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GT Lounge Chair
The GT Lounge Chair was designed by Greta M. Grossman in 1949 and with its sleek and feminine lines, it beautifully expresses the influence that Scandinavian design had on her. Designed for comfort as well as aesthetics, her timeless lounge chair has a feminine and light silhouette that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs. The GT Lounge Chair, which she showcased at her prestigious Los Angeles store on Rodeo Drive was like most of her furniture custom built or produced in exceptionally small numbers.
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GUBI 2.0 Dining Table – Elliptical
The GUBI 2.0 Table by GUBI is made of the finest materials contributing to its unique and exclusive identity. With its circular or elliptical shape, the table celebrates the authentic way of bringing people together and enables an intimate interaction whether it is for dinners, meetings or relaxed socialisation.
For the GUBI 2.0 Table, the GUBI Design Team has proceeded from the circle’s characteristics and the idea of where circle meets circle. It is constructed with either one or two circular bases standing on a circular plate and finishes with a rounded table top. With its clean lines and simple details, yet sturdy and exclusive materials, this table collection brings forward fresh and different opportunities for use and styling in combination with the entire GUBI collection of modern contemporary classics.
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Gubi Chair
The Gubi Chair, designed by Kompolt Design, was the first furniture design to be based on the innovative technique of moulding three-dimensional veneer. The 3D design gives the chair comfort and a sense of lightness – with all edges pointing away from the user.
HiRek, wood and fabric details available on request.
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GUBI Dining Table Elliptical
GUBI Dining Table is designed in 2013 by Komplot Design. The GUBI Dining Table is a beautiful couple with the iconic GUBI 3D Chair, as this round and organic table holds much of the same design language and aesthetics as the classic veneer chair. But, Komplot’s warm and wooden table will most likely compliment any chair, due to its sleek and classic expression.
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GUBI Dining Table Rectangular
GUBI Dining Table is designed in 2013 by Komplot Design. The GUBI Dining Table is a beautiful couple with the iconic GUBI 3D Chair, as this round and organic table holds much of the same design language and aesthetics as the classic veneer chair. But, Komplot’s warm and wooden table will most likely compliment any chair, due to its sleek and classic expression.
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GUBI Dining Table Round
GUBI Dining Table is designed in 2013 by Komplot Design. The GUBI Dining Table is a beautiful couple with the iconic GUBI 3D Chair, as this round and organic table holds much of the same design language and aesthetics as the classic veneer chair. But, Komplot’s warm and wooden table will most likely compliment any chair, due to its sleek and classic expression.
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Gubi Stool
The Gubi stool collection uses an innovative technique of moulding three-dimensional veneer. All the edges of the seat point away from the user. The Gubi Stool has many variations of styles and finishes available in kitchen or bar height. Gubi Stool is not stackable.
HiRek, wood and fabric details available on request.
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Gueridon Bas Table
In the early 1940s Jean Prouvi turned his attention increasingly to wood as a material. In the case of the Guiridon Bas coffee table a sturdy top is positioned on three solid oak feet. The elements are connected to each other by means of a folded sheet metal construction. Referencing a tropical wood version of the time entitled Table Africaine, this re-edition is also available in impregnated dark oak.
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Halves Coffee Table
HALVES successfully finds the beauty in its technical form and a healthy balance between aesthetic and functionality. The table is crafted out of an acrylic stone composite, making it a steady and an approachable platform; the epitome of MSDS. The Canadian based collective cleverly capture the essence of Nordic design. HALVES distinctive rounded edges showcase precision, while the seamless joints help to construct the asymmetric body. The second level shelving allows the table to transform simply by placing it at various angles. This provides the ability to highlight a complex, yet uncluttered profile. HALVES works perfectly beside a sofa, as a bedside table, or a standalone surface both in a private and public setting.
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HeadLine Chair
HeadLine not only provides optimal support in the lumbar zone, but also targets vulnerable areas that have previously been neglected the shoulders, neck and head. In this way, it fulfils the ergonomic requirements of modern office work. In an upright sitting position, the head and spine are naturally balanced. But when the sitter leans back, most conventional office chairs do not provide sufficient support, resulting in strain and tension in the neck and shoulders.
