Arne Jacobsen’s masterpiece is called the SAS Royal Hotel. Built-in 1960, it was Copenhagen’s highest skyscraper, and for many people, it is still the emblem of contemporary art. Space Copenhagen has now been hired by the hotel to build something modern. The façade is the building’s signature face, says Signe. “On the outside and inside of the house, we were fascinated by colour. As Peter sees it, “We decided somehow to take the city’s views from the top floors into account,” the hotel is truly distinctive from the façade. A horizontal series of windows runs from one side to the other. In our quarters, we also wanted to echo this dimension.
The Bellevue Lamp is caught in its reality–in a lovely plug-in table lamb, available in two models, with and without the turn, in memory of Arne Jacobezsen’s legendary Bellevue architectural designs. This is the emblem of elegance and simplicity, with its signature swan neck with 45 degrees of shadow, a curve profile that lures you closer to the other. Search for a fresh mix of intriguing new colors and materials. Part of & Tradition’s want this symbol alive for decades to follow in their hearts and minds.
The Bellevue Lamp is shown with all its accuracy in tribute to Arne Jacobsenâ s iconic architecture projects Bellevue, in a lovely plug-in table lamp that can be used in two models, with and without a turn. It is a beauty-simple epitome in a curvastic silhouette, featuring a distinctive swan neck, and a 45-degree shadow. Look out for an interesting modern fusion of new colors and materials. Part of s want to keep the symbol alive in the hearts and minds of future generations.
The Bellevue lamp reflects the simplicity of the Modernist Movement and the Bauhaus functionalism of the Danish architect and designer Arne Jacobsen. Jacobsen’s preference for sleek lines and plain organic forms can be readily identified in the Bellevue Lamp as the guiding force behind Danish Modernism. The famous lamp will restart in three styles: the floor lamp, the three desk-lights and a wall-light, the original Bellevue form of the lamp. New colors and a mix of materials increase their appeal in a contemporary environment.
The Bellevue lamp reflects the aesthetics of the Modernist movement as a product of the practicality of Bauhaus by Danish architect and designer Arne Jacobsen. Jacobsen’s preference for sleek lines and plain organic forms can be readily identified in the Bellevue Lamp as the guiding force behind Danish Modernism. The famous light is re-inauguratedby three styles: the floor lamp, three desk light and the wall lamp in its original Bellevue form.
The Bellevue Lamp is the embodiment of the minimumism of the modernist movement and the versatility of the Bauhaus movement by the Danish architect and designer Arne Jacobsen. Jacobsen’s preference for sleek lines and plain organic forms can be readily identified in the Bellevue Lamp as the guiding force behind Danish Modernism. The famous lamp is restarted in three styles: floor light, desk light and wall lamp, with its original Bellevue form restored. New colors and mixtures of materials improve their appeal in a contemporary setting: sated bronze, black and silver, anthracite with straps and ivory or gray beige models with bronze.
Finnish Sami Kallio designer and danish designer Jakob Thau have based most of them on Betty, which is normally under a seat to help. Betty is a feature that most people don’t concentrate on. The webbing therefore gives warmth to your body, and naturally bends a little. In the meantime, the wooden one-piece seat frame is part of an exceptionally lightweight, stackable chair, available in a variety of contemporary colors for the frame. Betty is an honest, explicit design that doesn’t hide anything and that exposes everything. A strong chair when you see that’s soft when you sit there
Whilst experimenting with light reflections and refraction, the Engineer Samuel Wilkinson found a wonderful curved effect when a patterned glass surrounded the light source. That resulted in his design of the Blown Lamp Series and the launch of the Blown Deck Lamp. Choose from silver and opal glass and be fascinated by the effect. The Blown ceiling lamp is turned on and emitts a soft light that projects a cut pattern scattered across the ceiling. Excellent in a home, high-end hotel, bar, lounge or any other room, the Blown name is inspired by the creation of the lamp itself, where every lamp is spun by artisans and expert craftsmen. This is an authentic technique that helps to turn any place into an artistic work by projecting astounding patterns onto the ceilings when lit.
Blown is the first lamp for & Tradition by Samuel Wilkinson’s. It comes in two versions: the transparent one with silverside and sandblasted grey. A mouth bloc pendant is available with a quilted pattern. A powder-coated cast metal suspension is mounted on the pendant. The pendant was designed to investigate light source reflections, distortion and refractions in a patterned glass setting.
A unique characteristic is the quilted surface texture of the Blown table display. The lamp, switched on, reveals a display of reflections and refractions that contributes an intimate and cosy atmosphere to a touch of art. It also has the silver tinted transparent glass in the small Blown pendant by Samuel Wilkinson, secure upright on a marble black base with a dime to change the glare. Ideally placed in a private room, you may make the effect subtle or striking by using the bedside, desk or windowsill, as well as a commercial or retail space.
The lounge chair of the Hvidt and Molgaard duo was built in 1956 and has an elegant and streamlined shape. The Boomerang stands as a masterpiece of Danish design from the hand-painted wooden frame to its long, brass legs.
For Bulb, a new century was shed and a new classic blown by the Danish light artist Sofie Refer. The design refers with thick transparency glass to the first electrical light bulbs. The glamorous nordic heritage continues to Sofie Refer incorporating her own passion and femininity. The little irregularity on the mouth made each pending glass one and added the tale of personal efforts by the glass master to turn sand, soda and crayfish into a modern classic using a thousand-year-old technique.
