- No products in the cart.
-
1965 Pendant
The 1965 Pendant was originally designed by Paavo Tynell in 1948. Like many of his best- known designs, the pendant was designed for the Finland House in New York – one of the most ambitious and successful projects of all time to showcase Finnish design.
Perfecting the techniques of metal finishes, Tynell developed the 1965 Pendant with his exceptional ability to capture and translate a
grace and exuberant lightness into his brass creations. Characterized by its triangular perforation pattern, an artistic detail utilised by Tynell in several of his lighting objects, the 1965 Pendant reflects the distinguished craftsmanship of the Finnish designer. With a frosted glass diffuser that softens the light, the pendant contributes to a subtle and tranquil environment.
-
3D Lounge Chair Sledge Base
One of GUBI’s most innovative products, the GUBI Lounge Chair, is designed by Boris Berlin and Poul Christiansen of Komplot Design. The GUBI Lounge Chair is an evolution of the GUBI Chair which was the first furniture design to be based on the innovative technique of moulding three-dimensional veneer. The 3D design gives the chair a comfortable seat and sense of lightness – with all edges pointing away from the user. Due to this ground breaking technology, the thickness of the veneer is allowed to be reduced to half than normally used. Today, the GUBI Chair design is exhibited at Museum of Modern Art (MoMA) in New York and has won several prestigious design awards.
-
3D Lounge Chair Wood Base
Designed by the creative partnership of Komplot Design, the GUBI Lounge Chair is the first furniture design to be based on the innovative technique of moulding three-dimensional veneer. The 3D design gives the lounge chair a comfortable seat and sense of lightness as all edges are pointing away from the user. The simple and clean chair design offers an uncluttered look that with its possibility for fully upholstery in any fabric or leather, is perfectly suited for the private home or commercial space where individuality and unique pieces of furniture are sought for. The GUBI Chair design has won several prestigious design awards and is included in the permanent exhibition at the Museum of Modern Art (MoMA) in New York.
-
5321 Table Lamp
Paavo Tynell’s fanciful take on nature is gracefully echoed in the 5321 Table Lamp, designed by the Finnish designer in 1941. Under the distinctive shell-inspired brass shade, the bulb subtly appears from beneath; a picturesque detail resembling the desirable sea shell pearl and making the 5321 Table Lamp a perfect example on how Tynell brought a playful nature and romance to the
simplified style of mid-century modernism. Blending timeless aesthetic with a unique sense of form, the 5321 Table Lamp adds an exquisite character to complement any modern space. Both decorative and functional, the lamp is a balance of elegance and curiosity, providing a design that is at once subtle and surprising.
-
62 Desk
Designed in 1952 by Greta M. Grossman, but named the 62 Desk as it was deemed to be ten years ahead of its time. The 62 Desk appears characteristically light in weight and appears to defy gravity with its quirky asymmetric line and slender metal legs balancing on small wooden feet, a characteristic trait of its designer.
Its exceptional shape is emphasized with the elegant pairing of materials. The desk is made in American walnut and provided with a deep, black full gloss finish on table top and cabinet door. The desk features one left cabinet comprising of two low drawers and one high drawer.
-
62 Dresser – 3 Drawers
Designed in 1952 by Greta M. Grossman, but named the 62 Dresser as it was deemed to be ten years ahead of its time. The drawer illustrates the designer’s penchant for exceptional shapes and unusual pairing of materials.
The slender metal legs with ball shaped feet, a characteristic trait of Grossman, contrasts the sharp rectangular shape in luxurious American walnut, giving the furniture a characteristic appearance of lightness and almost seeming to defy gravity. Adding to its elegancy, the drawer is provided with a deep, black full gloss finish on table top and small solid wooden spheres.
-
62 Dresser – 4 Drawers
Designed in 1952 by Greta M. Grossman, but named the 62 Dresser as it was deemed to be ten years ahead of its time. The drawer illustrates the designer’s penchant for exceptional shapes and unusual pairing of materials.
The slender metal legs with ball shaped feet, a characteristic trait of Grossman, contrasts the sharp rectangular shape in luxurious American walnut, giving the furniture a characteristic appearance of lightness and almost seeming to defy gravity. Adding to its elegancy, the drawer is provided with a deep, black full gloss finish on table top and small solid wooden spheres.
-
62 Dresser – 6 Drawers
Designed in 1952 by Greta M. Grossman, but named the 62 Dresser as it was deemed to be ten years ahead of its time. The drawer illustrates the designer’s penchant for exceptional shapes and unusual pairing of materials.
The slender metal legs with ball shaped feet, a characteristic trait of Grossman, contrasts the sharp rectangular shape in luxurious American walnut, giving the furniture a characteristic appearance of lightness and almost seeming to defy gravity. Adding to its elegancy, the drawer is provided with a deep, black full gloss finish on table top and small solid wooden spheres.