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Heart Cone Chair
A variant on Cone Chair, designed one year later and baptized Heart Cone Chair because of its heart-shaped outline. Heart Cone Chair has large, projecting wings reminiscent of Mickey Mouse ears that could also, however, be interpreted as a contemporary take on the classic wing chair.
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Hee Barstool
The philosophy behind the Hee collection was to take an archetypical chair and perfecting it in every single detail by lifting the design up a level, simplifying it and improving the usability. The starting point was to make a cool and basic chair that would fit most locations.
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Hee Lounge Chair
With its wide, welcoming seat and low height, Hee Lounge is definitely the most laid-back model in the Hee series. Although the elemental design is manifested here in more relaxed proportions, it still retains the same light, understated aesthetics and functional properties as the rest of the family. Stackable and weather-proof, the Hee Lounge Chair can be used in outdoor surroundings, as well as inside restaurants, bars and in a home environment.
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Hocker Stool
With its intuitive and equally self-evident shape Hocker represents fundamental aspects of the conceptual style of work of Herzog & de Meuron. It forms part of a series of additional objects and installations that accompany the architectural design work of the Basle architects as independent projects.
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Hoof Table SW1
ÖThe main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word Öhoof originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain.
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Hoof Table SW2
ÖThe main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word Öhoof originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain.
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IC Floor Lamp
The IC Floor Lamp from FLOS is a case study in balance. After watching a video clip of a contact juggler, designer Michael Anastassiades was inspired by the skill it took to spin and move the set of spheres around the juggler”s body. His starting point was to capture the moment where the spheres seemed to freeze in place on the juggler”s arms and edge of his fingers, thus was born the IC collection. FLOS lighting has been crafting incredible Italian objects of light since 1962. Playing with light (and its absence) is fundamental to the well-thought “flosophy” of FLOS. Combine this exploration of light with bold experimentation in shape, material and LED technology-plus the iconic ideas of international-acclaimed designers-and the result is poetic functionality at its best.
Also available as an outdoor lamp
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In Between Bar Stool
Merging man and machine by combining classic wood craftsmanship with compression moulding, Kallio imbues the In Between Bar Stool with someNordic soul. Seen in a simple, timeless design that’s kissing cousins to his In Between Chair and In Between Table, both made in conjunction with &tradition. “We love the mix of classic woodworking techniques and modern machinery,” notes &tradition Brand Manager Martin Kornbek Hansen. “Intrinsic to our own concept is merging the past with the present. So this design, with its simplicity and beauty, is truly emblematic of our own angle on design.”
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In Between Chair
The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide a concrete shape and support, but forms are created equally by the gaps in between them. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression.
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In Between Table SK3
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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In Between Table SK4
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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In Between Table SK5
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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In Between Table SK6
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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J104 Low Dining Chair
J104 Low Dining Chair is part of HAY’s 2011 relaunch of the Danish furniture classics originally made for FDB (The Danish Consumers’Co-operative Society). With its wide back and seat combined with the light, vertical graphic expression, J104 resembles a cross between a dining chair and an easy chair. In this unique composition, although the broad seat takes up visual space, the spindle structure of the back lightens the overall impression and makes J104 a sculptural classic.
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J41 Chair
HAY’s reproduction of Børge Mogensen’s classic J41 chair has a slightly slanted backrest and widely-spaced spindles creating an uncluttered design that offers a timeless quality. With a broad plywood seat and frame in solid oak or beech, the design is both hard-wearing and comfortable. Available in oiled, matt lacquered or painted finishes.
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J42 Chair
HAY’s reproduction of Børge Mogensen’s classic J42 chair clearly reflects his design philosophy. Precise proportions with simple horizontal and vertical lines are used to construct a curved spindled backrest and angular armrests. With a broad plywood seat and frame in solid oak or beech, the design has a timeless quality that is built to provide lasting comfort. Available in oiled, matt lacquered or painted finishes.
