light. Painted or electroplated base and top cover in ABS. Injection moulded PMMA clear transparent diffuser and lampshade. Edge Lighting technology light source. 6 hours battery life, rechargeable with Micro-USB. Slide switch under the base that provides 4-step dimming. USB-C charger cable included in the package useful length 120 cm. Plug-in USB battery charger with interchangeable plugs.
A sculptural bowl for the table top. Cast in solid brass with a matt finish each bowl is formed into an intricate, curved lattice form. Bearing a bone-like quality, its open structure works as a bowl or unusual table top piece. Designed in London
This functional, practical and beautifully engineered task light takes its inspiration from generations of draughtsman’s and machinists lamps, reduced to a series of cylinders, tubes and junctions arranged in a minimalist sculptural composition. It is the ultimate understated lighting option for a multitude of interiors. Fixings not included.
This functional, practical and beautifully engineered task light takes its inspiration from generations of draughtsman’s and machinists lamps, reduced to a series of cylinders, tubes and junctions arranged in a minimalist sculptural composition. It is the ultimate understated lighting option for a multitude of interiors. Fixings not included.
A steel-bodied stovetop espresso-maker with a copper finish, bringing a touch of art deco refinement to the coffee ritual. Given balance and elegance by a solid base and a heat-resistant, easy-pour handle, its ideal for everyday baristas, Sunday-morning connoisseurs and after-dinner espresso aficionados alike.
English designer John Astbury played with the proportions, surfaces and materials to create more than a shelf – but in a minimal expression that didn’t seem staged. The outcome? Two different shapes and various finishes. The long shelf is a soft rectangle and its little round sibling is the ideal companion. Pair them at varying heights and configurations, or place each on its own as a side table or in-shop display. Enjoy the option of waxed aluminium for both the shelf and supporting columns or black anodised aluminium for the shelf with oiled walnut
Our ambition was to design a pendant with a simple industrial feel, but which was still elegant and poetic.î The Copenhagen Pendant is an exercise in contrasts. Combining the classic and the modern, the maritime and the industrial, it is a new pendant developed by Space Copenhagen for &tradition. Following the success of their first collaboration, the Fly Lounge Series, &tradition have worked with Space Copenhagen again to produce a pendant range in matt lacquered metal, one of Space CopenhagenÍs first lights to enter production.
Jonas Trampdach’s Cornet barstool is a classic barstool using an innovative steel tube technique inspired by bicycle racks. The round solid oak seat rests on a slender steel base, creating an interesting balance of proportions and profiles. The stools come in two different heights, with choice of wood finishes for the seat and chrome or powder coated colour options for the legs. The stools are suitable for bars, islands and worktops in a number of private and public settings.
The COSY table lamp series focuses on the attractiveness of glass and the beauty of its changing reflections. Placing the light bulb at the centre of the design, the lamp is made with mouth-blown glass and comes with a textile chord. COSY can be used to add personality and atmosphere to any setting, whether on the table, shelf or floor.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
Deneb table is an archetype of cool minimalism. The Deneb table design plays with the shapes of the four legs unnoticedly. The anodised aluminium frame is assembled from four precision engineered elements that fit seamlessly together.
An object that tells a fascinating, intimate story, with a simple, direct style. This is Doll – the small lamp that is the result of a combination of feminine sensitivity and Foscarini’s technological design research capabilities.Naturally elegant in green, warm and refined in grey, soft and reassuring in ivory, brilliant and exuberant in red, four shades allow everyone to choose their ideal Doll.
With its handle on top, the idea behind the side table DLM (Don’t Leave Me) is obvious bring me along! A tray with legs and a handle, enabling you to bring the table and your coffee cup along when moving around the house to your favorite chair or bedside a table suitable everywhere. The table is an alternative to traditional coffee tables, which are often big, heavy and immobile. This is a fun table for modern life.
Charles and Ray Eames augmented the interior collage of the Eames House with numerous objects brought back from their extensive travels. The figure of a black wooden bird evidently one of their most prized objects of American folk art has stood in the centre of their living room for over fifty years. Also seen as an accessory in many of the Eameses' photographs.