-
9464 Wall Light
The 9464 Wall Lamp, designed in the early 1950’s by Paavo Tynell, is a great example on how the Finnish designer elevated illumination into an art form. The clean, sculptured brass shade lends an air of elegance with Tynell’s distinctive traits of twin dot perforation pattern combined with notched edges, making the wall
lamp appealing and admirable in all its simplicity. Equally relevant today as when first introduced, the 9464 Wall Lamp fits perfectly into contemporary interiors, adding a sculptural effect to the wall whilst simultaneously creating a relaxed yet very re ned indirect lighting.
-
9602 Floor Lamp
The 9602 Floor Lamp, also known as “Chinese Hat” was designed by Paavo Tynell in 1938 for the Hotel Aulanko. Characterised by its elegant and airy lampshade and rattan-covered stem, the 9602 Floor Lamp shows the designer’s limitless imagination and unparalleled ability to create designs of enduring beauty. Adding a playful, exuberant quality to the top, balanced by the more static form of the base, the 9602 Floor Lamp is perfectly suited for creating a gentle ambient light in the domestic living room.
-
A1965 Pendant
Unveiled in 1948 at the Finland House in New York, the A1965 Pendant was an instant success for Paavo Tynell and one of the lighting fixtures considered to define his mid-century peak. It delicately holds some of his most distinctive design traits; the perforated and polished brass material combined with a unique lift mechanism, raising and lowering the lamp to different heights. The A1965 Pendant gracefully di uses the light down- wards through frosted glass, omitting glare whilst gently illuminating the room.
The hanging counterweighted A1965 Pendant was Tynell’s attempt to add lighting mobility to the ceiling fixture and comb- ing the advantages of the portable and the installed lamp. The impeccable construction of the A1965 Pendant fully reveals Paavo Tynell’s knack for elevating ordinary light fixtures into functional art and this remark- able style played a significant role in shaping the aesthetic of mid-century lighting.
-
A3 Stool
The Leroy Collection features two unique and very sculptural designs: the Aoyama Table and the A3 stool. Aoyama, a district in Tokyo famous for its fashion houses, restaurants and interesting shops, is where Paul Leroy found his inspiration for the Aoyama table. The inspiration for the stool frame is the letter “A” whilst the seat dimensions match a sheet of A3 paper.
-
Adam Lounge Chair
Kerstin H. Holmquist created this unique collection of upholstered pieces. She was employed at a furniture workshop and architect studio where she created this collection for one of her many exhibitions. She named her pieces inspired by Paradiset (Swedish for Eden or Paradise). The first piece in the collection was the feminine lounge chair – Eva and later followed its masculine counterpart, Adam. To compliment the two she later also created a sofa.
-
Adnet Circulairre
Jacques Adnet is a furniture designer best known for his Art Deco Modernist designs and an icon of French Modernism. Known for his avant-garde designs, Adnet was one of the first to integrate metal and glass in the structure and decoration of furniture. His style is the epitome of luxury. In 1950, Adnet formed a partnership with the French fashion house, Hermes, where he developed a collection of leather-covered furniture and interior accessories. Accordingly, he made a round leather mirror with brass hinges. Besides the remarkable leather and brass details, the mirror is also unique as the strap that holds the mirror is in direct proportion to the dimension of the mirror.
-
Adnet Coffee Table
The Adnet Coffee Table was originally designed by French Modernist Jacques Adnet (1901 – 1981) in the 1950’s. Adnet was always ahead of contemporary trends and became famous for his avant-garde designs and unusual combination of leather, metal and glass. The iconic Adnet Coffee Table exemplifies everything the French architect and interior designer stands for and perfectly merges his Art Deco style with his strong commitment to functionalist principles
-
Adnet Rectangulaire Wall Mirror
The Adnet Rectangulaire Mirror originates from the partnership of the designer Jaques Adnet and a famous French fashion house in 1950’s. By applying the fashion house’s knowledge and high quality of leather to Jacques Andet’s innovative thinking and design vision, the two parts created a series of remarkable interior designs. Among them were the Adnet Rectangulaire leather mirror studded with burnished brass rivets on the edges, a characteristic detailing of Adnet’s work.
With its simplicity of design combined with the warmth of leather and finest detailing, the Adnet Rectangulaire Mirror in three sizes serves equally well in a hallway, bathroom and dressing room, either horizontal, vertical, mounted to the wall or spontaneously leaned against it. It adds depth, reflect light, expand horizons and add a magical allure.
-
Aoyama Coffee Table
A district in Tokyo famous for its fashion houses, restaurants and interesting shops is where Danish-French architect and designer, Paul Leroy found his inspiration for the Aoyama table. Consequently this piece is Danish-French by design with a hint of Japanese style. The nearly transparent base column in laser-cut steel plate, giving the table it’s visual lightness and characteristic traits, supports the round table top. The Aoyama Table is a simple, functional, multi-purpose design that can be used alone or in conjunction with additional tables.
-
Ayoama Dining Table
A district in Tokyo famous for its fashion houses, restaurants and interesting shops is where Danish-French architect and designer, Paul Leroy found his inspiration for the Aoyama table. Consequently this piece is Danish-French by design with a hint of Japanese style. The Frame System is a simple, functional, multi-purpose table design that comes in a range of sizes and can be used alone or in conjunction with additional tables.