Catch, the first contribution Jaime Hayon made to the collection & tradition, is a chair that welcomes you with open arms. The armrests stretch like physical arms from the body, ready to hug you as you sit. Beyond being a humorous personification it is also an eye-catching concept piece. Serpentine lines offer it a playful lightness which is counterbalanced by a strong, well-balanced base and legs which ensure maximum comfort. Next to great flexibility the shell provides comfort.
Catch, first contribution by Jaime Hayon to the set of &Tradition, is a chair that embraces you with open arms. Its armrests, like actual arms, stretch from the shell ready to hug you as you sit. Aside from being a humorous personification, it’s also an eye-catching design item. Serpentine lines give it a playful lightness which is counterbalanced by a robust, well-balanced base and legs that guarantee maximum comfort. Alongside great flexibility, the shell provides comfort.
Catch, first contribution by Jaime Hayon to the set of & tradition, is a chair that embraces you with open arms. Its armrests, like actual arms, stretch from the shell ready to hug you as you sit. Aside from being a humorous personification, it’s also an eye-catching design item. Serpentine lines give it a playful lightness which is counterbalanced by a robust, well-balanced base and legs that guarantee maximum comfort. Alongside great flexibility, the shell provides comfort.
The Catch Lounge Chair draws on Hayon’s penchant for humor and personification with its outstretched arms like a friend ready to welcome you with a moist, welcoming embrace. At the same time, a higher back and elongated seat are added in a single shell protected by a metal armature. The effect is a comfortable chair that is only a bit ± angled back so you can sit down, relax and, as the name suggests-lounge.
The Catch Lounge Chair draws on Hayon’s penchant for humor and personification with its outstretched arms like a friend ready to welcome you with a moist, welcoming embrace. At the same time, a higher back and elongated seat is added in a single shell protected by a metal armature. The effect is a comfortable chair that is only a bit ± angled back so you can sit down, relax and, as the name suggests-.
The Cloud range includes a sofa and a pouf for one, two and three seats, both of which combine a solid and defined weight-bearing structure with cushions and pillows to ensure maximum comfort. Cloud welcomes you in a welcoming environment while maintaining an elegant and streamlined exterior profile. The base feature of the cloud is no-sag springs and the pillows are made with a mixture of HR foam and feathers, offering utmost comfort. Its supporting structure – the back-and armrest section and base – is made of bend plywood, while its frame and legs are made of powder-coated steel, which is designed to suit upholstery colours.
The Italian-born Swedish designer Luca Nichetto, designed to be spacious and luxurious, wished to reduce something voluminous and to emphasize the look and feel of lightness. Seen with a high back in this latest release of Cloud Sofas.
Including feather and spummy seat covers on an upholstered solid wood frame, the essence to Clouda s true hygienic feeling. Slim ste < span class=” > the legs retain their foundation in black, chrome or bronzed. A special coating of afloat’s. The coils on the back are sealed with a curved shell, made of foamed plated wood, wrapped in the same cloth, to fit the covers very high above your head.
The Italian-Swedish designer Luca Nichetto, designed to be comfortable and luxurious, wished to reduce something voluminous and to emphasize the look and feel of lightness. Seen in this new version of Cloud Sofas with a high back.
The secret to Cloud™s truly hygge sensation involves feather and foamfilled seat cushions resting on an upholstered solid wood base. Slim steel legs keep the base afloat, with a special coating in black, chrome or bronzed. The coils on the back are sealed with a curved shell, made of foamed plated wood, wrapped in the same cloth, to fit the covers very high above your head.
The Italian-Swedish designer Luca Nichetto, designed to be comfortable and luxurious, wished to reduce something voluminous and to emphasize the look and feel of lightness. Seen in this new version of Cloud Sofas with a high back.
The secret to Cloud™s truly hygge sensation involves feather and foamfilled seat cushions resting on an upholstered solid wood base. Slim steel legs keep the base afloat, with a special coating in black, chrome or bronzed. The coils on the back are sealed with a curved shell, made of foamed plated wood, wrapped in the same cloth, to fit the covers very high above your head.
The Cloud range includes a sofa and a pouf for one, two and three seats, both of which combine a solid and defined weight-bearing structure with cushions and pillows to ensure maximum comfort. Cloud welcomes you in a welcoming environment while maintaining an elegant and streamlined exterior profile. The base feature of the cloud is no-sag springs and the pillows are made with a mixture of HR foam and feathers, offering utmost comfort. Its supporting structure – the back-and armrest section and base – is made of bend plywood, while its frame and legs are made of powder-coated steel, which is designed to suit upholstery colours.
The Cloud range includes a sofa and a pouf for one, two and three seats, both of which combine a solid and defined weight-bearing structure with cushions and pillows to ensure maximum comfort. Cloud welcomes you in a welcoming environment while maintaining an elegant and streamlined exterior profile. The base feature of the cloud is no-sag springs and the pillows are made with a mixture of HR foam and feathers, offering utmost comfort. Its supporting structure – the back-and armrest section and base – is made of bend plywood, while its frame and legs are made of powder-coated steel, which is designed to suit upholstery colours.
English designer John Astbury has experimented more than one shelf with lengths, surfaces and materials “however, in a limited sense, didn’t appear to be added. The result? Two different shapes and different finishes. The long shelf is a gentle rectangle and the best companion is its little sister. Pair them at various heights and settings or position them on their own as a side table or in-store show. Enjoy waxed aluminium option for both the rack and supporting columns and black anodised aluminium for the oiled walnut shelf.