The texture and depth of Felt adds warmth to any spaces. Made from double-layered felt heat-pressed into a soft organic shape, it features a grey exterior and white interior. Available as either a pendant suspended from a slender wire or floor version on a black tripod stand.
Flask is inspired by the sharp and functional geometry of chemical laboratory glassware. A cylinder, a sphere and a cone that work in mixed groups or more formal arrangements. Each comprises two components – a clear rippled glass lens which produces a series of concentric, luminous rings, and a black glass shade finished in the latest oily iridescent colour. Light refracting from the surface creates the lustrous effect of petrol on water or a dragonfly wing.
A handblown glass ridged and rounded base refracts light while a smoked glass hood covers the lamp fitting reducing glare. As each product is handmade slight variances in colour occur between each item.
In 1968 the students revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semicircular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too. & In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals
The FLUID pendant lamp is inspired by a resting drop of water. The lamp’s soft round shape is enhanced by its frosted matte glass surface and perfectly matches its warm cosy light. The lamp can be hung as a single feature alone over a table or mixed in clusters with other small and large FLUID lamps to create the desired ambience.
FOCUS ash wood body highlights its tactile qualities, Nordic expression, and moulding and forming abilities. The lamp’s integrated tray formation is an ideal space to perch objects, its small bell-shaped head gives it a fine and poetic character, complementing the warm presence produced by the lamps subtlety. FOCUS lamp fits seamlessly on a windowsill or a shelf deserving of special attention and will be available in black.
Stamped from a solid sheet, the stepped ridges add as much in strength as in decoration. Form takes two forms. A family of delicate handmade dishes and a sophisticated solid brass tea set. The bowls are inspired by the perfectly formed wooden containers used by Jain monks for food and storage. The tea set calls back to a forgotten era and the sophisticated way to serve British afternoon tea, while hinting at an art deco aesthetic with a touch of Gatsby glamour.
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
Delicate materials and hand craftsmanship give the iconic Asian lantern a contemporary twist with the Formakami table lamp by Jaime Hayon. The result is an ambient light in a lamp where the design itself appears light. It’s a hybrid concept fusing different aspects of cultures into a new design idiom. Airy, bulbous shapes crafted in ivory white rice paper with black lacquered ash accents look Asian and yet somewhat Scandinavian. Place the lamps in a modern milieu and cultural references disappear – replaced by a sense of magic. Switched off, there’s a sense of serenity. Switched on, there’s intimacy.
Globus is a light stackable chair and refreshingly original design. The curved shape of Both backrest and seat offer an exceptionally comfortable seating position. The expressive, even voluptuous lines of the whole chair are beautifully crafted and smoothly integrated to constitute a design that looks perfectly finished from every angle. Suitable for outdoors in polypropylene.
Ceiling light in satinised free-blown glass, available in two sizes. An organic, elegant and familiar shape that does not use pure geometry as its point of reference.
Imagine pebbles smoothed by water, which light up suddenly with sunlight: magic that comes in the shape of the outdoor Gregg suspension lamp, the natural evolution of the original table version. Designed to create original compositions and lighting in the great outdoors, in the home or in the contract industry, this project has now found further settings and uses.
Hanging lamp in satinised free-blown glass available in three different sizes. An organic, elegant and familiar shape that does not use pure geometry as its point of reference
A table lamp in satinised free-blown glass, available in three sizes. An organic, elegant and familiar shape that does not use pure geometry as its point of reference.
Wall lamp in satinised free-blown glass, available in two sizes. An organic, elegant and familiar shape that does not use pure geometry as its point of reference.
The Hee chair is available as a lounge chair, a dining chair and a barstool. The chair is stackable and electroplated before being powder coated, and it withstands weather throughout the year making it suitable for outdoor use.
A solid copper champagne bucket, hand formed with a hammered hexagonal pattern and polished finish. Also useful as a generous flower vase or extravagant waste paper basket.
It started with an asymmetrical cluster of glass globes elegantly poised at varying lengths in a modern take on the chandelier called Ice chandelier. Designer Sofie Refer delved deeper into the essenceof its beauty, playing with the proportions to subsequently craft a singular pendant that would be striking on its own.
