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Amore Mirror
The SAS Royal Hotel is considered Arne Jacobsen’s masterpiece. Completed in 1960, it was the tallest skyscraper in Copenhagen at the time and for many it remains the epitome of modernity. The hotel has now commissioned Space Copenhagen to design something new for the hotel rooms. “The façade is the iconic face of the building,” says Signe. “We were fascinated by the light both outside the building and inside the rooms. Seeing the constant shift of reflections from the façade is truly distinctive to the hotel.” As Peter sees it, “We also wanted to somehow incorporate the views of the city from the top floors. There is a horizontal sequence of windows running from one edge to another. We wanted to echo that aspect inside the rooms, as well.”
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Another Rug
The Moor Rugs are the second series of rugs designed by All The Way ToParis produced by &tradition. This time, ATWTP’s departure point camefrom the various shapes of gemstones. ìWe wanted to focus solely onthe shapes, colours and textures ñ without any patterns, notes TanjaVibe and Petra Olsson Gendt, Founders and Partners at ATWTP. ìFor us,a rug brings all the elements of a room together inharmony, creating afeeling of closeness. The result is a compelling sense of cohesion. Especially when you arrangeall the rugs together as a cluster of gemstones. The rugs have asubtle shimmer to the surface to echo the qualities of a gemstone.
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Bellevue AJ10 Table Lamp
In homage to Arne Jacobsen’s legendary architectural Bellevue projects, the Bellevue Lamp is captured in all its authenticity – in a lovely plug-in table lamp that comes in two versions; with and without switch. Boasting its signature swan neck and 45-degree shade, it is the epitome of beauty and simplicity in a curvaceous silhouette that beckons you to come closer. Watch for a modern mix of intriguing new colours and materials. Part of &tradition’s desire to keep this icon alive in the hearts and minds for generations to come.
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Bellevue AJ11 Table Lamp
In homage to Arne Jacobsen’s legendary architectural Bellevue projects, the Bellevue Lamp is captured in all its authenticity – in a lovely plug-in table lamp that comes in two versions; with and without switch. Boasting its signature swan neck and 45-degree shade, it is the epitome of beauty and simplicity in a curvaceous silhouette that beckons you to come closer. Watch for a modern mix of intriguing new colours and materials. Part of &Tradition’s desire to keep this icon alive in the hearts and minds for generations to come.
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Bellevue AJ7 Floor Lamp
With the Bellevue Lamp, Danish architect and designer Arne Jacobsen embodies the minimalism of the Modernist Movement with the functionalism of Bauhaus. Viewed as the driving force behind Danish Modernism, Jacobsen’s preference for graceful lines and simple, organic forms are readily recognisable in the Bellevue Lamp. The re-launch of this iconic lamp involves a return to the original Bellevue shape in three styles: the floor lamp, three desk lamps and a wall lamp. To enhance their appeal in a contemporary setting are new colours and a mix of materials.
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Bellevue Table Lamp
With the Bellevue Lamp, Danish architect and designer Arne Jacobsen embodies the minimalism of the Modernist Movement with the practicalism of Bauhaus. Viewed as the driving force behind Danish Modernism, Jacobsen’s preference for graceful lines and simple, organic forms are readily recognisable in the Bellevue Lamp. The re-launch of this iconic lamp involves a return to the original Bellevue shape in three styles: the floor lamp, three desk lamps and wall lamp.
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Bellevue Wall Lamp
With the Bellevue Lamp, Danish architect and designer Arne Jacobsenembodies the minimalism of the Modernist Movement with the functionalismof Bauhaus. Viewed as the driving force behindDanishModernism,Jacobsen’s preference for graceful lines and simple, organic forms arereadily recognisable in the Bellevue Lamp. The re-launch of this iconic lamp involves a return to the original Bellevueshape in three styles: the floor lamp, desk lamp and wall lamp. Toenhance their appeal in a contemporary setting are new colours and amix of materials: satin polished brass, black with brass, anthracite withbrace and versions mixing ivory or grey beige with brass.
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Betty TK1 Chair
Finnish designer Sami Kallio and Danish designer Jakob Thau made the focus of Betty a feature most people don’t focus on; the webbing usually found under a seat intended to provide support. Consequently, the webbing adds comfort that naturally bends a bit with your body. Meanwhile, the one-piece wooden seat frame is part of a sturdy chair that’s surprisingly light – and stackable, available in a selection of contemporary colours for the frame. Betty is an honest, explicit design with nothing hidden and everything exposed. A strong chair when you see it that’s soft when you sit in it.
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Blown Ceiling Light
While experimenting with the reflections and refraction of light, designer Samuel Wilkinson discovered a beautiful quilted effect when the light source was surrounded by patterned glass. This led to his design of the Blown series of lamps – and the launch of the Blown ceiling lamp. Choose from either silver or opal glass and let yourself be mesmerised by the effect. Switched on, the Blown ceiling lamp emits a soft light that projects a quilted pattern dispersed across the ceiling. Brilliant for a home, high-end hotel, restaurant, lounge or any other such setting, it adds a subtle sense of graphics that’s striking. The name Blown is inspired by the process of creating the lamp itself, where each lamp is mouth-blown by artisans and expert crafts people. An authentic technique that contributes to the stunning patterns projected onto the ceiling when lit, transforming any space into a work of art.