English designer John Astbury has experimented more than one shelf with lengths, surfaces and materials “however, in a limited sense, didn’t appear to be added. The result? Two different shapes and different finishes. The long shelf is a gentle rectangle and the best companion is its little sister. Pair them at various heights and settings or position them on their own as a side table or in-store show. Enjoy waxed aluminum option for both the rack and supporting columns and black anodised aluminum for the oiled walnut shelf.
Imagine shipping gas lamps luminous over a century ago on dark cobblestone paths. Just think of a contemporary version which embodies the essence of this icon in a design light made from opal glass and oxydated brass.
The compact size makes it possible to position the lamp in all sorts of settings and the swivel characteristic offers more lighting possibilities. A new dim function reflects the latest Nobel Prize findings on our internal clock and the benefits of proper lighting on our health. Light intensity is easily regulated. Turn the button to a cooler white light for a cozy change from the colder brightest white light for the daytime. A personalized, integrated LED module guarantees energy efficiency.
The Copenhagen desk lamp is ideal for any large desk, and paves the way for great insights.
Pick a comfortable corner, add the latest floor lamp for Copenhagen and you have an elegant atmosphere instantaneously.
The opal glass shade provides a soft ambient light, while the new dimmer helps you to turn down the light for daytime from a darker, whiter light to a warmer white light. The system represents the latest results from the Nobel Prize on our interior timepiece and is compatible with the different phases of the day for a better sense of wellness. A personalized, integrated LED module guarantees energy efficiency.
If you want an iconic light with a lot to do, you’ll find it. You’ve.
The Copenhagen alternative is a contrasting exercise. The goal was to design a pendant with a simpler, but still elegant and poetic, industrial look. It is a counterpart built by Space Copenhagen for & Tradition that blends classic and modern, maritime and commercial. Since their successful initial partnership with Space Copenhagen, the Fly Lounge Series & Tradition have again collaborated to create a mattly lacquered metal pendant, one of the first lights in Space Copenhagen to enter development.
The table lamp from Copenhagen inspires you, whether you want to focus on work or life. Together with an oxidized brass stem and base, opal glass to shed light on the subject. Furthermore, you can add a new dimmer and switch the light from cold to dry.
The opal shade of the glass reveals a mild, ambient light with a new dimmer to change the light for a calmer night from a colder light to a cooler, white light. The technology represents the latest results from the Nobel laureate about a more natural synchronization of our inner timepiece with various phases of the day. A custom LED module guarantees energy-efficient efficiency.
The table lamp in Copenhagen is the ideal addition to any table to think, dream and chat.
Most people decorate their walls with paintings, and so Copenhagen has tradition in a smaller version of the wall. You have many placement choices thanks to the compact size. Use this to light up your corridor as a cozy bedside lamp or try several. Turn left to right for more possibilities of personal lighting.
Opal glass is equipped with soft ambient light while the new dimmer allows for a calmer night feeling by changing the light effect of cold white light to improve energy during daytime. A technology that illustrates the recent results from the Nobel Prize on the health benefits of synchronizing our biological clock with the different phases of the day. A personalized, integrated LED module guarantees energy efficiency.
The Copenhagen Wall Lamp, wherever you put it, is intended as a piece of communication.
Develius is a staple of luxurious lounging. The shape is, in reality, a composition of three huge coilers designed by Dutch designer Edward van Vliet. An ultra-modern definition of a modular sofa, which allows you to create a really personal couch and your own paradise for various components.
Develius consists of 16 modular component sofas, ranging from rectangular to square in size, width and shape. Includes variants with and without weapons, a range of poufs as well as the option of comfortable, loose coats. Build a cozy corner in a private place. In a more public arena is a luxurious lounge area. Assemble a two-or an expanded four-or more love seat. You may also use the pouf as a side table informally. There are nearly infinite possibilities.
Hvidt & Mølgaard’s Drawn Chair of 1956 stands out as a definite Danish design item. Taking into account conventional craftsmanship and made from organic materials, it provides every room with a sense of balanced honesty. It comes in two models, in oak or walnut: a wider variant with arm rests or one without arm rests.
Hvidt & Mòlgaard’s 1956 Drawn chair is a defining feature of the Danish style. Taking advantage of traditional craft techniques and made of organic materials, it gives every space a sense of utter honesty. Made in oaks or walnuts, two models are available: a larger version with arm rests or an smaller one.
The Drop Leaf Lounge Table adapts to any surrounding, a beautifully versatile piece designed by duo Hvidt & Mølgaard for &Tradition. The Drop Leaf Lounge Table is made from milled solid wood and is an easily foldable design.
Critically recognised designer and artist Jaime Hayon is recognised for his imaginative way to design “like an elephant-inspired chair that resembles the large physical shape of his muse’s museum. Looked out from behind, the swell of the two broad ears can easily be seen and emerged from the strong bulk of the chair’s body in a circular curve. There the resemblances don’t stop. The foundation “in metal or solid wood” resembles the creature’s four sturdy legs, whilst the shell is in a range of modern colours with the complete choice of material or leather cover. This evocative work’s influence goes beyond its physical appearance. Although the smooth Elefy’s form is obviously contemporary, the chair has been built comfortably. The cupping shape cosily encloses the sitter on all sides, rather than on blunt edges and an offensive shape. The chair has been built to foster a sense of well-being, just like the calm disposition of an elephant.
The revolution of 1968 in Paris, Rome and the United States overthrew traditional, ancient ideals that promoted unity, love and harmony in the Flower Power generation. In 2001, Stanley Kubrick described the future with the Verner Panton Chair and soon man was to walk on the moon. In architecture, in restaurants and exhibits and very early in, in everybody’s homes, there was a bright, playful pendant. The FlowerPot has long been proven to be of a lasting design quality, with its two semi-circular spheres facing each other. Throughout his early life, Panton regularly set off from Copenhagen to a peculiarly-looking converted Öwagen for a trip across Europe.