The Ice pendant is the perfect embodiment of our philosophy that simple is sophisticated. The satinised glass globe shade is suspended from the ceiling by a black cord adorned with a brass or bronzed brass detail. Just a line converging with a circle in suspended animation is all it takes to exude an atmosphere of elegance.
J104 Low Dining Chair is part of HAY's 2011 relaunch of the Danish furniture classics originally made for FDB (The Danish Consumers'Co-operative Society). With its wide back and seat combined with the light, vertical graphic expression, J104 resembles a cross between a dining chair and an easy chair. In this unique composition, although the broad seat takes up visual space, the spindle structure of the back lightens the overall impression and makes J104 a sculptural classic.
The FDB knock-down chair sparks an immediate sense of recognition, but in HAY's updated colour version J77 proves its contemporary currency and relevance in the 21st century.
Leaf successfully combines a light and elegant design with an energy-efficient LED technology. Though the design is minimalistic and straightforward, a soft asymmetric geometry gives the lamp an organic and friendly appearance. Depending on the viewing angle and how the shade is turned, the lamp will subtly transform its shape to create a graphic and leaf-like silhouette in the room.
A wall mounted LED lamp with a strong and unique character. To be used in hallways or as a reading lamp next to a bed or sofa. LEAN plays with our perception of standing and hanging, creating a new typology within wall-mounted lamps.
Little Nobody tells Nobody’s story of recycling in industrial production and innovative design in a miniature format. In addition, Nobody makes no noise or scratches when it is pulled across the floor, and the light-weight chair is easy to pick up and move around. These properties also make the Nobody concept perfect for children, who tend to challenge furniture by using it for a wide range of purposes besides the original intention.
The elegance of the marble Light design is the result of Studio Vit s attention to detail and dedication to perfecting and reducing forms. Made from Italian Bianco carrara marble and mouth blown borosilicate glass, the high quality materials and the pure geometric shapes used for marble Light push the light towards the realm of art object. Yet you find playfulness in the way they riff on the archetypal light bulb form fulfilling &tradition’s second criteria ñ innovation. The seven-piece collection designed by Studio Vit includes a variety of pendants of different proportions and marble weights that allow the lamps to be suspended. The marble Light collection includes one table lamp, five pendants and one marble floor weight with 10m cord.
A set of pendant lamps made from a simple marble hemisphere. The design has a recessed flat light source that produces both downward light and a diffuse uplight that omits through the marble itself. The light fitting is dimmable, taking a flat GX53 bulb. Available in white, black and green.
The elegance of the marble Light design is the result of Studio Vit s attention to detail and dedication to perfecting and reducing forms. Made from Italian Bianco carrara marble and mouth blown borosilicate glass, the high quality materials and the pure geometric shapes used for marble Light push the light towards the realm of art object. Yet you find playfulness in the way they riff on the archetypal light bulb form fulfilling &tradition’s second criteria ñ innovation. The seven-piece collection designed by Studio Vit includes a variety of pendants of different proportions and marble weights that allow the lamps to be suspended. The marble Light collection includes one table lamp, five pendants and one marble floor weight with 10m cord.
Inspired by the bent tubing around local street signs, design duo kaschkasch have created a family of table and floor lamps sharing the same arched silhouette. The light source comes from a tilting circular disc, which can be adjusted to create both an indirect ambient and direct task light beam. The lamp body is crafted from powder coated die cast aluminium and steel, and the light source is an injection moulded polycarbonate opalescent lens that conceals a flat panel of light. Both lamp designs are available in different colours and are suitable for a variety of private and corporate settings.
The pendant was first launched in brown marble and glass as the two architects were keen on creating a lamp made from natural stone, which can withstand everyday use. The unusual use of solid marble for a lamp gives an exceptional sense of quality and durability. Later, two other quality materials were added to the range in the form of copper and brass. & the shape of Mass Light is bold, strong and masculine. Yet feminine curves soften the expression. The well-known shape lets you focus on the beauty of the materials, its aesthetic structures and colors.
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary designs. The coatrack centre is made of brass and the three coat arms are made of black powder coated metal with ends in black or the variation in three colours.