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Blown Pendant
Blown is Samuel WilkinsonÍs first lamp for &tradition. A mouth-blown pendant with a quilted pattern, it comes in two versions: a translucent variant with a silver lustre and a sandblasted white one. The pendant is fitted with a powder-coated cast metal suspension. The pendant was conceived as an exploration of the reflections, distortions, and refractions of a light source when surrounded by patterned glass.
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Blown SW6 Table Lamp
The quilted surface texture of the Blown table lamp is distinctive in itself. Switched on, the lamp projects a pattern of reflections and refractions that add a touch of art to a cosy, intimate atmosphere. An extension of the small Blown pendant also by Samuel Wilkinson, it features a silver tinted translucent glass in the same small size, secured upright on a black marble base with a dimmer to adjust the light. Ideal in a private setting by a bedside, desk or windowsill, as well as a commercial or retail venue as part of a display, you can art direct the effect to be subtle or striking.
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Bulb Pendant
With Bulb, Danish light artist Sofie Refer lit up the new millennium and a new classic was blown. The shape refers to the first electrical light bulbs by using thick transparent glass. Sofie Refer continues an elegant Nordic tradition, adding her own passion and femininity. The small irregularities in the mouth blown glass make each of the pendants one of a kind and add the story of the glass master’s personal efforts in changing sand, soda and chalk into a modern classic using a thousand year old method.
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Catch Chair JH1
Catch, Jaime Hayon’s first contribution to &tradition’s collection, is a chair that welcomes you with open arms. Its armrests extend from the shell like literal limbs, ready to embrace you as you sit down. In addition to being a witty personification, it is also an eye-catching piece of design. Serpentine lines give it a playful lightness that is counterbalanced by a sturdy, well-balanced base and legs that ensure maximum comfort. The shell offers comfort alongside great variability.
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Catch Chair JH15
Catch, Jaime Hayon’s first contribution to &tradition’s collection, is a chair that welcomes you with open arms. Its armrests extend from the shell like literal limbs, ready to embrace you as you sit down. In addition to being a witty personification, it is also an eye-catching piece of design. Serpentine lines give it a playful lightness that is counterbalanced by a sturdy, well-balanced base and legs that ensure maximum comfort. The shell offers comfort alongside great variability.
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Catch Chair JH2
Catch, Jaime Hayon’s first contribution to &tradition’s collection, is a chair that welcomes you with open arms. Its armrests extend from the shell like literal limbs, ready to embrace you as you sit down. In addition to being a witty personification, it is also an eye-catching piece of design. Serpentine lines give it a playful lightness that is counterbalanced by a sturdy, well-balanced base and legs that ensure maximum comfort. The shell offers comfort alongside great variability.
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Catch Lounge Chair JH13
With its outstretched arms like a friend ready to greet you with a warm, welcoming hug, the Catch Lounge Chair builds on Hayon’s penchant for humour and personification. At the same time, it introduces a higher back and elongated seat in a singular shell supported by a metal armature. The result is a leisure chair that’s angled back just a bit ñ so you can sit down, relax and, as the name implies – lounge.
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Catch Lounge Chair JH14
With its outstretched arms like a friend ready to greet you with a warm, welcoming hug, the Catch Lounge Chair builds on Hayon’s penchant for humour and personification. At the same time, it introduces a higher back and elongated seat in a singular shell supported by a metal armature. The result is a leisure chair that’s angled back just a bit ñ so you can sit down, relax and, as the name implies – lounge.
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Cloud 2-Seater Sofa
The Cloud collection includes a one, two and a three-seat sofa and a pouf, all of which combine a strong and defined weight-bearing structure with cushions and pillows ensuring maximum comfort. Cloud welcomes you in a friendly embrace while maintaining an elegant and structured external silhouette. Cloud’s base feature no-sag springs and the pillows are made using a mix of HR foam and feathers, providing ultimate comfort. Its supporting structure î the back- and armrest segment and base î is made from bend plywood, while its frame and legs are produced in powder-coated steel, designed to match the colours of the upholstery.
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Cloud LN5 Lounge Chair
Designed to be spacious and expansive, Italian-born, Swedish-based designer Luca Nichetto wanted to minimise anything voluminous and accentuate the look and feel of lightness. Seen in this new version of Cloud Sofas with a high back.
The secret to Cloud’s truly hygge sensation involves feather and foamfilled seat cushions resting on an upholstered solid wood base. Slim steel legs keep the base “afloat”, with a special coating in black, chrome or bronzed. The cushions along the back are secured in place with a curved shell that extends quite high above your back, constructed from foamwrapped plywood covered in the same textile to match the cushions.
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Cloud LN6 Sofa
Designed to be spacious and expansive, Italian-born, Swedish-based designer Luca Nichetto wanted to minimise anything voluminous and accentuate the look and feel of lightness. Seen in this new version of Cloud Sofas with a high back.
The secret to Cloud’s truly hygge sensation involves feather and foamfilled seat cushions resting on an upholstered solid wood base. Slim steel legs keep the base “afloat”, with a special coating in black, chrome or bronzed. The cushions along the back are secured in place with a curved shell that extends quite high above your back, constructed from foamwrapped plywood covered in the same textile to match the cushions.
