HAY’s 13Eighty chair designed by Dutch designers Scholten & Baijings is aptly named after the number of tiny holes in the moulded polypropylene shell. These perforations create a characteristic aesthetic, where transparency and a play of light and shadows add to the chair’s expression, while the variations in the sizes of the holes bring a sense of movement to the visual appearance. They also have a functional use in draining rainwater off when the chairs are used outdoors. Available with or without armrests in a stackable design that features steel legs with a weather-resistant coating to make it suitable for outdoor use.
The 9464 Wall Lamp, designed in the early 1950’s by Paavo Tynell, is a great example on how the Finnish designer elevated illumination into an art form. The clean, sculptured brass shade lends an air of elegance with Tynell’s distinctive traits of twin dot perforation pattern combined with notched edges, making the wall
lamp appealing and admirable in all its simplicity. Equally relevant today as when first introduced, the 9464 Wall Lamp fits perfectly into contemporary interiors, adding a sculptural effect to the wall whilst simultaneously creating a relaxed yet very re ned indirect lighting.
About a Chair has an open frame construction in bent steel that brings added lightness to the intuitive design. The shell is round and upright at the same time and combines a high degree of seating comfort with an inviting expression. The open frame is available in stainless steel as well as a black or white powder-coating, which lets you design contrast-rich colour combinations of frame and seat. The many possible combinations of frame, shell and colours make About a Chair an ultra-flexible and versatile chair that celebrates individuality.
This version of About a Chair has a swivel base in powder-coated steel, which gives the chair a more formal expression, both because the wooden frame has been replaced with steel and because the delicate and elegant legs fan out from the centred base, almost standing on tiptoes and optically raising the chair off the floor. In this open version, the inviting seat offers an informal break in a private or professional context.
About a Chair is an intuitive take on the concept of a chair. The organic posture provides good lumbar support, and the open shell invites you to take a seat. About a Chair comes in a dyed plastic version as well as a version with either frontal or full upholstery in hard-wearing furniture fabrics combined with round legs in soap-finished or lacquered oak or ash wood stained black. The many possible combinations of frame, shell and colours make About a Chair an ultra-flexible and versatile chair that celebrates individuality.
Here, About a Chair is the perfect office chair and brings a warm and welcoming feel to an otherwise rather cool and technical genre. The chair uses the same simple and familiar shell, while the elegant steel frame acquires a narrative charm when it is combined with the spherical castors. This version of About a Chair is perfect for official settings and an obvious choice for both large-scale corporate contexts and work-at-home offices or maybe a dining chair?
The four-legged About a Chair is the stackable workhorse of the series. The four legs slip under the seat in a rounded angle and frame the upright and organic posture of the shell. The legs are available in chrome as well as a black or white powder-coating, which lets you design contrast-rich colour combinations of frame and seat. The many possible combinations of frame, shell and colours make About a Chair an ultra-flexible and versatile chair that celebrates individuality.
This slightly more formal version of About a Chair features elegant legs and armrests that frame the seat shell for a secure and comfortable feel. The chair’s upright and organic posture offers good lumbar support, while the open front invites you in. In this version, About a Chair is a perfect conference chair, but it has retained a stylish sense of homeliness that makes it fit right in around a dinner table or in a work-at-home office.
This version of About a Chair has a swivel base in powder-coated steel, which gives the chair a more formal expression, both because the wooden frame has been replaced with steel and because the delicate and elegant legs fan out from the centred base, almost standing on tiptoes and optically raising the chair off the floor. Like the other versions, this version too is available with three upholstery options: full upholstery of the whole shell, upholstery on the front of the rounded shell or a seat cushion. All three versions allow you to vary the expression with relatively simple variations in upholstery, which of course owes a great deal to fabric textures and colours.
About a Chair as an office chair has a rounded shell that adds executive weight and brings a warm and welcoming feel to an otherwise rather cool and technical genre perhaps because the castors lend the industrial steel frame a narrative character? About a Chair is perfect for official settings and an obvious choice for both large-scale corporate contexts and work-at-home offices or maybe as a dining chair? Like the other versions, this version too is available with three upholstery options: full upholstery of the whole shell, upholstery on the front of the rounded shell or a seat cushion. All three versions allow you to vary the expression with relatively simple variations in upholstery, which of course owes a great deal to fabric textures and colours.