The revolution of 1968 in Paris, Rome and the United States overthrew traditional, ancient ideals that promoted unity, love and harmony in the Flower Power generation. In 2001, Stanley Kubrick described the future with the Verner Panton Chair and soon man was to walk on the moon. peculiarly-looking converted Öwagen for a trip across Europe.
The revolution of 1968 in Paris, Rome and the United States overthrew traditional, ancient ideals that promoted unity, love and harmony in the Flower Power generation. In 2001, Stanley Kubrick described the future with the Verner Panton Chair and soon man was to walk on the moon. In architecture, in restaurants and exhibits and very early in, in everybody’s homes, there was a bright, playful pendant. The Flowerpot is long proven to be of enduring quality and is equally synonymous with our times with its two semicircular spheres facing each other. In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals.
The Space Copenhagen Fly Collection is a lounge set consisting of two sofas, one bed, two tables and a pouf. Fly is a sequence that takes the lounging concept to the utmost. The user can sit, lie, rest and relax. Fly doesn’t force a certain stance on the sitter, as does plenty other Scandinavian style sofas and easy chairs. For free covers for the back that can be designed to the user’s needs, the seat itself is tailored for comfort. Yet in many ways, Fly has a tradition: the frame of the sofa and the sleeve is made of solid oak and is made with white pigmented oil or filtered wood, with a slate back resting.
The Space Copenhagen Fly Collection is a lounge set consisting of two sofas, one bed, two tables and a pouf. Fly is a sequence that takes the lounging concept to the utmost. The user can sit, lie, rest and relax. Fly doesn’t force a certain stance on the sitter, as does plenty other Scandinavian style sofas and easy chairs. For free covers for the back that can be designed to the user’s needs, the seat itself is tailored for comfort. Yet in many ways, Fly has a tradition: the frame of the sofa and the sleeve is made of solid oak and is made with white pigmented oil or filtered wood, with a slate back resting.
The Space Copenhagen Fly Collection is a lounge set consisting of two sofas, one bed, two tables and a pouf. Fly is a sequence that takes the lounging concept to the utmost. The user can sit, lie, rest and relax. Fly doesn’t force a certain stance on the sitter, as does plenty other Scandinavian style sofas and easy chairs. For free covers for the back that can be designed to the user’s needs, the seat itself is tailored for comfort. Yet in many ways, Fly has a tradition: the frame of the sofa and the sleeve is made of solid oak and is made with white pigmented oil or filtered wood, with a slate back resting.
The Space Copenhagen Fly Collection is a lounge set consisting of two sofas, one bed, two tables and a pouf. Fly is a sequence that takes the lounging concept to the utmost. The user can sit, lie, rest and relax. Fly doesn’t force a certain stance on the sitter, as does plenty other Scandinavian style sofas and easy chairs. For free covers for the back that can be designed to the user’s needs, the seat itself is tailored for comfort. Yet in many ways, Fly has a tradition: the frame of the sofa and the sleeve is made of solid oak and is made with white pigmented oil or filtered wood, with a slate back resting.
The Space Copenhagen Fly Series is a series of lounges consisting of two sofas, an armchair, two tables and a pouf. Advancing the lounging concept to its utmost, Fly is a sequence that allows the user to sit down, lay down, rest and relax. Unlike many of Scandinavian design history’s sofas and easy chairs, Fly doesn’t place any specific stance on the sitter.
The series Paper Lantern consists of three distinct variants in white rice ivory, with highlights of black coloured oak of 46 cm to 70 cm. They hang delicately in every indoor environment with each weighing only 1 kilogram. Living proof that the past is the present in a symbolic representation of both, as East and West cross.
The series Paper Lantern consists of three distinct versions in white rice ivory, with accents of black colored oak of 46 cm to 70 cm.. They hang delicately in every room, each weighing only 1 kg. A living proof that the past is present in all symbolic terms as East and West collide.
The Lantern collection consists of three models, made of white rice, of ivory paper with accents of vibrant black oak in diameters of from 46 cm to 70 cm. They hang in a delicate way in any indoor setting, weighing only 1 kilo. Living proof that, in a symbolic interpretation of each, the past becomes the present when East and West meet.
The classic Asian lanter has a modern twist with the Jaime Hayon’s Formakami table light with sensitive materials and hand craftsmanship. The effect is an ambient light in a lamp with light appearing in design itself. It’s a hybrid term that blends various culturally diverse aspects with a modern language of design. Clean air, white rice paper bulbous shapes with black lacquered ash highlights look asian but also strongly scandinavian. In a modern environment, place lamps in a disappearing cultural references, replaced by a magic sense. On, there’s a sense of peace. Yes, there’s intimacy turned yes.
Andreas Bozarth Fornell, influenced by the world of fashion, creates simple, elegant designs that you would like to share with. Fornell worked originally as a consultant and studied with an architect when destiny came into his life. He was able to create an outstanding interior design for its riveting stores in New York, Los Angeles, Paris, London, Copenhagen, Stockholm, Hong Kong, Tokyo and Melbourne, and the Swedish fashion brand Acne. When he fused different materials with intrinsic qualities of colour to create wonderful atmospheric spaces. Fornell said, “Art’s my inspiration. “To art, functionality is safe. At the same time, functionality attracted me. Not build for design purposes. But objects that you can use to look at and to have in your life will really be a good idea.