-
B-4 Table Lamp
The B-4 Table Lamp by Greta M. Grossman was designed in 1945 and bears her whimsical and powerful signature style. With playful angles and geometric elements, the table lamp is characterized by its colourful and movable visors allowing light to diffuse softly around any table it stands on. The lamp fits effortlessly into almost any environment, adding a dash of American modernism panache to the room.
The silhouette of the B-4 Table Lamp, with its stilt base and alternating colour panels, resembles some of Greta M. Grossman’s most iconic architecture more than any other design item from her career. Typically, her houses were perched high up on stilts with cantilevered decks and walls of glass to take in the magnificent hillside views of Southern California – and with a fanciful style the B-4 Table Lamp beautifully reflects her modernist design principles.
-
Bat Lounge Chair High
The new Bat Lounge Chair, which comes in a high- and low-back version, is designed by Danish-Italian design-duo GamFratesi. The chair carries strong references to the interesting characteristics of bats, with its inviting, distinctive shell reminiscent of the shape of a bat’s wingspan. Balancing between the traditional and surprising, the Bat Lounge Chair is created with a Scandinavian approach to crafts, simplicity and functionalism while also carrying a strong embedded story and associations expressed in a minimalist idiom. The wide range of upholstery options and different bases makes the Bat Lounge Chair fit perfectly into a variety of public and private contexts.
-
Bat Lounge Chair Low
The new Bat Lounge Chair, which comes in a high- and low-back version, is designed by Danish-Italian design-duo GamFratesi. The chair carries strong references to the interesting characteristics of bats, with its inviting, distinctive shell reminiscent of the shape of a bat’s wingspan. Balancing between the traditional and surprising, the Bat Lounge Chair is created with a Scandinavian approach to crafts, simplicity and functionalism while also carrying a strong embedded story and associations expressed in a minimalist idiom. The wide range of upholstery options and different bases makes the Bat Lounge Chair fit perfectly into a variety of public and private contexts.
-
Beetle Chair
GamFratesi’s design takes its creative drive from a fusion of tradition and renewal and in an experimental approach to their chosen materials and techniques. With their dual traditional background, Stine Gam (born 1975) and Enrico Fratesi (born 1978) draw on the classic Danish furniture and craft tradition as well as the classic Italian intellectual and conceptual approach. Understanding a tradition and addressing it actively in the workshop makes it possible to expand on it. From this cross-cultural substrate they create furniture that respectfully reflects tradition while also featuring unique embedded stories, symbols and associations, often expressed in a minimalist idiom.
-
Beetle Chair With Castors
The BEETLE Chair Collection is a chair series in laminated moulded veneer with seat and back in 2 seperate parts. The 2 parts are joined together with a steel fitting milled into the 2 shells. The shells are 10 mm thick. The chair is always fully upholstered in fabric or leather with a pilpling.
-
Beetle Lounge Chair
The BEETLE Chair Collection is a chair series in laminated moulded veneer with seat and back in 2 seperate parts. The 2 parts are joined together with a steel fitting milled into the 2 shells. The shells are 10 mm thick. The chair is always fully upholstered in fabric or leather with a pilpling.
-
Beetle Sofa
By taking inspiration from the Beetle Lounge Chair, the elongated Beetle Sofa has a rounded, protective outer shell combined with a soft inside – just like a beetle. The 2-seater Beetle Sofa works with the contrast between the enveloping outer shell and a soft, inviting interior which encourage one to be seated. The characteristic look is emphasized by the delicate, slightly conical legs, giving its light expression. The design duo GamFratesi has been looking closely at the anatomy, aesthetics and movement of a beetle where the design reinterprets the characteristic elements of the beetles’ sections: shape, shells, sutures, rigid outside and soft inside.
-
Beetle Stool
GamFratesi’s design takes its creative drive from a fusion of tradition and renewal and in an experimental approach to their chosen materials and techniques. With their dual traditional background, Stine Gam (born 1975) and Enrico Fratesi (born 1978) draw on the classic Danish furniture and craft tradition as well as the classic Italian intellectual and conceptual approach. Understanding a tradition and addressing it actively in the workshop makes it possible to expand on it. From this cross-cultural substrate they create furniture that respectfully reflects tradition while also featuring unique embedded stories, symbols and associations, often expressed in a minimalist idiom.
-
Bestlite BL1 Table Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design and industrial design and Bauhaus style became one of the most influential forces behind Modernist architecture and modern design.
-
Bestlite BL2 Table Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Table Light variation.
-
Bestlite BL3M Floor Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Floor Light with the original shade as sketched and specified by the Architect.
-
Bestlite BL3S Floor Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Floor Light with the original shade as sketched and specified by the Architect.
-
Bestlite BL4 Floor Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Floor Light variation.
-
Bestlite BL5 Wall Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Table Light variation.
-
Bestlite BL7 Wall Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Table Light variation.
-
Bestlite BL9 Pendant
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Pendant variation.