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Cloud One Seater
The Cloud collection includes a one-, two- and a three-seat sofa and a pouf, all of which combine a strong and defined weight-bearing structure with cushions and pillows ensuring maximum comfort. Cloud welcomes you in a friendly embrace while maintaining an elegant and structured external silhouette. Cloud’s base feature no-sag springs and the pillows are made using a mix of HR foam and feathers, providing ultimate comfort. Its supporting structure î the back- and armrest segment and base î is made from bend plywood, while its frame and legs are produced in powder-coated steel, designed to match the colours of the upholstery.
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Cloud Pouf
The Cloud collection includes a one-, two- and a three-seat sofa and a pouf, all of which combine a strong and defined weight-bearing structure with cushions and pillows ensuring maximum comfort. Cloud welcomes you in a friendly embrace while maintaining an elegant and structured external silhouette. Cloud’s base feature no-sag springs and the pillows are made using a mix of HR foam and feathers, providing ultimate comfort. Its supporting structure î the back- and armrest segment and base î is made from bend plywood, while its frame and legs are produced in powder-coated steel, designed to match the colours of the upholstery.
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Column JA1
English designer John Astbury played with the proportions, surfaces and materials to create more than a shelf – but in a minimal expression that didn’t seem staged. The outcome? Two different shapes and various finishes. The long shelf is a soft rectangle and its little round sibling is the ideal companion. Pair them at varying heights and configurations, or place each on its own as a side table or in-shop display. Enjoy the option of waxed aluminium for both the shelf and supporting columns or black anodised aluminium for the shelf with oiled walnut
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Column JA2
English designer John Astbury played with the proportions, surfaces and materials to create more than a shelf – but in a minimal expression that didn’t seem staged. The outcome? Two different shapes and various finishes. The long shelf is a soft rectangle and its little round sibling is the ideal companion. Pair them at varying heights and configurations, or place each on its own as a side table or in-shop display. Enjoy the option of waxed aluminium for both the shelf and supporting columns or black anodised aluminium for the shelf with oiled walnut.
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Copenhagen Desk Lamp SC15
Imagine Maritime gas lamps lighting the way on dark cobblestone streets dating back over a century. Now imagine a modern version that embodies the essence of this icon in a desk lamp crafted in opal glass and oxidised brass – and you have Copenhagen by the design duo at Space Copenhagen.
The compact size allows you to place the lamp in all kinds of settings and the swivel feature gives you more possibilities for illumination. Light intensity is seamlessly controlled through a new dim-feature reflecting the latest Nobel Prize findings about our inner clock and the benefits of proper lighting on our wellbeing. Turn the knob on the base of the lamp from a colder brighter white light for daytime to a warmer white light for a cosy effect. A customised, built-in LED module ensures energy efficiency.
Ideal for any sized desk, the Copenhagen desk lamp will pave the path for pondering great ideas.
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Copenhagen Floor Lamp SC14
Choose a cosy corner, add the new Copenhagen floor lamp and you instantly have an ambience with elegance.
The opal glass shade emits a soft ambient light, while the new dimmer allows you to adjust the light from a colder whiter light for daytime to a warmer white light at night time for a calmer effect. It’s the technology reflecting the latest Nobel Prize findings about our inner clock and being in sync with the various phases of the day for a better sense of wellbeing. A customised, built-in LED module ensures energy efficiency.
If you are looking for an iconic lamp with loads of atmosphere, you’ve just found it.
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Copenhagen Pendant
The Copenhagen Pendant is an exercise in contrasts. The goal was to design a pendant with a simple industrial feel, but which was still elegant and poetic. Combining the classic and the modern, the maritime and the industrial, it is a pendant developed by Space Copenhagen for &Tradition. Following the success of their first collaboration, the Fly Lounge Series, &Tradition have worked with Space Copenhagen again to produce a pendant range in matt lacquered metal, one of Space Copenhagen’s first lights to enter production.
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Copenhagen Table Lamp SC13
Whether you want to focus on work or on life, the Copenhagen table lamp will inspire you. With its opal glass to shed light on the subject, in tandem with an oxidised brass stem and base. Add to that a new dimmer feature, and you can adjust the light from cold to warm and back.
The opal glass shade exudes a soft ambient light, boasting a new dimmer that lets you to adjust the light from a colder whiter light for daytime to a warmer white light at night time for a calmer effect. The technology reflects the latest Nobel laureate findings on synchronising our inner clock to the different phases of the day for a better sense of wellbeing. A customised, built-in LED module ensures energy efficiency.
The Copenhagen table lamp is a welcome addition to any table, perfect for thinking, dreaming or just conversing.
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Copenhagen Wall Light SC16
Most people adorn their walls with art, which is why &tradition introduced Copenhagen in a smaller wall version. The compact size gives you multiple placement options. Use it as a cosy bedside lamp or try several to illuminate your hallway. Swivel the lamp left to right for more personal lighting possibilities.
The opal glass shade ensures a soft ambient light, while the new dimmer allows you to adjust the light effect from cold white light for an energy boost by day to a warmer white light for a calmer feeling at night. A technology reflecting the latest Nobel Prize winning findings on the health benefits of synchronising our biological clock to the different phases of the day. A customised, built-in LED module ensures energy efficiency.