Samuel Wilkinson’s Hoof table was mainly inspired by feet sharpened at the ends which create striking yet functional images. The term hoof comes from the defensive portion of ungulate animals ‘ feet. Unlike other tables, the leg ends of Hoof are kept in natural wood so that the paint can not be tamed or knocked during cleaning. By reversing the normal production cycle, the foot details are produced. The majority of furniture with a painted portion and a natural component is mounted, masked and painted initially. Hoof is first painted and then removed to expose the natural straw.
Samuel Wilkinson’s Hoof table was mainly inspired by feet sharpened at the ends which create striking yet functional images. The term hoof comes from the defensive portion of ungulate animals ‘ feet. Unlike other tables, the leg ends of Hoof are kept in natural wood so that the paint can not be tamed or knocked during cleaning. By reversing the normal production cycle, the foot details are produced. The majority of furniture with a painted portion and a natural component is mounted, masked and painted initially. Hoof is first painted and then removed to expose the natural straw.
Kallio fuses the In Between Bar Stool and some Nordic soul by mixing the conventional woodwork with compression mouldings. Seen in a simple, timeless design that’s kissing his cousins, both created in accordance with and custom. In between chairs and between table. The blend of traditional woodworking and modern machinery is enjoyed by us. The Brand Director Martin Kornbek Hansen is the brand manager for comments and tradition. Intrinsically, the past fuses with today to fuse in our own definition. This style is therefore truly representative of our own birth, with its simplicity and elegance.
In Between, Sami Kallio’s chair design is focused on the interplay between a positive and a negative space. The panels on both sides provide a concrete shape and support, but the shapes are often created by the differences between the two. The wooden chair comes with a wooden upholstered seating room, which encourages a modern style of living and long and relaxed dinners around the dinner table without losing the light and elegant appearance of the chair.
Looking within the larger In Between series, these three lounge tables carefully echo a lot of aspects of the In Between chair. Their legs all splay outward and come in two different heights. They are available in three finishes: white oiled oak, smoked oiled oak and black lacquered oak.
The In Between chair was the first chair to be introduced to the furniture stable & tradition and Kallio reinterpreted several elements of the chair when designing the table. For starters, the curvature of the circular table reminds one of the negative space of the back rest of the chair. The angles of the legs of the table also represent the corners of the chair legs. The legs of the table were created using wood turning technique, conventional wood-shaping technique.
The chair In Between was the first chair to be added to the furniture stable, and Kallio interpreted some aspects of the chair again during the table’s development. For example, the curvature of the circular table recalls the negative space in the form of the chair’s backrest. Similarly, the corners of the legs match the corners of the legs in the chair. The legs of the table were created using woodturning, a common process utilizing wood-forming timbers.
The In Between chair was the first chair to be introduced to the furniture stable & tradition and Kallio reinterpreted several elements of the chair when designing the table. For starters, the curvature of the circular table reminds one of the negative space of the back rest of the chair. The angles of the legs of the table also represent the corners of the chair legs. The legs of the table were created using wood turning technique, conventional wood-shaping technique.
The In Between chair was the first chair to be introduced to the furniture stable & tradition and Kallio reinterpreted several elements of the chair when designing the table. For starters, the curvature of the circular table reminds one of the negative space of the back rest of the chair. The angles of the legs of the table also represent the corners of the chair legs. The legs of the table were created using wood turning technique, conventional wood-shaping technique.
The Journey lamp is a perfect mix of the sphere and the rectangle of two classic geometrical forms. The round opal glaze reminds of the moon, with a new dimmer to improve your mood and wellness. Journey is both a table lamp and a wall lamp, featuring subtle colors that make putting anywhere easier. A chrome-dimmer with a mirrored base for a monochromatic appearance is given. A black matt frame with a dimmer of brass. And a barbed base with a dimmer of brass. Whether or not the moon is full, the goal is to appreciate the design and all moods.
At first glance, Lato looks like a sculpture with an oval-shaped base, with its tall, oval or round tables. A simplicity of form is stunning, graphic and poetic, showing that the plain is elaborate. The original impetus for Lato was first backslidden by the concept of the lollipop. Most people know from childhood a traditional form of a candy. But how do you make a table with lollipop? “I was surrounded by creativity on an island like Murano,” Nichetto explains. The artisans, who I saw transform the abstract concepts in concrete reality, have immense knowledge and love of materials. with Lato, I decided to keep the simplicity and standardize it into a timeless side table in a design that could easily be the subject of attention.’s appreciate this amazing example of a side table sculpture that’s and vice versa.
Initially presented in 1938 Little Petra received immediate recognition for exhibitors in New York and Berlin during the Copenhagen Cabinetmakers Guild Series, which subsequently earned awards. It’s one of only a few designs by Viggo Boesen architect, who was associated with Danmark’s aesthetics of signature design in the 1930s called funkis style. A lighter, more abundant organic esthetic, which questioned Bauhaus ‘ minimalist approach. Named after Boesen’s mother-in-law, Little Petra is in fact very small, and can fit into all sorts of rooms.Low to the table, open and inclusive, it encompasses the essence of a lounge chair, which offers all forms of sitting places in any cozy setting. Much testing has been undertaken to make the seat and upholstery as convenient as possible. The legs in the chair have been constructed from oak or walnut in honor of Boesena s appreciation of natural materials. As a consequence, you are struck by a delectable lounge chair.