-
BL10 Wall Lamp
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus. Eighty years on, the Bestlite design stays close to its industrial roots and true to its original design. Bestlite is held in permanent collections at both the Victoria & Albert Museum and the Design Museum in London. Loved by architects, designers and design aficionados throught its 80-year history, today, Bestlite enjoys global iconic status.
The arm of the lamp is extendable and can be tilted 90 degrees from horizontal to vertical and the shade can be rotated 360 degrees. The textile cord matches the shade, except full chrome which is black.
-
Bonaparte Chair
Gubi Olsen, founder of Gubi, has always pushed the boundaries to explore new directions in design. His starting point has been the rich Danish tradition of craft and furniture production, together with multiple historical references. The Soft Collection, a range of furniture designed by Gubi Olsen from 1982 and upholstered in his own Holmens Kli_de fabric is inspired by diverse references, such as French cinema, Napoleon Bonaparte and a grand piano.
-
Bonaparte Sofa
Gubi Olsen, founder of Gubi, has always pushed the boundaries to explore new directions in design. His starting point has been the rich Danish tradition of craft and furniture production, together with multiple historical references. The Soft Collection, a range of furniture designed by Gubi Olsen from 1982 and upholstered in his own Holmens Kli_de fabric is inspired by diverse references, such as French cinema, Napoleon Bonaparte and a grand piano.
-
C-Chair Dining Chair
One of Marcel Gascoin’s most well-known pieces, the C-Chair Dining Chair, was designed in 1947. The chair represent the aesthetic and practical power of
Gascoin’s designs, and was originally created out of necessity to fit in to the new sizes of homes build at the end of World War II, where Gascoin made up for the lack of space by creating simple, functional furniture. Cleverly designed with great attention to detail, the C-Chair possesses an elegant shape yet sturdy construction rooted in a simple, minimal and strong design language. Characterised by voluminous and vigorous legs juxtaposed by an inviting seat in lighter material like cane, straw or fabric, the quality of the C-Chair reveals itself through modern lines, sobriety and high-quality wooden workmanship. -
Coco Dining Chair
The Coco Chair is designed by OEO Studio with an eye to create a charismatic signature design that offers a high level of comfort. The chair borrows references to the industrial simplicity, fashion and the Bauhaus, but the inspiration of the design comes from a desire to create a simple yet elegant chair with a minimal use of materials and tools without compromising the design and character. The result is a post-industrial look that is balanced by the chair’s elegant silhouette where the soft curves render a feminine and playful touch. The feminine expression is also what have given the chair its name Coco, which is filled with character and carries a lot of references.
-
Coco Lounge Chair
The Coco Lounge Chair with armrest is part of the Coco Collection, designed by OEO Studio with an eye to create a charismatic signature design that offers a high level of comfort. The chair borrows references to the industrial simplicity, fashion and the Bauhaus, but the inspiration of the design comes from a desire to create a simple yet elegant chair with a minimal use of materials and tools without compromising the design and character. The result is a post-industrial look that is balanced by an elegant silhouette where the soft curves render a feminine and playful touch. The feminine expression is also what have given the chair its name Coco, which is filled with character and carries a lot of references
-
Copacabana Lounge Chair
Mathieu Mat©got’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, Mat©got’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic .Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
-
Copacabana Lounge Table
Mathieu Mat©got’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, Mat©got’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic .Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
-
Diva Daybed
The daybed has a wooden frame and a polyurethane mattress. The top mattress, back and arm cushions are made of polyurethane foam and are available in a wide range of leathers, fabrics and colours. The cylinder legs are in solid aluminium and the back bracket is in satin chrome.
-
Epic Coffee Table Round
GamFratesi designed the Epic Coffee Table for GUBI as a sculptural piece of furniture inspired by Greek columns and Roman architecture and named after the epic poems of ancient times.
Made in Italy from travertine stone, the monolithic form emphasizes the materiality of the stone, the natural beauty of its veins, and the vibrant texture of its unique patina – in which a new detail can be discovered with every use.
-
Epic Round Dining Table
GamFratesi designed the Epic Dining Table for GUBI as a sculptural piece of furniture inspired by Greek columns and Roman architecture and named after the epic poems of ancient times.
Made in Italy from travertine stone, the monolithic form emphasizes the materiality of the stone, the natural beauty of its veins, and the vibrant texture of its unique patina – in which a new detail can be discovered with every use.
-
Eva Lounge Chair
Kerstin H. Holmquist created this unique collection of upholstered pieces. She was employed at a furniture workshop and architect studio where she created this collection for one of her many exhibitions. She named her pieces inspired by Paradiset (Swedish for Eden or Paradise). The first piece in the collection was the feminine lounge chair – Eva and later followed its masculine counterpart, Adam. To compliment the two she later also created a sofa.
-
G-10 Pendant
The most iconic products Greta Grossman designed in the 40’s and 50’s were the Grosshoppa floor lamp and the Cobra floor and table lamps. In 1950, the Cobra lamp won the Good Design Award and was subsequently exhibited at the Good Design Show at the Museum of Modern Art. Today, Grossman’s product designs are highly collectible and are sold at auctions all around the world. Grossman’s products are unique, modern classic designs.