Playful, amusing, surprising, the Memory collection of ceiling and wall fixtures kindles the imagination and takes the beholder back to the carefree days of childhood. Three sizes and a range of colors allow you to turn your creativity loose in devising various lighting experiences. With the hanging strings serving to switch the lights on and off, there is nothing to interrupt the illusion of real balloons. This is beauty in its simplest and most effective form.
Playful, amusing, surprising, the Memory collection of ceiling and wall fixtures kindles the imagination and takes the beholder back to the carefree days of childhood. Three sizes and a range of colors allow you to turn your creativity loose in devising various lighting experiences. With the hanging strings serving to switch the lights on and off, there is nothing to interrupt the illusion of real balloons. This is beauty in its simplest and most effective form.
The MHY pendant lamp creates a playful personality with its strong references to children’s literature, while at the same staying true to its Scandinavian design heritage with its characteristic and elegant shape. The lamp is produced in high quality aluminium and the woven textile chord provides a softer contrast to the harder lamp shade. Available in six different colours, MHY is ideal for mounting in clusters or rows to provide light installations uniquely tailored to each particular setting.
Norm.Architects finds exciting new ways in an ancient Nordic tradition of wood and glass. Though perfectly suited as a lamp, Milk adds more than light to your home. With Milk it was Norm.ArchitectÍs intention to create a soft light that could be placed in all corners of the home to create a cosy atmosphere. Being featured in an array of interior magazines, design blogs and on social media over the last few years they have surely succeeded.
This is the ‘mini’ version of the legendary Kelvin Led table lamp designed by Antonio Citterio. The excellence embodied by the Led technology enclosed in the head of the traditional model has been relocated on a simple, compact body. 30 LEDs combined with a special chemically-etched diffuser provide a warm, soft, comfortable light, with no strong contrasts or dazzling. A special optical sensor is used to switch the lamp on/off and to adjust the brightness. Table lamp providing direct light. Head in pressofused aluminium, diffuser in photo-engraved methacrylate with aluminate surround. Power pack on plug, base in pressofused zamak. Directionable head. ON/OFF switch with Soft Touch technology and light flow adjustment to 2 intensities (100% – 50% – 0%). Power pack on plug with interchangeable plugs.
An adaptable die-cast aluminium clamp light, with a faceted shade. The machined aluminium stem and clamp mechanism give two points of adjustment and have soft silicon pads for the fixing points. Ideal for use across both domestic and commercial settings, the lamp is finished inside and out with a smooth finish powder coat.
The very innovative design of the seat shell, with its extra soft rubber skin, offers superb comfort. Like a glove, the seat hugs the contour of the user and provides a good lumbar support. The skin and shell are moulded simultaneously, forming a final product of two different materials, densities and colours. The four legged base, curves smoothly, offering a lightweight and stable structure.
The Panton Chair is a furniture design classic. Verner Panton created it back in 1960, and together with Vitra, he developed a version that was ready for series production (1967). It was the very first single mould all plastic chair. Since its market launch, the Panton Chair has undergone several production phases. The chair offers great sitting comfort thanks to its cantilever base, flexible materials and shape, which is shaped to the human form. Its sculptural shape means that it looks good by itself or grouped together. It can be used indoors and outdoors. The Panton Chair has won various design prizes world-wide and graces the collections of numerous renowned museums. Its expressive shape makes it a true 20th-century design icon.
The Panton Chair has always been a favourite of children. They not only like its bright, cheerful colours and smooth curves, but the fact that it is as much fun to play with as it is to sit on. Soon after its introduction, Verner Panton began to consider the idea of producing a child-size version of the chair together with Vitra.
Pion is a durable composite paper lamp that provides a clean, diffused light. Its aluminium frame and carbon fibre rod allows for easy assembly, while its shade is UV stable and flame resistant. The larger model is supplied with a dimmable LED bulb and in-line dimmer switch.
A glass champagne bucket, minimal in shape with a chunky solid lip that forms a grippable handle for service. Each glass item in the Plum collection is mouth-blown and hand-cut.