Looking for ultimate comfort and style? A lot of work has gone into the Little Petra Sofa by &Tradition, ensuring the utmost comfort from the seat to the upholstery. The Little Petra Sofa is made up of oak or walnut legs, hand-stitched upholstery and a wooden frame that has been built by hand.
After its sibling the loafer chair, built for Arne Jacobsen’s renovated SAS Royal Hotel, is taken over by Space Copenhagen. The Loafer chair The Loafer chair is a little smaller and wider, with a higher seat and a slight slope on either side to accommodate your arms comfortably, and is built to suit high-end restaurants, casual dining areas and private residences. A professionally upholstered chair that’s comfortable and sturdy, you’ll feel like you’re in a hotel whether or not you are actually.
The Hotel SAS Royal turned to Signe Bindslev Henriksen and Peter Bundgaard Rützou, the designers of Space Copenhagen. They designed a chair that looks beautiful at the hotel, and indeed anywhere. Loafer.-Loafer. The Royal Hotel lobby is a core component of their iconic interior The Royal Hotel lobby SAS is claimed by Henriksen. It’s massive and trendy. We wanted to build a piece of furniture in this very open space that could create a sense of intimacy. At the same time, the concept had to connect the spiral stairway signature and circular space columns. A comfortable style that would make you feel safe somehow. Whether it is a luxurious hotel, club or lounge, or a private living area, Loafer offers the ultimate in comfort. Sitting in a single room or in groups, without feeling too vulnerable. The right to live eternally in style.
Loafer sofa has the same height and depth of sitting as a line addition of the Loafer lounge chair designed by Space Copenhagen for the SAS Royal Hotel. Still true to its name, it is easy to ensure a solid construction, plumbing and thorough stitching with extensive time and manufacture. Disposable as a2-seaterand3-seater couch, it’s great to partner or party together as a central item. Also in a high quality hotel, space, business area or home, it’s all about loving the lounging experience “a luxury in itself.
Influenced by the golden light of the Tuscan city of Lucca, the elegant portable lamp echoes the warmth of the city’s nightlight. The battery-powered Lucca, built as a multi-purpose device, can easily switch from indoors to outdoors. It can operate up to 12 hours and is recharged easily using a USB cable.
Studio Vit ‘s attention to detail and commitment to shaping and decreasing is the product of the sophistication of marble light construction. The high-quality materials and pure geometric shapes for marble, made of Italian bianco carara marble and mouth blown borosilicate glass, drive light to the domain of object of Art. However, you will consider playfulness as they rip on a traditional shape of the arc < spanclass= “> that fulfills the second criterion of ± creativity in the tradition. The seven-piece series designed by Studio Vit comprises various suspension pendants of different sizes and marble weights.The Lights marble set comprises one table lamp, five slopes with a weight of 10 m cable and one marble base.
Studio Vit’s attention to detail and commitment to perfecting and rising forms is the product of the beauty of the marble light style. Made from Italian Bianco Carrara marble and mouth-blown borosilicate glass, high-quality materials and the pure geometric forms used for marble Light move the light into the domain of art object. However, you see playfulness in how they riff on the arch span class ectypal light bulb form that fulfils the second criterion of &Tradition ± creativity. Studio Vit’s seven-piece collection includes a range of pendants of varying proportions and marble weights that allow the lamps to be suspended. The set Marble Light includes one table lamp, five pendants, and one 10m cord marble floor weight.
The pendency was first introduced with brown marble and glass, as the two architects decided to create a natural stone lamp that could stand up to daily use. An incredible sense of consistency and longevity is the exceptional use of solid Marble for a lamp. Two other premium materials, copper and brass, were eventually added to the list. & Mass Light’s form is audacious, powerful and male. Nevertheless, the gestures are distorted with feminine curves. The famous form helps us to reflect on the elegance, esthetic structures and colors of the materials.
The pendent was first introduced in brown glass and marble, as the two architects decided to create a natural stone lamp that could stand up to daily use. Exceptional consistency and longevity can be obtained from the uncommon use of solid marble for a lamp. Then two additional quality materials in the form of copper and brass were added to the collection. Mass light form is audacious, strong and masculine. And the gestures are hidden by feminine curves. The popular type helps you to focus on the beauty and aesthetic structures of the materials and colours.
Mayor shows a moderation of modernism and a unique regional adaptation: the frame is made of solid oak, the upholstery is tight but with three loose cushions that comprise the seating area, and there is generally a more human approach to modernism with a focus on livability. The sofa is made of high quality materials. The tight upholstery and the two rows of elegant buttons that extend over the armrests and back give the sofa a simple and stylish look. Thus the sofa fits perfectly into both modern homes and workplaces, where quality and design are important parameters.
The younger sister of Bulb, who first blossomed five years after 2006 is Mega Bulb, while superior in scale. As beautiful as elegant, Mega Bulb is the solution to all poetic lightning requests in larger rooms and spaces. The tiny defects in the mouth-blown glass make each of the pendants one of a kind and tell the tale of the personal efforts of the glass master in turning sand, soda and chalk into a modern classic using a 1,000-year-old technique. & Mega Bulb provides both high-quality architecture and high-quality illumination, making the kitchen chef ideal companion.
For various purposes, a table is where different people come together. Meet and talk about a topic. To accept, disagree or only laugh and have shared fun in company s. It’s the vision for merging individuals, concepts and elements that is at the heart of Mezcla–an innovative blend of different materials that is a Spanish designer Jaime Hayon table concept.
The Spanish term is Mezcla,— Hayon states — mixture explicitly to Mezcla. It captures for me the very essence of people and dynamic design elements-in a collection of tables that could meet and greet objects, shapes and colors, so to speak.