-
Gent Dining Chair
Designed by the design duo GamFratesi, the Gent Dining Chair is characterised by the contradiction between Scandinavian elegance and Italian dynamic lines. Strongly connected to the Masculo Chair, the new Gent Dining Chair is characterised by a distinctive backrest, expressing an almost aggressive masculinity, whilst at the same time being gentle and embracing.
The Gent Dining Chair possesses a playful balance between formality and whimsy, offering a modern twist on the classic dining chair that evokes the image of the 1950’s.
Its appearance is ultimately light and simple – and with no armrests, the Gent Dining Chair is practical for fitting around the table in both restaurants and private homes. -
GMG Chaise Longue
The GMG Chaise Longue was designed in 1951 by Greta M. Grossman and with playful elegance it is perfectly angled for lounging whilst preserving all the streamlined qualities of a mid-century design. Built in a shape designed for relaxation it mirrors the body’s natural curves while appearing to float above its distinctive slender legs – a genuine signature of Greta M. Grossman’s work. The GMG Chaise Longue shows a strong interest in merging functionality and comfort, while simultaneously remaining a delicate and powerful design language, revealing unique, light and iconic touches. Representing a literal link between European design and Californian modernism, Grossman designed the GMG Chaise Longue by successfully combining her Swedish fondness for colour and texture with the opportunities allowed by bright and open spaces of Southern California.
-
Grand Piano Sofa
Gubi Olsen, founder of Gubi, has always pushed the boundaries to explore new directions in design. His starting point has been the rich Danish tradition of craft and furniture production, together with multiple historical references. The Soft Collection, a range of furniture designed by Gubi Olsen from 1982 and upholstered in his own Holmens Kli_de fabric is inspired by diverse references, such as French cinema, Napoleon Bonaparte and a grand piano.
-
Gravity Floor Lamp
The new Gravity Collection designed by Space Copenhagen, consisting of a table lamp and a floor lamp, is aesthetically contrasting strength and fragility. Taking its name from the lamp’s distinctive balance between the anchoring of the heavy, cylindrical base and the lightweight, airy shade, it beautifully merges into a sculptural whole. Blending understated elegance, clean functionality and effortless in its own succinct and simple way, the Gravity Lamp gives an ambient and subtle light display and creates different moods and expressions depending on the choice of size and combination of materiality.
-
Gravity Table Lamp
The new Gravity Collection designed by Space Copenhagen, consisting of a table lamp and a floor lamp, is aesthetically contrasting strength and fragility. Taking its name from the lamp’s distinctive balance between the anchoring of the heavy, cylindrical base and the lightweight, airy shade, it beautifully merges into a sculptural whole.
Blending understated elegance, clean functionality and effortless in its own succinct and simple way, the Gravity Lamp gives an ambient and subtle light display and creates different moods and expressions depending on the choice of size and combination of materiality.
-
Grossman Cobra Floor Lamp
The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions whilst the shade can be rotated through 360 degrees. The base is covered in powder-coated steel and weighted with a cast iron ballast. The Cobra Lamps are available in 5 different colours. A small key is included to tighten the joint of the shade if needed.
-
Grossman Cobra Table Lamp
The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions whilst the shade can be rotated through 360 degrees. The base is covered in powder-coated steel and weighted with a cast iron ballast. The Cobra Lamps are available in 5 different colours. A small key is included to tighten the joint of the shade if needed.
-
Grossman Cobra Wall Lamp
The Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck (or hood). A solid brass arm joins the wall base and shade. The shade can be tilted 90 degrees from vertical to horizontal and it can be rotated 360 degrees. A bracket for mounting on the wall is integrated in the base as is the switch.
-
Grossman Grashoppa Floor Lamp
The most iconic products Greta Grossman designed in the 40’s and 50’s were the Grashoppa floor lamp, Cobra floor and table lamps. In 1950, the Cobra lamp won the Good Design Award and was subsequently exhibited at the Good Design Show at the Museum of Modern Art. The iconic Grashoppa lamp was first produced in 1947. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck.
-
Grossman Grashoppa Pendant
The iconic Grashoppa lamp was first produced in 1947. The tubular steel tripod stand is tilted backward and the elongated aluminium conical shade is ball-jointed onto the arm; so the light can be directional, yet the glare is minimal. Both stand and shade are powder-coated. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions and the shade can be rotated through 360_. The base is covered in powder-coated aluminium and weighted with a cast iron ballast.
-
Grossman Grashoppa Table Lamp
The iconic Grashoppa lamp was first produced in 1947. The tubular steel tripod stand is tilted backward and the elongated aluminium conical shade is ball-jointed onto the arm; so the light can be directional, yet the glare is minimal. Both stand and shade are powder-coated. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions and the shade can be rotated through 360_. The base is covered in powder-coated aluminium and weighted with a cast iron ballast.
-
GT Lounge Chair
The GT Lounge Chair was designed by Greta M. Grossman in 1949 and with its sleek and feminine lines, it beautifully expresses the influence that Scandinavian design had on her. Designed for comfort as well as aesthetics, her timeless lounge chair has a feminine and light silhouette that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs. The GT Lounge Chair, which she showcased at her prestigious Los Angeles store on Rodeo Drive was like most of her furniture custom built or produced in exceptionally small numbers.