Wherever you place it, the Copenhagen wall lamp is destined to be a conversation piece.
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Develius Sofa
Develius is the epitome of lounging in luxury. Conceived by Dutch designer Edward van Vliet, the shape is actually a composition of three enormous cushions. An ultra modern expression of a modular sofa, allowing you to arrange the various components to create a very personal sofa – and your own piece of paradise.
Develius is comprised of 16 different modular sofa components varying in depth, width and shape from rectangular to square. Including versions with and without arms, as well as a variety of poufs and the option of lush, loose cushions. Create a cosy corner in a private space. Or a lavish lounge area in a more public arena. Assemble a love seat for two or an expanded version for four or more. You could even use the pouf as an informal side table. The possibilities are practically endless.
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Elefy Armchair
Critically acclaimed artist and designer Jaime Hayon is renowned for his playful approach to design – like the ‘Elefy.’ Inspired by an elephant, this emblematic chair mirrors its muse’s large physical form. Viewed from behind, it’s easy to spot the swell of those two large ears, emerging in a rounded curve from the solid bulk of the chair’s body. The similarities don’t end there. The base – available in metal or solid wood – echoes the creature’s four sturdy legs, while the shell comes in a range of contemporary colours and with the choice of full upholstery with either fabric or leather. The impact of this evocative piece extends beyond its physical appearance. While the Elefy’s streamlined shape is distinctly contemporary, the chair was designed with comfort in mind. Instead of angular edges and an aggressive form, its cupping shape cozily envelops the sitter from all sides. Much like the gentle nature of an elephant, the chair was designed to encourage a sense of wellbeing.
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Flowerpot Pendant
In 1968 the students revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semicircular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too. & In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals
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Flowerpot Table Lamp VP3
In 1968 the students revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semicircular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too. & In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals.
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Flowerpot Table Lamp VP4
In 1968 the students revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semicircular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too. & In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals.
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Fly Chair SC1
The Fly Series by Space Copenhagen is a lounge collection made up of two sofas, an armchair, two tables and a pouf. Pushing the idea of lounging to its fullest, Fly is a series that allows the user to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimised for comfort, with loose cushions for the back that can be arranged according to the user’s own needs. But Fly adheres to tradition in other respects; the frame of the sofa and armchair, with a slatted back rest, is made from solid oak, treated with white pigmented oil or smoked oil.
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Fly Chair SC10
The Fly Series by Space Copenhagen is a lounge collection made up of two sofas, an armchair, two tables and a pouf. Pushing the idea of lounging to its fullest, Fly is a series that allows the user to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimised for comfort, with loose cushions for the back that can be arranged according to the user’s own needs. But Fly adheres to tradition in other respects; the frame of the sofa and armchair, with a slatted back rest, is made from solid oak, treated with white pigmented oil or smoked oil.
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Fly Pouf
The Fly Series by Space Copenhagen is a lounge collection made up of two sofas, an armchair, two tables and a pouf. Pushing the idea of lounging to its fullest, Fly is a series that allows the user to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimised for comfort, with loose cushions for the back that can be arranged according to the user’s own needs. But Fly adheres to tradition in other respects; the frame of the sofa and armchair, with a slatted back rest, is made from solid oak, treated with white pigmented oil or smoked oil.
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Fly Sofa
The Fly Series by Space Copenhagen is a lounge collection made up of two sofas, an armchair, two tables and a pouf. Pushing the idea of lounging to its fullest, Fly is a series that allows the user to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimised for comfort, with loose cushions for the back that can be arranged according to the user’s own needs. But Fly adheres to tradition in other respects; the frame of the sofa and armchair, with a slatted back rest, is made from solid oak, treated with white pigmented oil or smoked oil.
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Fly Table
The Fly Series by Space Copenhagen is a lounge collection made up of two sofas, an armchair, two tables and a pouf. Pushing the idea of lounging to its fullest, Fly is a series that allows the user to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimised for comfort, with loose cushions for the back that can be arranged according to the userÍs own needs. But Fly adheres to tradition in other respects; the frame of the sofa and armchair, with a slatted back rest, is made from solid oak, treated with white pigmented oil or smoked oil. It is the type of material and treatment that ages with true grace, only becoming more beautiful with time.
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Formakami Pendant JH3
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
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Formakami Pendant JH4
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
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Formakami Pendant JH5
The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
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Formakami Table Lamp JH18
Delicate materials and hand craftsmanship give the iconic Asian lantern a contemporary twist with the Formakami table lamp by Jaime Hayon. The result is an ambient light in a lamp where the design itself appears light. It’s a hybrid concept fusing different aspects of cultures into a new design idiom. Airy, bulbous shapes crafted in ivory white rice paper with black lacquered ash accents look Asian and yet somewhat Scandinavian. Place the lamps in a modern milieu and cultural references disappear – replaced by a sense of magic. Switched off, there’s a sense of serenity. Switched on, there’s intimacy.