For various purposes, a table is where different people come together. Meet and talk about a topic. To accept, disagree or only laugh and have shared fun in company s. It’s the vision for merging individuals, concepts and elements that is at the heart of Mezcla–an innovative blend of different materials that is a Spanish designer Jaime Hayon table concept.
The Spanish term is Mezcla,— Hayon states — mixture explicitly to Mezcla. It captures for me the very essence of people and dynamic design elements-in a collection of tables that could meet and greet objects, shapes and colors, so to speak.
NormIn an ancient Scandinavian tradition of wood and glass . Architects finds fascinating new forms. While well suited as a lamp, Milk is adding more to your home than just light. For Milk it was the intention of Norm. Architectäs to create a soft light that could be put in every corner of the house to create a comfortable atmosphere. Over the last few years they have certainly succeeded in being featured in an number of interior magazines, design blogs and on social media.
The Danish word for presence, Naervaer, is the idea that invites you to be present at the heart of this simple table by Norm Architects. Whether it’s a chat or an intimate meal, there’s all you’re looking for personally and right now. Interestingly, Naervaer architecture is as basic as that it doesn’t enforce its own space presence. Naervaer promulgated comprising a powder-coated, circular stainless steel base and cylindrical stem that houses a round or square laminate tabletop. Don’t overlook the oak veneer along the top of the table, a detail that could easily get into a corner or a crowded space. You can concentrate on the space and the people who fill it.
The Danish architects Kastholm & Fabricius were whose work inspired Danish Modernism’s signatory esthetics. Kastholm applied his blacksmith expertise in conjunction with his cabinet-maker Fabricius’ training to produce characteristically sculptural items that appeal to an international public. The new P376 pendant lamp is honoured in its original design in 1963 with five concentric shades, which are discretely placed underneath and curve gradually towards the middle to give off smooth, widespread illumination. It is an excellent example. Enjoy a classic but always modern look of that’s. The architecture is smooth and sophisticated.
Kastholm & Fabricius were Danish architects whose works inspired Danish Modernism’s characteristic esthetics. Kastholm applied his blacksmith expertise in conjunction with his cabinet-Fabricius’ training to produce distinctively sculptural items that appeal to an international public. The restart of their P376 pendant lamp honours their original design from 1963 with five concentrated shades that are placed discreetly underneath, which slowly curve in the middle to give out a soft, widespread light. Enjoy a classic but always modern look of that’s. The architecture is smooth and sophisticated.
Two types are combined in each palette design: an elongated beanshape with a simple round form. Both incorporate a great mix of shelters in three different configurations. Select from polished marble Nero Marquina or BiancoCarrara tile, polished satin brass or a gray-green stained-ash veneer for the tabletops, in black redor. The foundation is made of sold and polished steel tubes and gives this collage of contrasts a contemporary touch.
The ability to relax and enjoy the company of others is implied in the idea of lounging. With Jaime Hayon’s large lounge edition of the Palette table, we’ve has increased your chances for interesting exchanges and experiences. With a multi-tiered table where various forms, sizes, colors and textures combine. In this convincing collage of textures, beauty is everywhere. Start with the choice of walnut or black ash along with black marble and brass polished with satin. The effect is understated and subtle, combining wood’s warmth with marble’s patterned surface in contrast to the satin-polished brass’s silky effect.
Two types, sizes and materials combine to create a cozy enclave with the Palette side table by Jaime Hayon. The Palette side table creates a single look in an environment with different lingos of look, whether with a sofa or a nightclub, on the entry, bar, reception or in a part of an interior show.
Every Hayon Lounge table at first glance is a geometry tutorial. A rund shape with a hexagon and an elongated oval has one variant. One version has the palette of a painter, while a separate version has a rounded rectangle with an elongated oval and circle in front of each other. Table consists of three distinctive types that are well balanced and shape a single whole at different heights. The Hayon Lounge Tables offer a linear feel to a 3D object, ranging in length from 67 cm to 83 cm to 116 cm. A sculpture in which you can see and work.
Single Hayon Lounge Table is a geometric lesson at first sight. Another variant has a circular shape with an elongated oval paired with a hexagon. Another version has a palette form for a painter, while another version is made of a square, square, and a rounded rectangle. Growing table has three distinctive shapes, which are perfectly balanced and shape a seamless whole at different heights. The Hayon Lounge Tables provide a linear feeling for a 3D piece, ranging from 67 cm to 83 cm to 116 cm in length. You will enjoy watching and living with a sculpture.
If you need lighting for a wide, expansive room or a narrow hallway, a cozy home setting or a friendly workspace, the Passepartout Lamp emits a remarkably calm and quiet light. Add to that built-in LED technology that guarantees a high quality light output that is also energy-efficient, specially designed so that the light is spread evenly across a room. The lamp comes in matt white in different shapes that are decorative without paying too much attention to itself. For a consistent look select one style or group them together to make a unique statement of design.
Located on Copenhagen’s castle grounds, the Pavilion Langelinie stands with a strong spirit and overlooks the waterfront promenade home of the Little Meer. Founded in 1885, the first pavilion. The second was designed in 1902 by Eva, an architect and Niels Koppel, in celebration of modernism, for the Royal Danish Yacht Club, although it was sadly destroyed during the Second World War. The Pavilion Chair by Andersen & Voll represents its own capacity to withstand. In this iconic, multipurpose space, Langelinie Pavilion, the challenge was to design a stackable chair for mass seat. Torbjà ̈rn Anderssen and Espen Voll were attempting to put early modernism into touch with the new modernism.