-
GUBI 2.0 Dining Table – Elliptical
The GUBI 2.0 Table by GUBI is made of the finest materials contributing to its unique and exclusive identity. With its circular or elliptical shape, the table celebrates the authentic way of bringing people together and enables an intimate interaction whether it is for dinners, meetings or relaxed socialisation.
For the GUBI 2.0 Table, the GUBI Design Team has proceeded from the circle’s characteristics and the idea of where circle meets circle. It is constructed with either one or two circular bases standing on a circular plate and finishes with a rounded table top. With its clean lines and simple details, yet sturdy and exclusive materials, this table collection brings forward fresh and different opportunities for use and styling in combination with the entire GUBI collection of modern contemporary classics.
-
Gubi Chair
The Gubi Chair, designed by Kompolt Design, was the first furniture design to be based on the innovative technique of moulding three-dimensional veneer. The 3D design gives the chair comfort and a sense of lightness – with all edges pointing away from the user.
HiRek, wood and fabric details available on request.
-
GUBI Dining Table Elliptical
GUBI Dining Table is designed in 2013 by Komplot Design. The GUBI Dining Table is a beautiful couple with the iconic GUBI 3D Chair, as this round and organic table holds much of the same design language and aesthetics as the classic veneer chair. But, Komplot’s warm and wooden table will most likely compliment any chair, due to its sleek and classic expression.
-
GUBI Dining Table Rectangular
GUBI Dining Table is designed in 2013 by Komplot Design. The GUBI Dining Table is a beautiful couple with the iconic GUBI 3D Chair, as this round and organic table holds much of the same design language and aesthetics as the classic veneer chair. But, Komplot’s warm and wooden table will most likely compliment any chair, due to its sleek and classic expression.
-
GUBI Dining Table Round
GUBI Dining Table is designed in 2013 by Komplot Design. The GUBI Dining Table is a beautiful couple with the iconic GUBI 3D Chair, as this round and organic table holds much of the same design language and aesthetics as the classic veneer chair. But, Komplot’s warm and wooden table will most likely compliment any chair, due to its sleek and classic expression.
-
Gubi Stool
The Gubi stool collection uses an innovative technique of moulding three-dimensional veneer. All the edges of the seat point away from the user. The Gubi Stool has many variations of styles and finishes available in kitchen or bar height. Gubi Stool is not stackable.
HiRek, wood and fabric details available on request.
-
Masculo Dining Chair
The Masculo chair designs are marked by the meeting between Italian and Danish design. The distinctive, expressive backrest expresses an almost aggressive masculinity, whilst the slender supporting metal frame simultaneously embraces sophisticated, quasi-feminine detailing.
-
Masculo Lounge Chair Sledge Base
Designed by the design duo GamFratesi, the Masculo Lounge Chair is characterised by the contradiction between Scandinavian elegance and Italian dynamic lines. The aesthetics, craftsmanship, solidity and sitting comfort are successfully combined and result in an inviting, upholstered lounge chair. The distinctive, semicircular back- and armrest express an almost aggressive masculinity, and at the same time soft and embracing, whilst the finest legs simultaneously contributes with quasi-feminine and sophisticated detailing.
-
Masculo Lounge Chair Swivel Base
Designed by the design duo GamFratesi, the Masculo Lounge Chair is characterised by the contradiction between Scandinavian elegance and Italian dynamic lines. The aesthetics, craftsmanship, solidity and sitting comfort are successfully combined and result in an inviting, upholstered lounge chair. The distinctive, semicircular back- and armrest express an almost aggressive masculinity, and at the same time soft and embracing, whilst the finest legs simultaneously contributes with quasi-feminine and sophisticated detailing.
-
Mategot Coatrack
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary designs. The coatrack centre is made of brass and the three coat arms are made of black powder coated metal with ends in black or the variation in three colours.
-
Mategot Kangourou Table
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary design. This side table consists of two small tables, the smaller one sitting within the larger.
-
Mategot Lounge Table
Mathieu MatÕgot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
-
Mategot Nagasaki Chair
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary designs. The Nagasaki chair is once of few three-legged models and is still Matigot’s best-known piece and is included in the permanent exhibition at the Vitra Design Museum.
-
Mategot Nagasaki Stool
Mathieu Mategot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, Mategot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic.
-
Mategot Trolley
Mathieu MatÕegot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, MatÕegot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic. Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
-
Modern Line Lounge Chair Dining Height
The iconic Modern Line Collection was designed in 1949 by the Swedish pioneer Greta M. Grossman. Modern Line was one of her most elegant and minimalistic designs and praised for being representative of her background in Scandinavian design. The timeless sofa series has a sleek, feminine and light expression that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs.
The extended Modern Line Lounge Chair, with its higher legs and less deep seat, broaden the collection’s area of use. The Modern Line Lounge Chair in dining height is a luxurious yet understated seating solution aimed for restaurants and café area and together with the Modern Line Sofa in a wide range of sizes, they can replace expensive custom-made solutions.