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Fornell Suspension Lamp
Drawing his inspiration from the world of art and fashion, Andreas Bozarth Fornell creates simple, streamlined designs you would enjoy sharing a space with. Initially trained as a cabinetmaker, Fornell apprenticed with an architect when fate stepped in. He landed a juicy job as the in-house architect for the Swedish fashion brand Acne, designing the interiors for their riveting retail shops in New York, Los Angeles, Paris, London, Copenhagen, Stockholm, Hong Kong, Tokyo and Melbourne. Where he merged different materials with inherent colour qualities to create amazing spaces imbued with atmosphere. ìArt is my inspiration, says Fornell. ìWith art comes freedom from functionality. At the same time, Im attracted to functionality. Not design for the sake of design. But objects you can really use in a design you would enjoy looking at ñ and having in your life.
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Hoof Table SW1
ÖThe main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word Öhoof originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain.
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Hoof Table SW2
ÖThe main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word Öhoof originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain.
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In Between Bar Stool
Merging man and machine by combining classic wood craftsmanship with compression moulding, Kallio imbues the In Between Bar Stool with someNordic soul. Seen in a simple, timeless design that’s kissing cousins to his In Between Chair and In Between Table, both made in conjunction with &tradition. “We love the mix of classic woodworking techniques and modern machinery,” notes &tradition Brand Manager Martin Kornbek Hansen. “Intrinsic to our own concept is merging the past with the present. So this design, with its simplicity and beauty, is truly emblematic of our own angle on design.”
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In Between Chair
The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide a concrete shape and support, but forms are created equally by the gaps in between them. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression.
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In Between Table SK3
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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In Between Table SK4
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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In Between Table SK5
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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In Between Table SK6
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
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Journey Surface Light
The Journey lamp is a lovely merging of two classic geometric shapes, the sphere and the rectangle. The round, opal glass shade is reminiscent of the moon, with a new dimmer feature to enhance your mood and sense of well-being. Journey is both a table lamp and a wall lamp, with subtle colour combinations that make it easy to place anywhere. There is the mirrored chrome base with a chrome dimmer for a monochromatic look. A matt black base with a brass dimmer. And a clay-toned base with a brass dimmer. Whether the moon is full or not, the intention is for you to enjoy the design and all the moods you can create.
*Can be used as either a table or a wall light
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Lato Table
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
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Light Forest
ìWe thought about climbing plants entering your room in one spot, slowly growing across the ceilings and walls, and blossoming into flowers of light. Ontwerpduo Light Forest is a lighting system adapted for ceilings and walls, designed by Tineke Beun-ders and Nathan Wierink of Ontwerpduo for &tradition. It crawls along walls, bends over beams, and folds across corners, bringing light into spaces that other lighting solutions could never reach. ìElectric points never seem to be where you want them, says Beunders. ìWith Light Forest you can have the light points exactly where you want them to shine. Light Forest consists of a network branches made from extruded aluminium tubes î both strong and light î which are joined with 3D printed SLS plastic parts.
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Little Petra Lounge Chair
Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibits in New York and Berlin. It’s one of just a few designs by architect Viggo Boesen, who became associated with Denmark’s signature design aesthetic in the 1930s called funkis style. Distinguished by a softer, more abundant, organic aesthetic that challenged the minimalistic approach of Bauhaus. Named after Boesen’s mother-in-law, Little Petra is indeed surprisingly petite, able to fit into all kinds of spaces, interiors and environments. Low to the ground, open and embracing, it embodies the essence of a lounge chair, allowing for all kinds of seating positions in any cosy setting imaginable. A lot of work has gone into ensuring the utmost comfort, from the seat to the upholstery. Respecting Boesen’s love of natural materials, the legs of the chair have been crafted in oak or walnut. The result is an endearing lounge chair that beckons you to stay.
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Loafer Armchair SC24
The Loafer chair takes after its sibling, the Loafer lounge chair by Space Copenhagen designed for Arne Jacobsen’s refurbished SAS Royal Hotel. Fine-tuned for high-end restaurants, upscale eating environments and private homes, the Loafer chair is a bit lighter, narrower, with a higher seat and a slight slope on either side to comfortably accommodate your arms. A fully upholstered chair that’s soft yet sturdy, you’ll feel like you’re dining in a hotel whether you actually are or not.
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Loafer Lounge Chair
The SAS Royal Hotel turned to Space Copenhagen founders Signe Bindslev Henriksen and Peter Bundgaard Rützou, who designed a chair that would look lovely in the hotel – and actually anywhere. Loafer. “The SAS Royal Hotel lobby is an essential part of their legendary interior,” says Henriksen. “It’s enormous and elegant. We wanted to design a piece of furniture that could create a sense of intimacy in this very open space.” “At the same time,” adds Rützou, “The design had to relate the signature spiral staircase and the circular columns of the space. A comfortable design that would somehow also make you feel protected. Sitting alone or in a group, without feeling too exposed.”
Whether for an exclusive hotel, club or lounge, or a private living space, Loafer offers the ultimate in luxury. The freedom to lounge in style forever.
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Loafer Sofa SC25
A line extension from the Loafer lounge chair designed for the SAS Royal Hotel by Space Copenhagen, the Loafer sofa has the same seat height and depth. Remaining true to its name, it offers the utmost in comfort, involving extensive time and craftsmanship to ensure the solid construction, plush upholstery and detailed stitching. Available as a two-seater and three-seater sofa, each one is ideal as a centrepiece, partnered as a pair or grouped together. Equally at home in a high-end hotel, lobby, corporate setting or a residence, it’s all about indulging in the experience of lounging – a luxury in itself.