The Pavilion lounge chair is made from a steady stream of lyric lines extending from the curved wood furnace seat and back to the steel tubing forming the armrests and legs. This chair invites you to sit back, rest and relax.
Airy feeling with flowing curves to the Wood veneer seat and back that continue in the steel tubes in the legs as musical lines is in the Pavilion bar / counter stool. The effect is that there is a silhouette thatâ s. Ideal for decorating an expansive bar or kitchen counter, they can comfortably fill a room without the maximum wall. Tube chairs began in the early modern era, but were typically designed in fixed angles, “according to Anderssen and Voll. We wanted to explore a freer mode of speech, a more open construction.
The Setago comes with a story, like many Jaime Hayona s bits. “Swiss word” sets the stage for this eccentric table lamp’s diminutive mushroom proportions. Yet an additional hint of its identification is identified with suffixing ‘go’s, because it can go practically anywhere without being burdened by an electric cord. Instead of stationary movements, they have been quickly picked up from the floor like leaflets and carried from one room to the next. It only needs to be connected to a USB cable to recharge.
The specifics have been carefully considered in other aspects of Setago. Inspired by the artistic style of a Japanese lantern, Hayon merged the superior skill of his cord-free design with very modern capabilities. Despite such technical integration, work is still secret to keep the lamps form clean and uncluttered. The light that it creates is just as critical as the atmosphere, “then a discreet dimmer of brass controls the diffused ambient light is controlled.
By adding the color and imaginative shapes of old painted wooden toys, Mia Hamborg brings new meaning to the traditional Nordic art practice of turning wood. Wherever you want to place this fine piece of furniture and be genuinely Northern and Democratic, you can also agree on the table’s form, colors and height. & This fine table has one more essential feature than any other: bringing happiness.
The French translation of Sillon is “groove”, referring to the furrowed frame of three mirrors of various-shaped sizes. The grooves, influenced by French Art Deco, form a repeated pattern which is graphic, adding fascinating clarity and contrast with the reflections. You can choose between brass or chrome for the frames as a device for the three size mirrors. From an entrance lobby or a bedroom to a smaller area such as a toilet, you can group them in different altitudes or build yourself separately.
The spinning-top toy, a favourite childhood, influences the Spinning pendant’s joyful form together with the metal spinning cycle. Through this aspect, form really meets function in a creative way. It is elegant, sexy and sure to be a new classic. & Benjamin Hubert is often eager to come up with new ideas and materials, always stopping to feel the texture on a piece of furniture or feel the weight of an old glass vase.
The spinning-top toy, a favourite childhood, influences the Spinning pendant’s joyful shape along with the metal spinning cycle. Here, the shape really meets purpose in an imaginative fashion. It’s elegant, it’s sexy and will definitely be a new classic. Benjamin Hubert, the artist, is often curious about discovering new ideas and products, always stopping to feel the texture on a piece of furniture or feel the weight of an old glass vase.
The Moor Rugs are the second collection of rugs produced by & Tradition, designed by All The Way to Paris. This time the starting point for ATWTP came from the different gemstone shapes. “We wanted to concentrate solely on forms, colours and textures without patterns,” says Tanja Vibe and Petra Olsson Gendt, ATWTP’s designers and partners. “For us, a rug puts together all the components of space in harmony and provides a feeling of closeness.” The effect is a convincing sense of unity. Especially when you arrange all of the rugs as a cluster of gemstones together. The rugs have a subtle shimmer to the surface, designed to mimic a gemstone’s qualities.
The simplest objects are often the most robust and rememberable, the Topan Pendant is a brilliant example. This was Verner Panton’s first mass made, and then the FlowerPot. The simplicity and coolness of Topan is proving to be enduring. In 1960, Topan was originally built in Trondheim, Norway for Astoria hotel and restaurant. For his textile designs, Panton used Geometri I to IV to provide the space with a standardized picture on floors, walls, and ceilings. The Topan pendants were hung all over and separated into larger and more smaller rooms.
The 1953 tripod illustrates Old Masters Hvidt and Molgard’s clean minimalism. It creates a delicate balance of the solid simplicity and the softness infused by its curved sides, a floor lamp made out of lacquered steel with brass details. Given its creation in 1953, it is the first time that it’s have been made.
The seven True Colours Vase vases come of glass, glass titanium, green copper and brown steel, in blue, terracotta, and black. All differ in scale in height between 10 and 24 cm and in diameter from 6.5 to 10.5 cm, but the same design concept is applied. Although each vase is an individual piece, each other is beautifully complemented together by the members of the True Colors family. The new vases for &Tradition show the effects of metal research and its true colours; a direct link between colour, material and details.
Together with color, the naval engineering sketches of his father became a lifelong obsession with ships and vessels. More than a decade prior to J’s creation, Utzon created his masterpiece, the Sydney Opera House, placing his childhood obsession in this pendant, effectively merging the smoothness of a ship’s lines with the light source. The choice of white or finished polished chromium recalls a wave and a northern sun.
Koskinen started out with the Working Title Table Lamp with the concept of a small sculpture for a table. Three basic components were present: a base, a stem and a shadow. The problem was how to create a harmonious arrangement as an individual, with all the elements together? I chose a monochromatic material solution to bind it all together: brushed aluminum. It makes the luminaire more elegant. The smooth coating is pleasing to the touch and the eye. The base’s circular shape is mirrored in shade form, with the two being connected by a flexible, swivel stem.