-
Modern Line Lounge Chair Low
The Modern Line Lounge Chair was designed in 1949 by Greta M. Grossman. Modern Line was one of her most elegant and minimalistic designs and was praised in particular for being representative of her background in Scandinavian design. Her timeless lounge chair has a sleek, feminine and light expression that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs.
In Grossman’s own words, the sofa was “developed out of our own preferences for living in a modern way.”
-
Modern Line Sofa
The Modern Line Sofa was designed in 1949 by Greta M. Grossman. Modern Line was one of her most elegant and minimalistic designs and was praised in particular for being representative of her background in Scandinavian design. Her timeless sofa collection has a sleek, feminine and light expression that is supported with elegant slender legs, which is a true signature for Greta M. Grossman’s designs. In Grossman’s own words, the sofa was “developed out of our own preferences for living in a modern way.” Modern Line was also at the forefront of championing Nozag springs, new materials and technology. The sofa was one of the first to use industrialized technology for upholstery of sofas.
-
Multi-Lite Floor Lamp
Louis Weisdorf’s contemporary and classic design philosophy is echoed in the new Multi- Lite Floor Lamp. With its timeless elegance, distinctive style and unique multi-functionality, the Multi-Lite Floor Lamp brings life and character to any interior space.
The Multi-Lite lamp design was created in 1972 by the Danish architect Louis Weis- dorf with the aim of reflecting his passion for diversity. Due to its unique design, the two opposing outside shades can individually be rotated and transformed into multiple combinations and encourage for personal installations and expressions whenever desired. Always with Weisdorf’s design philosophy in mind, the light can be directed upwards, downwards or exude an asymmetric art light without exposing the light source.
Two cylindrical shapes lay the foundation of the lamp and a metal ring encompasses it and anchors the two quarter-spherical shades, which ultimately completes a picture of an iconic design with multiple purposes. The decorative Multi-Lite Floor Lamp is an evolution of the pendant design and perfectly suited for creating a festive ambient light in the domestic living room.
-
Multi-Lite Pendant
The Multi-Lite Collection embraces the golden era of Danish design with its characteristic shape of two opposing outside, mobile shades that enable creating a personal installation and a wide range of lighting values in a room. By individually rotating the shades, the Multi-Lite Pendant Lamp can be transformed into multiple combinations where the light can be directed upwards, downwards or exude an asymmetrical art light.
-
Multi-Lite Table Lamp
The Multi-Lite Table Lamp is characterised by its multiple combination possibilities where the light can be directed upwards, downwards or exude an asymmetrical art light in any room. With its timeless elegance and decorative expression, the table lamp appears almost sculptural. The Multi-Lite was first designed in 1972 by Louis Weisdorf with the aim of celebrating his passion for diversity. Two cylindrical shapes lay the foundation of the lamp and a metal ring encompasses it and anchors the two-quarter spherical shades, which ultimately completes a picture of an iconic design with multiple purposes. The decorative Multi-Lite Table Lamp is an evolution of the pendant design and ideal for creating a festive ambient light in domestic environments as well as hotel rooms and other public areas. “The Multi-Lite Table Lamp helps the Multi-Lite design to be part of a wider spectrum and foremost places with limited space” – Louis Weisdorf
-
Pacha Lounge Chair
Legendary French designer Pierre Paulin originally designed the Pacha Chair in 1975. Paulin designed the chair in harmony with the changing design style of its period, replacing the austerity of post-war design with a new, vigorous approach.
Paulin managed to give a real elegance to the rounded forms of the Pacha Chair by finding the perfect proportions, raising it lightly on its base and tracing in the foam and upholstery with stitching lines inclined inwards. Through pieces like the Pacha Chair, Pierre Paulin pioneered low-level living; a modern way of living and sitting on the floor, by getting rid of chair legs.
-
Paper Table
The tables in the Paper Table series consist of three round tables in either oak or walnut veneer. Available in three different heights and tabletop sizes. The veneer on the table top is laid in two directions. The tables have a wooden base with 3 legs. The edges of tabletop and base are the same veneer as the top. The thickness of the table top is 20 mm.
-
Paradis Sofa
Kerstin H. Holmquist created this unique collection of upholstered pieces. She was employed at a furniture workshop and architect studio where she created this collection for one of her many exhibitions. She named her pieces inspired by Paradiset (Swedish for Eden or Paradise). The first piece in the collection was the feminine lounge chair – Eva and later followed its masculine counterpart, Adam. To compliment the two she later also created a sofa.
-
Pedrera Coffee Table
Many architects and furniture designers of the Bauhaus era were intent on providing well-designed homes and impeccably manufactured furnishings for the “common man”. in 1955, Barba Corsini, a leading functionalist architect, realised his contemporary vision through his renovation of the loft space and the furnishings he custom designed for “La Pedrera”. Corsini was a great admirer of Finnish architecture, which he believed to be the finest in Europe on account of the powerful simplicity of the designs. ‘Powerful simplicity’ is indeed an apt description of Corsini’s personal design style, as represented by the Pedrera series. The Pedrera coffee table is both modern and classic.