About A Stool is the bar stool of the series. It has the same capacity for transformation as the other members of the family and ranges from a minimalist and simple plastic stool to a more full-bodied upholstered version. With its Nordic legs in lacquered or soap-finished oak or black-stained ash wood, About A Stool has a strong visual presence and feet planted firmly on the ground.
About a Stool is the bar stool of the series. It has the same capacity for transformation as the other members of the family and ranges from a minimalist and simple plastic stool to a more full-bodied upholstered version. The frame in this version of About a Stool has a delicate expression but is made in strong and durable materials. You can have your choice of stainless steel or powder-coated versions in black or white.
About an Ottoman is designed as a companion for both versions of About a Lounge Chair, but the footstool has such a strong visual expression that it can easily stand alone as an extra seat. About an Ottoman is reinterpreted late modernism, and like the rest of the About series it is able to blend into a relevant present or future, depending on your choice of upholstery, colours and materials.
The idea behind AIRY was to create a coffee table that did not scream but still was not afraid to speak. The result is a table series that masters the fine balance between being light and airy, and at the same time having plenty of personality and individuality. Due to this combination Airy gets a multi-functionality that makes the side tables suitable for every kind of interior.
Ambit is a timeless and versatile pendant with a strong character. The lamp shade is made from old brazier traditions, press spun by hand, polished and finally hand-painted. The Ambit pendant comes in 5 different colours and has a white-painted inside which adds a delicate contrast while also ensuring that maximum light is emitted from the lamp.
Like a fluid and enveloping frame, an irregular ellipse that gives a sense of becoming, Anisha outlines an empty space, defines it and fills it with its light, producing a magical sensation. Realized in ABS, the table lamp Anisha is available in two colours – pure white that blends with the space or red for a decisive, recognisable presence. It is suitable for a wide range of settings, environments and uses. In the entrance, in a lounge, bedroom or on a desk, with its light spirit and unmistakable identity: both on and off.
Born from the desire to use rough concrete, typical of large modern buildings, to create a light object in slender, refined forms, the Aplomb lamp has been hugely successful ever since its inception. A special concrete formula which can be poured into slender moulds has produced an elegant and inimitable product. By using the same material, Foscarini proposes an even smaller version of the original suspension Aplomb lamp.
Small hanging lamp in concrete offered in three, coloured finishes which celebrate its personality, bringing together different styles, from the traditional grey of cement in its raw state, which adds depth to the volumes, to a stylish white hue, and a warm intense brown. Perfect for occasional tables, peninsulas and counters, either on its own or in a group
The simplicity of an irregular, circular outline defines the form of each design, delimiting a centre and a perimeter that will never be exact or symmetrical. The Aros series includes three round rugs, in three different colours and sizes, and a square version in which the circle is outlined in the interior. The subtle asymmetry in each design invites freedom from conventional uses, making it possible to combine more than one piece to create new volumes in a single space.
AROUND is a set of coffee tables designed by Thomas Bentzen with a modern and unique identity, produced with materials and craftsmanship that reflect traditional Scandinavian design values. The shape and frame of the tables makes them both functional and elegant, with a warm and welcoming appearance. AROUND tables work well on their own or in groups of two, three or more.With two sizes and more than eight different finishes, any number of unique set ups are possible to suit the particular home or public setting.
Arumi reflects Foscarini’s ability to transform an industrial object made in die-cast aluminium alloy, into a finely crafted artefact, thanks to careful manual polishing of the inner surface and the outer border, joined by the handcrafted irregular finish of all the outer surfaces and the three reliefs that bring rhythm to the piece. Arumi embodies elegant, precious contrasts, making it beautiful even when not in use. When it is turned on, the luminous part has been designed to be gentle with the eyes of the observer, efficient but also soft in its light emission, to enhance the elegance of the polished internal part. The light flow of a dimmable LED of the latest generation is transmitted inside a very pure transparent cylinder that terminates in a detail specifically designed to project the beam onto the polished inner walls.
The B-4 Table Lamp by Greta M. Grossman was designed in 1945 and bears her whimsical and powerful signature style. With playful angles and geometric elements, the table lamp is characterized by its colourful and movable visors allowing light to diffuse softly around any table it stands on. The lamp fits effortlessly into almost any environment, adding a dash of American modernism panache to the room.
