14 is a cast glass sphere enclosed by frosts with a cylindrical vacuum, holding a low-voltage xenons or LED lamps. It is also responsible for Bocci’s vaulting in the frontline of the lighting market.
Individual clockwork is subtle visually, but gains atmospheric quality if multiplied and grouped into groups-as they are often
16 consists of three layers sequentially pouring of a molten glass “into a horizontal plane in various opacities .” Each layer responds to the preceding shape indeterminately to create a singularly layered whole. Two of the pieces will be fitted with the inner LED light and illuminated. The glass parts are attached to a variety of branches and stalks with a rigid stainless steel frame.
28 results in an revolutionary manufacturing process that manages air flow in blown glass both in temperature and direction. The effect is a slightly distorted sphere with a satellite shaped interior environment, including an opaque milk glass diffuser holding a low voltage xenon or a LED lamp. This is used to create infinite combinations, or to hang as a single pendant or as a wall light. Bocci is all about tailor-made systems
28 is the result of an innovative manufacturing process which manipulates the air flow temperature and direction in blown glass. This resulted in a slightly blurred region, including an opaque milk glass diffuser with an internal satellite lamp. It includes an LED lamp. Even available as a pendant, a candlestick or a table lamp.
28s is an illumination fixture mounted on the surface with a mounting plate with a diameter of 3.3 € (83 mm). Please note that the 28s do not directly attach to a junction box and the transformers need to be mounted remotely.
38 pushes to its technological and material limits the production technology originally built for 28. A large glass sphere is blown by several haphazard internal cavities, which in unexpected ways converge and collide. Some of these satellite cavities are large enough to hold soil and succulent or cactus plants, while others have lighting. Every 38 consists of two or three large-scale light elements, which include one or two planters, either a 10-Watt LED light or a 1.8-Watt LED lamp.
38V is a variation of the original 38 series, in which a wide sphere of glass is blown with a host of haphazard inner cavities that cross and clash unpredictably. Smaller, lighter and coaxial cable suspended 38V. The cavities of the interior can be plant filled or left blank.
57 comes from a production process where air vows are made into a larger mass of dark gray or white opaline glass in different sizes and configurations. The air pockets are invisible if the object is unlit and come alive when 57 are illuminated to reveal an inner universe. Every 57 is entirely special by the method of producing.
73 results in a folding, high heat, ceramic fabric vessel blowing liquid glass. The resulting shape is intuitively connected to a formal and textural expression that is permanent and rigid when it refreshs. To accentuate the piece’s volumetrically perception the resulting volume is placed in a flat LED with diffuse light.
A hot, white-clear glass strata with a copper mesh is inserted into a vacuum, which causes the White Layer to pull off the embedded mesh, leaving a large number of whites ‘ tendrils suspended in an interstitial field. The 76 is manually blown glass pendant which can also be produced as a surface light (wall or ceiling).
A hot, white-clear glass strata with a copper mesh is inserted into a vacuum, which causes the White Layer to pull off the embedded mesh, leaving a large number of whites ‘ tendrils suspended in an interstitial field. The 76 is manually blown glass pendant which can also be produced as a surface light (wall or ceiling).
In a thin copper mesh basket, a white glass moil is captured, and then dipped into a warm clear glass. Air is blown into the matrix and the white glass is gently pushed across the mesh to form a sensitive pillow shape, which is hanging within the thick external layer of clear glass.. The copper mesh folds and shrinkles often adding special characteristics to each piece. External undulations are a natural product of the production process and accentuate the gentle white skin. A light source of low-voltage xenon or LEDs cast a dry coppery color.
In a fine copper mesh jar, a white glass moil is caught and plunged into a wet clear opening. The air is pumped into the matrix and gently forced through the mesh by the white glass, forming a sensitive, pillowed shape, suspended within the thick outer glass layer. Often the copper mesh folds and crinkles the basket, giving each piece additional detail. External undulations are the normal product of the production process and stress the soft white pillow below. A xenon or an LED light source with a low voltage reflecting a warm copper color is inserted into the piece.
Soda water is used to trap air into a super heated matrix of glass that is stretched vertically and folded back to itself several times between the sticks. When the glass cools, the pliable movement along the loop’s grain turns captured air into a microfilament, giving the piece a perlescent visual appearance. At one end the loop reflecting light through the microfilaments and a gentle gradient is placed in a low voltage xenon or LED light source.