-
Randaccio Wall Mirror
One of Gio Ponti’s signature designs is the Randaccio mirror from 1925. Designed for his own home on Via Randaccio in Milano, his very first architectural project, the Randaccio mirror decorated the walls in his bedroom on the 3rd floor together with other furniture designed especially for the apartment. The Randaccio mirror unites elegance with simplicity and is characterized by its atypical crown-like detailing on the top, a detail used by Ponti in several of his works within design and art. The mirror has references to its original time period but is able to add personality to every contemporary setting and enrich the decoration, whether it is a bedroom, bathroom, hallway or a dressing room.
-
Revers Lounge Chair
The new Revers Lounge Chair by GUBI is a soft and sinuous interpretation of classic shapes and structures. Taking its name from the silhouette of a revers, the gently curved shell appears like a jacket that embraces you, while the elegantly sweeping edges are reminiscent of the form of the revers. With its clean lines and simple details, yet sturdy and exclusive materials, the Revers Lounge Chair brings forward fresh and different opportunities for use and styling in combination with the entire GUBI collection of modern contemporary classics.
-
Revers Sofa
The new Revers Sofa by GUBI is a soft and sinuous interpretation of classic shapes and structures. Taking its name from the silhouette of a revers, the gently curved shell appears like a jacket that embraces you, while the elegantly sweeping edges are reminiscent of the form of the revers. With its clean lines and simple details, yet sturdy and exclusive materials, the Revers Sofa brings forward fresh and different opportunities for use and styling in combination with the entire GUBI collection of modern contemporary classics.
-
Ronde Pendant
Ronde is in several languages the word for round, circular or rotating but it is also the flat blank used for metal spinning technique, which is rotating around a mould core and shaped to a 3-dimensional body. A unique detail is the opening on the top with an overhanging collar that reminds of a jar such as a vase or an amphora. The mainly downwards directed light from conventional pendant lamps does in this design also spread out of the spout-like opening and casts a smooth light gradient at the wire and ceiling. The hand-turned aluminium lamp shade with an ultra-matt lacquer almost makes it look as if it was made of ceramics.
-
Satellite Pendant
Mathieu Mategot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, Mategot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic.
-
Semi Pendant
The Semi lamp was designed in 1968 as a product of the creative partnership between two architecture students, Claus Bonderup and Torsten Thorup. Reacting against the ‘cosy era’ that was dominating Denmark at the time, Bonderup and Thorup wanted to create a lamp that incorporated sharp, clean lines and a geometric shape. Their design was submitted for a competition at the Royal Danish Academy of Fine Arts School of Architecture and won first prize.
-
Semi Pendant Metallic
The Semi lamp was designed in 1968 as a product of the creative partnership between two architecture students, Claus Bonderup and Torsten Thorup. Reacting against the ‘cosy era’ that was dominating Denmark at the time, Bonderup and Thorup wanted to create a lamp that incorporated sharp, clean lines and a geometric shape. Their design was submitted for a competition at the Royal Danish Academy of Fine Arts School of Architecture and won first prize. Semi is a unique pendant lamp, based on two quarter-circles put together, back-to-back. With its its distinctive arch-shaped, enamelled metal shade, lightness of form and unique, timeless design, the elegant Semi lamp achieved great success in the 1980’s and became, at that time, the best-selling Danish design, gaining worldwide recognition and iconic status.
-
Stay Lounge Chair Large
Stay here, stay with me, stay relaxed, stay and read…The large Stay Lounge Chair has a sculptural and organic shape that, besides from giving a contemporary look, also embraces the user and encourages to stay seated. The characteristic shape is almost like a singular continuous pencil stroke wrapping a solid texture. The lounge chair is suitable for both public spaces and private homes where keeping cosiness and comfort are essential. Combine it with the Stay Ottoman to get the optimal relaxation.
-
Stay Lounge Chair Small
Stay here, stay with me, stay relaxed, stay and read…The small Stay Lounge Chair, with options for a returning swivel function, has a sculptural and organic shape that, besides from giving a contemporary look, also embraces the user and encourages to stay seated. The characteristic shape is almost like a singular continuous pencil stroke wrapping a solid texture. The lounge chair is suitable for both public spaces and private homes as its small size fits very well to populate spaces of limited size where keeping cosiness and comfort are essential.
-
TS Column Dining Table
With TS Collection, the design duo GamFratesi has proven that a strong design idea can hold a wealth of development possibilities. GUBI is proud to present its latest additions – the TS Column Bar Table, Dining Table and Lounge Table.
The TS Column Table is with its characteristic slender metal legs and crossing detailing, unified to a centred column, a decorative table specifically designed for the outstanding restaurant Flora Danica at Maison du Danemark in Paris. As this magnificent space, the table represents Scandinavian minimalism with global gracefulness. The TS Column Table sets the frames for intimate dining, socialisation and moody atmosphere where focus is put on authentic material choices and well-performed craftsmanship.