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La Chaise Lounge Chair
Charles and Ray Eames designed La Chaise in 1948 for a competition at the Museum of Modern Art in New York, inspired by Floating Figure, a sculpture by Gaston Lachaise. It is the unbelievable elegance of this assertive seating sculpture that enables any number of sitting and reclining positions, which is so very appealing. It has long since established itself as an icon of Organic Design.
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Laclasica Armchair
Laclasica is a wooden chair that combines traditional aesthetics of classical wood chairs, and translates them into a pure & contemporary design. Made of wood Laclasica chair is curvy like the human body and mimics its shape to convey its sensuality and cosiness. It seems like Laclasica was always around; but it is a brand new and fresh design, possibly a sign of timelessness. The plywood seat and back fuse with the wooden legs to create a fluid form of 3D plywood. Beneath the seat, an aesthetic aluminium part strengthens the structure. A wooden chair is the ultimate design, using the noble and natural material provided by Mother Nature. And when combined with modern technology, in a sensual and fluid design, like the Laclasica chair, it becomes a piece of art and a beautiful furniture piece.
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Laclasica Chair
Laclasica is a wooden chair that combines traditional aesthetics of classical wood chairs, and translates them into a pure & contemporary design. Made of wood Laclasica chair is curvy like the human body and mimics its shape to convey its sensuality and cosiness. It seems like Laclasica was always around; but it is a brand new and fresh design, possibly a sign of timelessness. The plywood seat and back fuse with the wooden legs to create a fluid form of 3D plywood. Beneath the seat, an aesthetic aluminium part strengthens the structure. A wooden chair is the ultimate design, using the noble and natural material provided by Mother Nature. And when combined with modern technology, in a sensual and fluid design, like the Laclasica chair, it becomes a piece of art and a beautiful furniture piece.
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Landi Chair
The clear structure of the all-aluminium chair consists of two parts. First, a pair of U-shaped profiles connected by welded crossbeams form a self-supporting frame and simultaneously serve as the legs and low armrests. This base supports a seat shell, which makes ideal use of the material's possibilities: the 91 punched holes not only ensure the modest weight and flexibility of the comfortable shell, but also give the graceful Landi its trademark appearance. The lightweight, stackable Landi Chair is robust and weather-resistant. Technical innovation, optimal use of materials, minimalist forms and understated elegance are the elements that have made the Landi Chair into a classic over the years, which looks as fresh and vital today as ever.
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Lato Table
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
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Lau Console
The Lau wooden table is a delicate design by Jesus Gasca. The Lau table has been created to fit with Laclasica chair. The singularity of this table design comes from its details: a slight inclination of the legs with a smooth & curved connection to the table top. Hence making this table unique where legs and top flow in a fluid way. Lau table is available in four colours with round or rectangular top, and also as console.
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Lau Table Rectangle
The Lau wooden table is a delicate design by Jesus Gasca. The Lau table has been created to fit with Laclasica chair. The singularity of this table design comes from its details: a slight inclination of the legs with a smooth & curved connection to the table top. Hence making this table unique where legs and top flow in a fluid way. Lau table is available in four colours with round or rectangular top, and also as console.
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Lau Table Round
Jesus Gasca, the founder of STUA, has created this new design: Lau, a wooden table with the aim to become a timeless design. The singularity of this design comes from its details: a slight inclination of the legs with a smooth & curved connection to the table top. Hence, making this table unique where legs and top flow in a fluid way. Now available in a rectangular version.
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Leather Side Table
The Leather Side Tables are covered with a high-quality, robust split leather. Precisely crafted with decorative seams, the leather covers give these side tables a rich, warm look and pleasant tactile feel. The aesthetic appeal of these sophisticated tables lies in the contrast between the thin, planar table tops and the volumetric, plinth-like bases. The Leather Side Tables are available with covers in the colours nero or chocolate and in the sizes small or medium.