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Marble Light
The elegance of the marble Light design is the result of Studio Vit s attention to detail and dedication to perfecting and reducing forms. Made from Italian Bianco carrara marble and mouth blown borosilicate glass, the high quality materials and the pure geometric shapes used for marble Light push the light towards the realm of art object. Yet you find playfulness in the way they riff on the archetypal light bulb form fulfilling &tradition’s second criteria ñ innovation. The seven-piece collection designed by Studio Vit includes a variety of pendants of different proportions and marble weights that allow the lamps to be suspended. The marble Light collection includes one table lamp, five pendants and one marble floor weight with 10m cord.
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Marble Table Lamp SV6
The elegance of the marble Light design is the result of Studio Vit s attention to detail and dedication to perfecting and reducing forms. Made from Italian Bianco carrara marble and mouth blown borosilicate glass, the high quality materials and the pure geometric shapes used for marble Light push the light towards the realm of art object. Yet you find playfulness in the way they riff on the archetypal light bulb form fulfilling &tradition’s second criteria ñ innovation. The seven-piece collection designed by Studio Vit includes a variety of pendants of different proportions and marble weights that allow the lamps to be suspended. The marble Light collection includes one table lamp, five pendants and one marble floor weight with 10m cord.
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Mass Light Chandelier
The pendant was first launched in brown marble and glass as the two architects were keen on creating a lamp made from natural stone, which can withstand everyday use. The unusual use of solid marble for a lamp gives an exceptional sense of quality and durability. Later, two other quality materials were added to the range in the form of copper and brass. & the shape of Mass Light is bold, strong and masculine. Yet feminine curves soften the expression. The well-known shape lets you focus on the beauty of the materials, its aesthetic structures and colors.
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Mass Light Pendant
The pendant was first launched in brown marble and glass as the two architects were keen on creating a lamp made from natural stone, which can withstand everyday use. The unusual use of solid marble for a lamp gives an exceptional sense of quality and durability. Later, two other quality materials were added to the range in the form of copper and brass. & the shape of Mass Light is bold, strong and masculine. Yet feminine curves soften the expression. The well-known shape lets you focus on the beauty of the materials, its aesthetic structures and colors.
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Mayor Sofa
Mayor shows a moderation of modernism and a unique regional adaptation: the frame is made of solid oak, the upholstery is tight but with three loose cushions that comprise the seating area, and there is generally a more human approach to modernism with a focus on livability. The sofa is made of high quality materials. The tight upholstery and the two rows of elegant buttons that extend over the armrests and back give the sofa a simple and stylish look. Thus the sofa fits perfectly into both modern homes and workplaces, where quality and design are important parameters.
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Mega Bulb Pendant
Mega Bulb, though superior in size, is actually the younger sister of Bulb, first blown five years after in 2006. Just as beautiful, just as elegant, Mega Bulb is the answer to all requests for poetic lightning in larger rooms and spaces. The small irregularities in the mouth blown glass make each of the pendants one of a kind and add the story of the glass master’s personal efforts in changing sand, soda and chalk into a modern classic using a thousand year old method. & Mega Bulb offers both high quality design and high quality light, being a perfect companion for the kitchen chef.
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Mezcla JH20
A table is where different people come together for different reasons. To meet and discuss a topic. To agree, disagree or just laugh and enjoy each other’s company. It’s this idea of mixing people, ideas and elements that lies at the core of Mezcla, a table concept by Spanish designer Jaime Hayon, characterised by a mix of exclusive materials.
“The Spanish word for “mixture” is Mezcla,” explains Hayon. “For me it captures the essence of different people coming together and diverse design elements together – in a series of tables where the materials, shapes and colours could meet and greet, so to speak.”
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Mezcla Table JH19
A table is where different people come together for different reasons. To meet and discuss a topic. To agree, disagree or just laugh and enjoy each other’s company. It’s this idea of mixing people, ideas and elements that lies at the core of Mezcla, a table concept by Spanish designer Jaime Hayon, characterised by a mix of exclusive materials.
“The Spanish word for “mixture” is Mezcla,” explains Hayon. “For me it captures the essence of different people coming together and diverse design elements together – in a series of tables where the materials, shapes and colours could meet and greet, so to speak.”
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Milk Table Lamp
Norm.Architects finds exciting new ways in an ancient Nordic tradition of wood and glass. Though perfectly suited as a lamp, Milk adds more than light to your home. With Milk it was Norm.ArchitectÍs intention to create a soft light that could be placed in all corners of the home to create a cosy atmosphere. Being featured in an array of interior magazines, design blogs and on social media over the last few years they have surely succeeded.
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Nærvær Table
Nærvær is the Danish word for presence, the concept at heart of this simple table by Norm Architects that invites you to be present. Whether connecting over a conversation or a cosy meal, it’s all about being intimate and in the moment. Ironically, the design of Nærvær is so simple it doesn’t impose its own presence on a space. Pronounced “naer-vaer”, it’s comprised of a powder coated, circular steel base and cylindrical stem supporting a round or square laminate table top. Don’t miss the oak veneer along the table top edges, a discrete detail in a design that could easily t into a corner or a crowded space. Allowing you to focus on the space and the people who fill it.