The silhouette of the B-4 Table Lamp, with its stilt base and alternating colour panels, resembles some of Greta M. Grossman’s most iconic architecture more than any other design item from her career. Typically, her houses were perched high up on stilts with cantilevered decks and walls of glass to take in the magnificent hillside views of Southern California – and with a fanciful style the B-4 Table Lamp beautifully reflects her modernist design principles.
In the Basel Chair, Jasper Morrison renews the classic genre of simple wooden chairs that have been mass produced in great varieties and number for about a century. The balanced proportions first catch the eye, then on closer inspection the chair reveals a crucial innovation.
A series of lights inspired by the sculptural simplicity of brass cooking pots and traditional water vessels on the subcontinent. The Beat lights are spun and hand-beaten by renowned skilled craftsmen of Moradabad in Northern India.
Made in solid brass, the Beat Tall Black has a patina black external surface in contrast to its warm, golden interior. The Beat Light can be used in many different configurations to create a dramatic statement. Hang them individually or as a group using one or more of the shapes and one of our round or linear pendant systems.
Made in solid brass, the Beat Wide Black has a patina black external surface in contrast to its warm, golden interior. The Beat Light can be used in many different configurations to create a dramatic statement. Hang them individually or as a group using one or more of the shapes and one of our round or linear pendant systems.
New addition to our much-loved BEAT family, inspired by the sculptural simplicity of traditional water vessels used in India. Made from spun brass, the Beat wall light incorporates the familiar hand beaten shade with a solid brass dimmer dial.
With the Bellevue Lamp, Danish architect and designer Arne Jacobsenembodies the minimalism of the Modernist Movement with the functionalismof Bauhaus. Viewed as the driving force behindDanishModernism,Jacobsen’s preference for graceful lines and simple, organic forms arereadily recognisable in the Bellevue Lamp. The re-launch of this iconic lamp involves a return to the original Bellevueshape in three styles: the floor lamp, desk lamp and wall lamp. Toenhance their appeal in a contemporary setting are new colours and amix of materials: satin polished brass, black with brass, anthracite withbrace and versions mixing ivory or grey beige with brass.
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Pendant variation.
Birdie is a reading lamp in aluminium and polycarbonate. The four colours – white, orange, grey, amaranth – determine the personality of the lamp.The diffuser produces illumination for the surface below and effective reflected lighting upwards
The Birdie wall model expands the possibility of creating combinations of the various versions. Owing to the breadth of appeal of its subtle design and to its natural inspiration, the wall version blends in easily with the most disparate settings, assuming various personalities depending on the colour of the diffuser: white, grey, orange or amaranth, always on a white structure.
While experimenting with the reflections and refraction of light, designer Samuel Wilkinson discovered a beautiful quilted effect when the light source was surrounded by patterned glass. This led to his design of the Blown series of lamps – and the launch of the Blown ceiling lamp. Choose from either silver or opal glass and let yourself be mesmerised by the effect. Switched on, the Blown ceiling lamp emits a soft light that projects a quilted pattern dispersed across the ceiling. Brilliant for a home, high-end hotel, restaurant, lounge or any other such setting, it adds a subtle sense of graphics that’s striking. The name Blown is inspired by the process of creating the lamp itself, where each lamp is mouth-blown by artisans and expert crafts people. An authentic technique that contributes to the stunning patterns projected onto the ceiling when lit, transforming any space into a work of art.
Blown is Samuel WilkinsonÍs first lamp for &tradition. A mouth-blown pendant with a quilted pattern, it comes in two versions: a translucent variant with a silver lustre and a sandblasted white one. The pendant is fitted with a powder-coated cast metal suspension. The pendant was conceived as an exploration of the reflections, distortions, and refractions of a light source when surrounded by patterned glass.
Born from the desire to create a versatile step ladder to fit modern urban lifestyles, Shane Shneck has created in Butler a clever and multifunctional household item. Providing two extra steps when used as a ladder, the larger lower step allows it to be utilised as a side table, stool or bedside bench when not serving its primary function. Crafted in solid oak with contemporary detailing, Butler comes pre-assembled and ready to use.
Jurgen B_kmark’s table series for FDB has a multi-purpose feature, as the tabletop is reversible, with both a black and a white melamine surface. The honest and straightforward construction, where the table legs continue through to become part of the tabletop, is a fusion of aesthetic and function. Available in four sizes.