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Libera Armchair
Jesús Gasca, the founder of STUA, and his son Jon Gasca, have created the new STUA design: Libera armchair. The visual character of Libera comes from its wooden frame, where the legs are connected with the arms in a fluid way. The designers have worked the wood material with liberty, as if it was a liquid. Using contemporary technology the wooden surfaces are now tactile and organic. Libera has also a surprising comfort achieved by the use of new elastic materials. Following the quote of Mies Van Der Rohe “God is in the details” the frame of Libera has a classic shape, with details enhanced thought the use of state-of-the-art technology. The result is an armchair with a resounding silhouette and a great ergonomy. Another new classic in the STUA collection.
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Linear Steel Table
The Linear Steel Table brings new perspectives to modern outdoor furniture through its straight lines alongside the folded edges, halfcircular intersecting legs and small spacing for easy removal of water. Kept visually clean for long-lasting aesthetics, the Linear Steel Table finds it distinct character through subtle detailing and a simple expression, allowing for it to complement any outdoor setting. The design is made in powder coated steel for a matte look and contemporary feel.
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Linear Wood Table
The Linear Wood Table brings a simple and elegant perspective to wooden furniture through its modern form language with understated details for a long-lasting expression. Kept visually clean for long-lasting aesthetics, the Linear Wood Table finds it distinct character through subtle detailing and a simple expression.
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Little Nobody
Little Nobody tells Nobody’s story of recycling in industrial production and innovative design in a miniature format. In addition, Nobody makes no noise or scratches when it is pulled across the floor, and the light-weight chair is easy to pick up and move around. These properties also make the Nobody concept perfect for children, who tend to challenge furniture by using it for a wide range of purposes besides the original intention.
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Little Petra Lounge Chair
Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Distinguished by a softer, more abundant, organic aesthetic that challenged the minimalistic approach of Bauhaus. Named after Boesen’s mother-in-law, Little Petra is indeed surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable. A lot of work has gone into ensuring the utmost comfort, from the seat to the upholstery. Respecting Boesen’s love of natural materials, the legs of the chair have been crafted in oak or walnut. The result is an endearing lounge chair that beckons you to stay.
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Loafer Armchair SC24
The Loafer chair takes after its sibling, the Loafer lounge chair by Space Copenhagen designed for Arne Jacobsen’s refurbished SAS Royal Hotel. Fine-tuned for high-end restaurants, upscale eating environments and private homes, the Loafer chair is a bit lighter, narrower, with a higher seat and a slight slope on either side to comfortably accommodate your arms. A fully upholstered chair that’s soft yet sturdy, you’ll feel like you’re dining in a hotel whether you actually are or not.
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Loafer Lounge Chair
The SAS Royal Hotel turned to Space Copenhagen founders Signe Bindslev Henriksen and Peter Bundgaard Rützou, who designed a chair that would look lovely in the hotel – and actually anywhere. Loafer. “The SAS Royal Hotel lobby is an essential part of their legendary interior,” says Henriksen. “It’s enormous and elegant. We wanted to design a piece of furniture that could create a sense of intimacy in this very open space.” “At the same time,” adds Rützou, “The design had to relate the signature spiral staircase and the circular columns of the space. A comfortable design that would somehow also make you feel protected. Sitting alone or in a group, without feeling too exposed.”
Whether for an exclusive hotel, club or lounge, or a private living space, Loafer offers the ultimate in luxury. The freedom to lounge in style forever.
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Loafer Sofa SC25
A line extension from the Loafer lounge chair designed for the SAS Royal Hotel by Space Copenhagen, the Loafer sofa has the same seat height and depth. Remaining true to its name, it offers the utmost in comfort, involving extensive time and craftsmanship to ensure the solid construction, plush upholstery and detailed stitching. Available as a two-seater and three-seater sofa, each one is ideal as a centrepiece, partnered as a pair or grouped together. Equally at home in a high-end hotel, lobby, corporate setting or a residence, it’s all about indulging in the experience of lounging – a luxury in itself.
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Loft Barstool
Loft Bar Stool combines Scandinavian design traditions with industrial references for a bar stool with full seat and back along with a small footprint. As with its chair counterpart, the Loft Bar Stool exemplifies simple, honest design through its clean lines and maximum comfort.