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P376 KF1 Pendant
Kastholm & Fabricius were Danish architects whose work influenced the signature aesthetics of Danish Modernism. Kastholm added his experience as a blacksmith combined with Fabricus’ training as a cabinetmaker to create distinctively sculptural pieces appealing to an international audience. &Tradition’s re-launch of their P376 pendant lamp honours their original design from 1963, featuring five, concentric shades discretely placed underneath which gently curve towards the middle to emit a soft, diffused light. Available in either pure aluminium or white and in two sizes, the KF1 Ø47,5 and the KF2 Ø70. Enjoy a look that’s classic yet forever contemporary. Sleek and sophisticated with echoes of architecture.
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P376 KF2 Pendant
Kastholm & Fabricius were Danish architects whose work influenced the signature aesthetics of Danish Modernism. Kastholm added his experience as a blacksmith combined with Fabricus’ training as a cabinetmaker to create distinctively sculptural pieces appealing to an international audience. &Tradition’s re-launch of their P376 pendant lamp honours their original design from 1963, featuring five, concentric shades discretely placed underneath which gently curve towards the middle to emit a soft, diffused light. Available in either pure aluminium or white and in two sizes, the KF1 Ø47,5 and the KF2 Ø70. Enjoy a look that’s classic yet forever contemporary. Sleek and sophisticated with echoes of architecture.
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Palette Desk
Each Palette Desk partners two shapes together: an elongated beanshape with a simple round shape. The two merge a marvellous mix ofregal materials available in three different combinations. For the tabletops, choose from polished Nero Marquina marble or honed BiancoCarrara marble, satin polished brass or stained ash veneer in black, redor grey-green. The base is made from welded and powder coated steeltubes, adding a contemporary touch to this collage of contrasts.
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Palette Table JH25
Implicit in the idea of lounging is the chance to relax and enjoy the company of others. With the large lounge version of the Palette table by Jaime Hayon, we’ve increased your opportunity for interesting exchanges and experiences. With a multi-tiered table where various shapes, sizes, colours and materials converge together. Elegance is everywhere you look in this compelling collage of materials. Starting with the option of walnut or black ash together with black marble and satin polished brass. The effect is understated yet sophisticated, merging the warmth of wood with the patterned surface of marble in contrast to the silky effect of the satin polished brass.
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Palette Table JH26
With the Palette side table by Jaime Hayon, two shapes, sizes and materials converge to create a cosy enclave. Ideal for a coffee, an intimate chat and more. Whether by a sofa or bedside, in an entrance, hallway, reception area or part of an in-store display, the Palette side table creates a unified sense of design in a space filled with different design lingos.
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Palette Table JH7
At first glance, each Hayon Lounge table is a lesson in geometry. One version features a round shape coupled with a hexagon together with an elongated oval. Another version has a painter’s palette shape, while another version juxtaposes a rounded rectangle with an elongated oval and a circle. Each table is a composition of three distinctive shapes beautifully balanced at different heights which form a unified whole. Varying in length from 67 cm to 83 cm to 116 cm, the Hayon Lounge Tables give a linear feeling to a 3D object. A sculpture you can enjoy looking at and living with.
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Palette Table JH8
At first glance, each Hayon Lounge table is a lesson in geometry. One version features a round shape coupled with a hexagon together with an elongated oval. Another version has a painter’s palette shape, while another version juxtaposes a rounded rectangle with an elongated oval and a circle. Each table is a composition of three distinctive shapes beautifully balanced at different heights which form a unified whole. Varying in length from 67 cm to 83 cm to 116 cm, the Hayon Lounge Tables give a linear feeling to a 3D object. A sculpture you can enjoy looking at and living with.
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Passepartout Lamp
Whether you need lighting for a large, expansive space or a narrowcorridor, for a cosy home environment or a welcoming workspace, thePassepartout Lamp emits a light that’s surprisingly calm and tranquil. Addto that built-in LED technology that ensures a high quality light emissionthat’s also energy-efficient, custom designed so the light is uniformlydispersed throughout a space.The lamp comes in matt white in different shapes that’s decorative withoutdrawing too much attention to itself. Choose one style for a consistentlook or group them together to create a unique design statement.
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Pavilion Chair
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. Torbjørn Anderssen and Espen Voll wanted to link early modernism with new modernism.
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Pavilion Lounge Chair
At first glance, the Pavilion lounge chair appears almost like a rope that’s come undone. From the curvaceous wood veneer seat and back to the steel tubes that form the armrests and legs, it’s a continuous flow of lyrical lines. A stackable chair that’s airy from any angle, it’s designed to be slightly laid back and with a wider seat than its cousin the Pavilion chair. In doing so, the Pavilion lounge chair is an open invitation to lean back, relax and stay a while.