Inspired by the famous hanging mobiles of American sculptor Alexander Calder, these irregular wool rugs are conceived to live amongst each other, forming attractive combinations. A tribute to the pioneer of kinetic art, conveying the essence of movement on the floor.
Inspired by the famous hanging mobiles of American sculptor Alexander Calder, these irregular wool rugs are conceived to live amongst each other, forming attractive combinations. A tribute to the pioneer of kinetic art, conveying the essence of movement on the floor.
Inspired by the famous hanging mobiles of American sculptor Alexander Calder, these irregular wool rugs are conceived to live amongst each other, forming attractive combinations. A tribute to the pioneer of kinetic art, conveying the essence of movement on the floor.
Made from layers of minutely etched polished brass that filter light to cast intricate shadows, Cell creates a beautiful light play, whether used on its own or in multiple geometric configurations.
Made from layers of minutely etched polished brass that filter light to cast intricate shadows, Cell creates a beautiful light play, whether used on its own or in multiple geometric configurations.
Year of production: 2004. Also swivel version available with self-returning mechanism. Concrete base painted transparent clear. Seatin polished die-cast aluminium or in die-cast aluminium treated with sputtered fluorinated titanium and painted in polyester powder. Cushions also available. Suitable for outdoor use (painted version). Flame-retardant.
The Table Lamp a perfect accompaniment for a desk, table or shelf . The Table Lamp features the Lee Broom Crest and Lee Broom logo subtly etched on to the polished brass base. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters. The Crystal Bulb is designed to fit any standard ceiling, wall or lamp fitting, and can be hung solo or in clusters, as well as used with a light shade to create enchanting light effects.
Cloche is a table top lamp providing a directional light. Its black powder coated arm and off-set cast iron base creates a visual imbalance, resembling the suspension of a traditional dining cloche. The shade is available in matt white, matt black and polished copper.
Exploring new possibilities with a whole spectrum of lighting combinations. The Cluster Lamp’ from Joel Degermark evokes experimentation with ambient expression. – Only 1 unit left for SALE from Cape Town showroom.
Our ambition was to design a pendant with a simple industrial feel, but which was still elegant and poetic.î The Copenhagen Pendant is an exercise in contrasts. Combining the classic and the modern, the maritime and the industrial, it is a new pendant developed by Space Copenhagen for &tradition. Following the success of their first collaboration, the Fly Lounge Series, &tradition have worked with Space Copenhagen again to produce a pendant range in matt lacquered metal, one of Space CopenhagenÍs first lights to enter production.
Most people adorn their walls with art, which is why &tradition introduced Copenhagen in a smaller wall version. The compact size gives you multiple placement options. Use it as a cosy bedside lamp or try several to illuminate your hallway. Swivel the lamp left to right for more personal lighting possibilities.
The opal glass shade ensures a soft ambient light, while the new dimmer allows you to adjust the light effect from cold white light for an energy boost by day to a warmer white light for a calmer feeling at night. A technology reflecting the latest Nobel Prize winning findings on the health benefits of synchronising our biological clock to the different phases of the day. A customised, built-in LED module ensures energy efficiency.
Wherever you place it, the Copenhagen wall lamp is destined to be a conversation piece.
HAY has invited Ronan and Erwan Bouroullec to design a new collection of furniture for the redesigned University of Copenhagen (KUA). The collection includes a wooden chair, a bar stool and several tables.
The Copper Shade is instantly recognisable for its highly reflective surface with a warm metallic glow, achieved through the technologically advanced process of vacuum metallisation. Also available in 45cm and other various sizes and shapes.
Three small friends, robustly built, stable, individual in character and lovable in appearance, that’s the Cork Family. Whether as side-tables or as stools, the three different brothers benefit from the advantageous properties of the natural material: cork. It is comparatively light, enormously tough and has a pleasant soft feel.
The COSY table lamp series focuses on the attractiveness of glass and the beauty of its changing reflections. Placing the light bulb at the centre of the design, the lamp is made with mouth-blown glass and comes with a textile chord.
COSY can be used to add personality and atmosphere to any setting, whether on the table, shelf or floor.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
The polished chrome Pendant fitting, engraved with the Lee Broom logo, creates a clean and simple outline with the Clear Crystal Bulb. Each pendant fitting comes with matching silver fabric cable and a chrome ceiling rose.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
The polished chrome Pendant fitting, engraved with the Lee Broom logo, creates a clean and simple outline with the Frosted Crystal Bulb. Each pendant fitting comes with matching silver fabric cable and a chrome ceiling rose.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
The brushed brass Pendant fitting, engraved with the Lee Broom logo, creates a clean and simple outline with the Clear Crystal Bulb. Each pendant fitting comes with matching gold fabric cable and a brass ceiling rose.