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Loop Stand Round Table
Loop Stand is Leif Jiôrgensen’s well-designed and ultra-simple series of coat stands, wardrobe furniture and tables, all with a consistent family identity. The Loop Stand Round table is available in two heights and three diameters. Unlike the other family members, the round table does not cross its legs.
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Mags Sofa
The features that make a sofa durable are all the things that are not directly visible: composition, foam and interior padding. All three elements are in focus in the Mags series, which in addition to a high level of comfort also boasts strong functional qualities, as you can build and expand your sofa with a chaise longue, a corner module, additional seats or all of the above. The deep seat and high armrests make Mags the perfect sofa with room for everyone and their individual needs.
Mags has a strong presence with its firm expression and fixed upholstery, which can be softened with optional pillows that you can move around and vary as you like. Mags is your minimalist sofa choice where the clean lines are as important as functionality and comfort. You can alter the expression of the sofa depending on the colour and structure of the upholstery you choose, which makes Mags even more versatile.
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Mags Soft Sofa
The features that make a sofa durable are all the things that are not directly visible: composition, foam and interior padding. All three elements are in focus in the Mags series, which in addition to a high level of comfort also boasts strong functional qualities, as you can build and expand your sofa with a chaise longue, a corner module, additional seats or all of the above. The deep seat and high armrests make Mags the perfect sofa with room for everyone and their individual needs.
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Mariposa Sofa
The Mariposa Sofa radiates an inviting aura of spacious comfort and yet maintains a subtly understated presence thanks to its balanced proportions. The sofa owes its extraordinary comfort, on the one hand, to the pleasantly soft upholstery, which completely surrounds the sitter and prevents contact with any hard structural elements. On the other hand, an ingenious adjustment mechanism makes it possible to individually tilt the side and backrest elements for various sitting or reclining positions.
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Masculo Dining Chair
The Masculo chair designs are marked by the meeting between Italian and Danish design. The distinctive, expressive backrest expresses an almost aggressive masculinity, whilst the slender supporting metal frame simultaneously embraces sophisticated, quasi-feminine detailing.
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Masculo Lounge Chair Sledge Base
Designed by the design duo GamFratesi, the Masculo Lounge Chair is characterised by the contradiction between Scandinavian elegance and Italian dynamic lines. The aesthetics, craftsmanship, solidity and sitting comfort are successfully combined and result in an inviting, upholstered lounge chair. The distinctive, semicircular back- and armrest express an almost aggressive masculinity, and at the same time soft and embracing, whilst the finest legs simultaneously contributes with quasi-feminine and sophisticated detailing.
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Masculo Lounge Chair Swivel Base
Designed by the design duo GamFratesi, the Masculo Lounge Chair is characterised by the contradiction between Scandinavian elegance and Italian dynamic lines. The aesthetics, craftsmanship, solidity and sitting comfort are successfully combined and result in an inviting, upholstered lounge chair. The distinctive, semicircular back- and armrest express an almost aggressive masculinity, and at the same time soft and embracing, whilst the finest legs simultaneously contributes with quasi-feminine and sophisticated detailing.
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Mass Console Brass
Made to order.
Huge chunks of heavyweight, metallic, minimalism. Mass is confident, over scaled furniture with real presence and instantly recognisable expressive minimalism. As it takes on the marks of time, Mass will develop a natural patina across its surface, meaning each piece will age like a prized bronze statue.
Also available as a Dining Table, Book Stand, Coat Stand and a Low Table.
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Mass Dining Table Brass
Made to order.
Huge chunks of heavyweight, metallic, minimalism. Mass is confident, over scaled furniture with real presence and instantly recognisable expressive minimalism. As it takes on the marks of time, Mass will develop a natural patina across its surface, meaning each piece will age like a prized bronze statue.
Also available as a Console, Book Stand, Coat Stand and a Low Table.
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Mategot Kangourou Table
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary design. This side table consists of two small tables, the smaller one sitting within the larger.