A glass ice bucket with a copper-plated stainless steel lid, inspired by oversized punch bowls and cocktails served inside tropical fruit. Each glass item in the Plum collection is mouth-blown and hand-cut.
Use this Plum Tray to serve drinks in style, or as an elegant home for your cocktail set when not in use. An exercise in mixed materiality, Plum is fabricated from mouth blown, hand cut glass in a deep inky blue combined with highly polished, copper plated stainless-steel components. Artisanal craftsmanship means that no two pieces of glassware will be the same.
The PLY rug series comes in 3 different sizes and in 6 color tones. Each rug is finished with a weaved tail that gives character to the rug and tells the story of old rug weaving traditions.
Sylvain Willenz’s Rebar collection is a series of coffee-, side- and tray tables that explores the possibilities of recontextualising construction materials and processes. The design juxtaposes the reinforced steel bar frame with black marble tops and metal trays to create a balanced aesthetic. The tables are available in three different sizes in round and rectangular shapes, and are suitable for using in private, corporate or public spaces.
SCENT Elements gift set includes Water, Earth, Fire and Air. A celebration of the bare essentials, inspired from the medieval alchemist and eastern philosopher’s quest to reduce all matter to four simple elements.
An elemental looking light available as either a small or large pendant, or as a ceiling light. Beautifully proportioned, it is made from injection moulded ABS and contains an acrylic convex diffusor that emits an even warm illumination. The manufacturing process gives the design its exact curvature and quiet elegance.
An elemental looking light available as either a small or large pendant, or as a ceiling light. Beautifully proportioned, it is made from injection moulded ABS and contains an acrylic convex diffusor that emits an even warm illumination. The manufacturing process gives the design its exact curvature and quiet elegance. The fabric cord is colour matched to the shade and comes with a magnetic molded ceiling cap in textured finish. Three colours in a matt finish available.
Slit Table is a simple metal side table in three shapes: round, rectangular and hexagonal. Slit Table is paper origami translated to the metal universe, named after the slit that emerges when the plate frame is folded underneath the tabletop. Use them in pairs or clusters or one on one.
Soft Edge chair series is based on the next step in the development of moulded plywood techniques. It enables a three-dimensionality that is unusual for ordinary moulded plywood. With Soft Edge, Iskos-Berlin has created a softly shaped seat and back where all the edges face away from the body. Both versions of Soft Edge (with a steel or wooden frame) are stackable and light, which makes them suitable for any segment of the contract market ñ from classrooms and auditoriums to canteens and cafeterias.
The spinning-top toy, a childhood favourite, inspires to the joyful form of the Spinning pendant along with the process of metal spinning. Here, form truly meets function in an innovative way. It’s sleek, it’s sexy and it’s sure to become a new classic. & Benjamin Hubert is always curious to find new solutions and materials, often stopping to feel the texture on a piece of furniture or feeling the weight an old glass vase.
Framed in a plated stainless-steel surround, Spot Surface is a massively thick glass lens designed to refract the light of integrated LEDs. Spot is IP44 rated as a wall light. Available in high-shine copper and glossy black. 8.5W integrated LED. Not dimmable.
Marble. Just to think of the millions of years, unimaginable pressures and heat involved in the creation of these beautiful rocks. This hard, semi-precious surface which bears a unique fingerprint has transfixed architects, sculptors and designers for millennia, and for us too this is the dream material _xÐ tough yet tactile, heavy and long-lasting with individual personality. We have used white marble for delicate lights, sturdy chopping boards and elegant candle holders.
Hours of grinding in our own London restaurant resulted in this weighty block of white Morwad marble and brass to smash pummel and grind spices and herbs. An exaggerated rounded lip allows you a firm grip as you work. The Pestle and Mortar comes in a solid mango wood box. Pair with our Stone Spice Grinder.
A play on our original Stone Spice Grinder, this Table Light comprises a halo hollowed from white Morwad marble mounted on a tube with a central ‘floating’ ball in the form of a brass tipped bulb. The stone is cut to the thinnest possible depth, so it appears to be semi-transluscent, emphasizing its patterned surface and casting illumination on to the surface below. The Stone Table Light has a neat, black chord, and the brass capped bulb is sold seperately.