*Product code for all wood chair: AV5
*Product code for upholstered option: AV6
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Pavilion Stool
The Pavilion bar & counter stool has an airy feeling, with fluid curves for the wood veneer seat and back which continue as lyrical lines in the steel tubes of the legs. The result is a silhouette that’s barely there. Ideal for furnishing an expansive bar or a kitchen counter without appearing crowded, they can easily fill a space without the space appearing full. “Tube chairs had their start in early modernism, but they were usually constructed at fixed angles,” notes Anderssen & Voll. “We wanted to explore a more open construction, a freer form of expression.”
*Product code for all kitchen height stool: AV7
*Product code for bar height stool: AV9
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Setago Table Lamp
Like many of Jaime Hayon’s pieces, the Setago comes with a story. ‘Seta’ – the Spanish word for mushroom – sets the tone for the diminutive, mushroomlike proportions of this quirky table lamp. But a further clue to its identity is signified by the suffix ‘go’ because this lamp – unburdened by an electrical cord – can literally go anywhere. Rather than remain stationary, it was made to be moved around with ease, plucked like foliage from the floor and carried from one room to the next. To recharge, it simply needs to be attached to a USB cable.
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Shuffle Table
Mia Hamborg gives new life to the old Nordic craft tradition of turning wood by adding the colour and playful forms from old painted wooden toys. ItÍs up to you where you want to put this fine piece of furniture and being truly Nordic and democratic, you can even decide the form, colours and height of the table. & This fine table has one function more important than all others: To create joy.
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Sillon Mirror
Sillon is French for “groove”, referring to the furrowed frame encompassing a series of three mirrors of varying sizes. Inspired by French Art Deco, the grooves form a repeated pattern that’s graphic, which adds an intriguing clarity and contrast to the mirrors. Choose brass or chrome for the frames as a material touch to the three mirror sizes measuring Ø460, Ø660, Ø960, and you’ll be spoiled for choice as to placement options. From 2019 this product is also available in a rectangular variation. From a lobby, hotel entrance hallway or bedroom to a smaller setting, such as a bathroom, with the freedom to group them together at varying heights or separately to make your own design statement.
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Spinning Pendant BH1
The spinning-top toy, a childhood favourite, inspires to the joyful form of the Spinning pendant along with the process of metal spinning. Here, form truly meets function in an innovative way. It’s sleek, it’s sexy and it’s sure to become a new classic. & Benjamin Hubert is always curious to find new solutions and materials, often stopping to feel the texture on a piece of furniture or feeling the weight an old glass vase.
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Spinning Pendant BH2
The spinning-top toy, a childhood favourite, inspires the joyful form of the Spinning pendant, along with the process of metal spinning. Here, form truly meets function in an innovative way. It’s sleek, it’s sexy and it’s sure to become a new classic. & Benjamin Hubert is always curious to find new solutions and materials, often stopping to feel the texture on a piece of furniture or feeling the weight an old glass vase.
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The Moor Rug
The Moor Rugs are the second series of rugs designed by All The Way ToParis produced by &Tradition. This time, ATWTP’s departure point came from the various shapes of gemstones. “We wanted to focus solely onthe shapes, colours and textures, without any patterns,” notes Tanja Vibe and Petra Olsson Gendt, Founders and Partners at ATWTP. “For us, a rug brings all the elements of a room together in harmony, creating a feeling of closeness.” The result is a compelling sense of cohesion. Especially when you arrange all the rugs together as a cluster of gemstones. The rugs have a subtle shimmer to the surface, intended to echo the qualities of a gemstone.
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Topan Pendant
Sometimes the simplest things are the most lasting and memorable, the Topan Pendant being a brilliant example. It was the first mass produced lamp by Verner Panton, later to be followed by the FlowerPot. Topan’s simplicity and coolness proves to be of lasting value. Topan was originally designed for the hotel and restaurant Astoria in Trondheim, Norway, in 1960. Here, Panton used his textile designs Geometry I to IV for floors, walls and ceilings in order to give the room a uniform image. The Topan pendants hung all over, dividing large rooms into smaller and more intimate spaces.
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True Colour Vase
The seven vases in the True Colours Vase series come in blue, terracotta, and black brass, white aluminium, green copper, and brown steel. All vary in size î from 10 cm to 24 cm in height and from 6.5 cm to 10.5 cm in diameter î but follow the same principle of production. While each vase is a unique piece that works on its own, together the members of the True Colours family complement each other beautifully. ìColouring metals requires accurate recipes. My new vases for &tradition show the results of research on metals and their true colours; a direct relationship between colour, material and information.
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Utzon Pendant
To Jrn Utzon, his father’s naval engineering drawings became a lifelong fascination with ships and boats, along with light. More than a decade before Jrn Utzon created his masterpiece, the Sydney Opera House, he put his child- hood fascination into this pendant, combining successfully the smoothness of the lines of a ship with the source of light for the first time. & The choice of white or polished chrome finish reminds one of the waves and the northern light.
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Working Title Table Lamp
With the Working Title Table Lamp, Koskinen started with the idea of a small sculpture for a table. There were three basic components: a base, a stem and a shade. The question was how to create a harmonious composition with all the elements together as an entity? ìTo tie it all together I chose a monochromatic material solution: brushed aluminium. It makes the lamp more elegant. The smooth surface is pleasing to the eye and to the touch. The circular shape of the base is reflected in the shape of the shade, with a flexible, swivel stem connecting the two.
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