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Mategot Lounge Table
Mathieu MatÕgot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
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Mategot Nagasaki Chair
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary designs. The Nagasaki chair is once of few three-legged models and is still Matigot’s best-known piece and is included in the permanent exhibition at the Vitra Design Museum.
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Mategot Nagasaki Stool
Mathieu Mategot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, Mategot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic.
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Mategot Trolley
Mathieu MatÕegot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, MatÕegot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic. Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
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Mayor Sofa
Mayor shows a moderation of modernism and a unique regional adaptation: the frame is made of solid oak, the upholstery is tight but with three loose cushions that comprise the seating area, and there is generally a more human approach to modernism with a focus on livability. The sofa is made of high quality materials. The tight upholstery and the two rows of elegant buttons that extend over the armrests and back give the sofa a simple and stylish look. Thus the sofa fits perfectly into both modern homes and workplaces, where quality and design are important parameters.
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MedaSlim Chair
MedaSlim is a robust universal visitor chair that offers exceptional comfort. The elegant and sleek chair can be used wherever comfortable seating is required for extended periods of time. The flexible backrest frame, seat and front legs are moulded in one piece and adapt to the user's body movements. Together with the breathable netweave fabric, the design ensures comfortable sitting over long periods.
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Melange Pouf Colour
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
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Melange Pouf Pattern 3
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
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Melange Pouf Pattern 5
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
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Metal Side Table
The Metal Side Tables belong to the category of furnishings that do not stand at the centre of attention, yet are indispensable for the completion of an interior. As small and rather inconspicuous side tables, they serve a variety of valuable purposes. The thin table tops and the voluminous forms of the plinth-like bases create an appealing contrast.
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Mezcla JH20
A table is where different people come together for different reasons. To meet and discuss a topic. To agree, disagree or just laugh and enjoy each other’s company. It’s this idea of mixing people, ideas and elements that lies at the core of Mezcla, a table concept by Spanish designer Jaime Hayon, characterised by a mix of exclusive materials.
“The Spanish word for “mixture” is Mezcla,” explains Hayon. “For me it captures the essence of different people coming together and diverse design elements together – in a series of tables where the materials, shapes and colours could meet and greet, so to speak.”
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Mezcla Table JH19
A table is where different people come together for different reasons. To meet and discuss a topic. To agree, disagree or just laugh and enjoy each other’s company. It’s this idea of mixing people, ideas and elements that lies at the core of Mezcla, a table concept by Spanish designer Jaime Hayon, characterised by a mix of exclusive materials.
“The Spanish word for “mixture” is Mezcla,” explains Hayon. “For me it captures the essence of different people coming together and diverse design elements together – in a series of tables where the materials, shapes and colours could meet and greet, so to speak.”
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Mia Brick Pouf
An artisanal flat-weave made in India, the Mia rug is a Dhurrie created by joining three pieces, individually dyed, to obtain a worn, lived-in effect.Mia is the first collection that can be fully customised, choosing between two sizes, four colours, and four different finishes. You can contrast seams, add different types of fringes or opt for colourful stitches. Infinite results are possible; each detail makes a difference, ensuring your rug is unique.
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Mia Brown Pouf
An artisanal flat-weave made in India, the Mia rug is a Dhurrie created by joining three pieces, individually dyed, to obtain a worn, lived-in effect.Mia is the first collection that can be fully customised, choosing between two sizes, four colours, and four different finishes. You can contrast seams, add different types of fringes or opt for colourful stitches. Infinite results are possible; each detail makes a difference, ensuring your rug is unique.
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Micro Wingback Chair
Wingback is a series of of British classics re-mastered. The collection includes a dining chair, chairs, sofas and ottomans. All are available in a wide range of colours and Kvadrat fabrics with chair legs in solid natural or black oak and copper-plated steel. Wingback was inspired by traditional 17th century Wingback and balloon-back archetypes, and was developed for Shoreditch House Members Club. Its expressive sweeping curves allows designers to specify Wingback in the centre of spaces as a sculptural intervention rather than merely a piece of seating. The wings provide convenient acoustic protection for mobile phone use and a headrest for quick snoozes.
Finishes: Solid birch frame stuffed with natural cotton and boar bristle. Legs available in a natural,black lacquered copper finish.
Please enquire about different fabric price groups.
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Modern Line Lounge Chair Dining Height
The iconic Modern Line Collection was designed in 1949 by the Swedish pioneer Greta M. Grossman. Modern Line was one of her most elegant and minimalistic designs and praised for being representative of her background in Scandinavian design. The timeless sofa series has a sleek, feminine and light expression that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs.
The extended Modern Line Lounge Chair, with its higher legs and less deep seat, broaden the collection’s area of use. The Modern Line Lounge Chair in dining height is a luxurious yet understated seating solution aimed for restaurants and café area and together with the Modern Line Sofa in a wide range of sizes, they can replace expensive custom-made solutions.
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Modern Line Lounge Chair Low
The Modern Line Lounge Chair was designed in 1949 by Greta M. Grossman. Modern Line was one of her most elegant and minimalistic designs and was praised in particular for being representative of her background in Scandinavian design. Her timeless lounge chair has a sleek, feminine and light expression that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs.
In Grossman’s own words, the sofa was “developed out of our own preferences for living in a modern way.”
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Modern Line Sofa
The Modern Line Sofa was designed in 1949 by Greta M. Grossman. Modern Line was one of her most elegant and minimalistic designs and was praised in particular for being representative of her background in Scandinavian design. Her timeless sofa collection has a sleek, feminine and light expression that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs. In Grossman’s own words, the sofa was “developed out of our own preferences for living in a modern way.” Modern Line was also at the forefront of championing Nozag springs, new materials and technology. The sofa was one of the first to use industrialized technology for upholstery of sofas.
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Monopod Lounge Chair
Jasper Morrison’s Monopod is a sculptural peice, vaguely reminiscent of primordial stone or wooden objects. The Monopod stands sturdily, tapering with an elegant curve to a wedge-shaped backrest. As a small visitor armchair, the Monopod is a companion for sofas and larger armchairs, and in public areas thanks to its solidity can be used in lounges and reception areas. The structure of the armchair, with its plastic shell upholstered on the inside means that the Monopod retains its precise shape even if used for lengthier periods and is very comfortable.
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MVS Chaise
Although MVS looks like a sculptural object at first glance, as soon as you use it you realize just how comfortable it is. The soft, elastic upholstery fits the body’s contours, making it an extremely comfortable recliner. The frame construction makes it easy to shift from a sitting to a lying position.
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Nærvær Table
Nærvær is the Danish word for presence, the concept at heart of this simple table by Norm Architects that invites you to be present. Whether connecting over a conversation or a cosy meal, it’s all about being intimate and in the moment. Ironically, the design of Nærvær is so simple it doesn’t impose its own presence on a space. Pronounced “naer-vaer”, it’s comprised of a powder coated, circular steel base and cylindrical stem supporting a round or square laminate table top. Don’t miss the oak veneer along the table top edges, a discrete detail in a design that could easily t into a corner or a crowded space. Allowing you to focus on the space and the people who fill it.
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Nerd Chair
The Nerd chair is a modern Nordic take on the iconic all-wood chair that effortlessly reflects its classic Scandinavian design heritage. With seamless integration of the back and seat rendered in wood, the Nerd Chair is both comfortable and aesthetically pleasing. With its unique classic Scandinavian feel condensed into a design, the Nerd Chair won the Muuto Talent Award in 2011.
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Nerd Stool
The Nerd chair is a modern Nordic take on the iconic all-wood chair that effortlessly reflects its classic Scandinavian design heritage. The seamless integration of the Nerd’s back and seat is a unique feature providing both enhanced comfort and an inviting personal look. Crafted with the highest quality materials, the Nerd chair provided the winning design for the Muuto Talent Awards 2010.
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Neu 12 Chair
Neu 12’s ergonomically moulded shell is reinforced with an aluminium construction under the seat to provide extra strength and durability. The finely-grained plastic adds textural interest, while the rim detail gives the design structure and solid wooden legs complete the perfectly defined profile. In the upholstered version a delicate stitching line runs across the seat, while a piping detail accentuates the chairs raised rim. Its robust, comfortable structure and flexible design options make it the ideal choice for both private and public environments.
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NEU Table Round
The Neu Table is the latest addition to HAY’s Neu Collection. The simple design features a small round or square table top attached to a tubular central pole and angled 4-star pedestal base. Crafted in outdoor powder coated steel or aluminum to offer greater durability and resilience, it has a versatile quality that makes it well-suited to both indoor and outdoor use. Its uncluttered lines give it a sleek, understated expression, making it a popular choice for public spaces such as caf©s, offices, as well as private areas such as gardens and balconies.
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NEU Table Square
The Neu Table is the latest addition to HAY’s Neu Collection. The simple design features a small round or square table top attached to a tubular central pole and angled 4-star pedestal base. Crafted in outdoor powder coated steel or aluminum to offer greater durability and resilience, it has a versatile quality that makes it well-suited to both indoor and outdoor use. Its uncluttered lines give it a sleek, understated expression, making it a popular choice for public spaces such as caf©s, offices, as well as private areas such as gardens and balconies.
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Noguchi Dining Table
Noguchi’s Dining Table is one of the most elegant dining tables designed in the 20th century. A variation on Noguchi’s Rocking Stool design, the table echoes the latter’s central supporting base made of chromed rods. The cast iron ring-shaped base offers weighty support with a light aesthetic. Collection Vitra Design Museum.
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Nube Armchair
The design of the Nube Armchair comes from the combination between the flat orthodoxy of the contemporary spaces with the curves of the human body. While the outside lines of NUBE armchair are made of flat parallel surfaces, the space where we can sit is curved and cosy, like a nest. Instead of a solid block, the design of Nube allows us to see all of the back part of the armchair. So the shape with all the curves where we are going to sit is visible. Nube has a square upper view. Different armchairs can be combined turning between them. So the armchairs can be linked making straight lines or angles . Chairs can be linked with a simple metallic peice that screws to the lower part of the chair
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Oaxaca Outdoor Rug
Inspired by traditional rug design, simple geometric shapes mixed with brightly coloured flowers bear fruit to a contemporary and daring piece. The collection has the look and feel of indoor pieces but offering outdoor resistance, preserving the essence of the brand: to make rugs with an element of comfort that can be enjoyed in any space.
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Occasional Lounge Chair
In developing the Occasional Lounge Chair, Jasper Morrison united a minimalist aesthetic with maximum functionality – a combination that typifies his philosophy of ‘super normal’ design. Cubic on the outside, yet soft and round on the inside, this compact armchair can be attractively paired with a wide variety of sofas – but also cuts a fine figure on its own.
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Onda Stool
The very innovative design of the seat shell, with its extra soft rubber skin, offers superb comfort. Like a glove, the seat hugs the contour of the user and provides a good lumbar support. The skin and shell are moulded simultaneously, forming a final product of two different materials, densities and colours. The four legged base, curves smoothly, offering a lightweight and stable structure.
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Organic Chair
The Organic Chair is a comfortable small reading chair and was made in 1940 as a contribution to the New York MoMA’s Organic Design in Home Furnishings competition. Formally speaking it was ahead of its time, but owing to the lack of manufacturing techniques, never went into series production. It was not until after 1950 that it became possible to manufacture larger quantities of organically shaped seat shells and market them. The first were chairs such as Eames’ famous Plastic Armchair or Saarinen’s Tulip Chair. Collection Vitra Design Museum.
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Organic Highback Chair
For the competition Organic Design in Home Furnishings’, Charles Eames and Eero Saarinen designed the Organic Chair in several versions for a variety of different sitting positions. The Organic Highback has an elongated backrest with a moulded neck support, making it a comfortable armchair for lounging or reading. The dimensions of the armrests and seat surface, which are wider and longer than the Organic Chair, also augment the seating comfort of the highback version.
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