Taking inspiration from the delicate craftsmanship of crystal cutting, Crystal Bulb combines industrial influences with decorative qualities, transforming the everyday light bulb into a beautiful ornamental light fitting. Each lead Crystal Bulb is handcrafted using traditional techniques and hand cut with a classic crystal pattern inspired by those found on traditional whiskey glasses and decanters.
The brushed brass Pendant fitting, engraved with the Lee Broom logo, creates a clean and simple outline with the Clear Crystal Bulb. Each pendant fitting comes with matching gold fabric cable and a brass ceiling rose.
The Decanterlights, each made from lead hand cut crystal, are designed to glow in clusters creating a majestic and sensual centrepiece where ever they hang.The original Decanterlight collection was released in May 2010 using vintage decanters sourced from flea markets, following the launch of Lee Broom’s bar and restaurant design Coquine in London which won Elle Decoration UK’s British Design Awards for Best Interior.Due to the rarity of the vintage decanters caused by the success of the Decanterlight range, we released a new Decanterlight collection with our own design of cuts. Each Decanterlight is hand crafted and hand cut lead crystal and each shade shape will be consistent in size, outline and glass cut pattern which is inspired by the vintage collection.
The Decanterlights, each made from lead hand cut crystal, are designed to glow in clusters creating a majestic and sensual centrepiece where ever they hang. The original Decanterlight collection was released in May 2010 using vintage decanters sourced from flea markets, following the launch of Lee Broom’s bar and restaurant design Coquine in London which won Elle Decoration UK’s British Design Awards for Best Interior.Due to the rarity of the vintage decanters caused by the success of the Decanterlight range, we released a new Decanterlight collection with our own design of cuts. Each Decanterlight is hand crafted and hand cut lead crystal and each shade shape will be consistent in size, outline and glass cut pattern which is inspired by the vintage collection.
The Decanterlights, made from hand-cut lead crystal, are designed to glow in clusters creating a majestic and sensual centrepiece where ever they hang.
The Decanterlights, each made from lead hand cut crystal, are designed to glow in clusters creating a majestic and sensual centrepiece where ever they hang.The original Decanterlight collection was released in May 2010 using vintage decanters sourced from flea markets, following the launch of Lee Broom’s bar and restaurant design Coquine in London which won Elle Decoration UK’s British Design Awards for Best Interior.Due to the rarity of the vintage decanters caused by the success of the Decanterlight range, we released a new Decanterlight collection with our own design of cuts. Each Decanterlight is hand crafted and hand cut lead crystal and each shade shape will be consistent in size, outline and glass cut pattern which is inspired by the vintage collection.
The Decanterlights, made from hand-cut lead crystal, are designed to glow in clusters creating a majestic and sensual centrepiece where ever they hang.
With the diversity of materials used and their sculptural shapes, George Nelson’s clocks embody the joie de vivre of the 1950s. To this day, his table clocks remain a refreshing alternative to the usual timekeepers. The Vitra Design Museum presents a re-edition of the designs so cherished by collectors – in a true-to-the-original form. Collection Vitra Design Museum.
Is it made with toy building blocks? Is it a character out of a comic? Or a small domestic robot? Duii surprises and amuses due to its personality, starting with its name, inspired by one of Donald Duck's friendly nephews. The articulated arm, held together by wing screws like bits of Meccano, supports a rounded body, a shape that in turn recalls a multitude of memories and inspirations: retro car headlights, a workman's hard hat but also the Mohican style shaved head of the Diesel brand. A lamp created for the more playful and non-conventional spirit of all ages, in the table version or the mini version, which can be used on a bedside table as well as on the wall, thanks to the free cable and its compact size. It is available in two colour variants: bright yellow in men at work style or a warm shade of grey, elegant yet at the same time technological.
Is it made with toy building blocks? Is it a character out of a comic? Or a small domestic robot? Duii surprises and amuses due to its personality, starting with its name, inspired by one of Donald Duck’s friendly nephews. The base also recalls a duck’s foot, the articulated arm, held together by wing screws like bits of Meccano, supports a rounded body, a shape that in turn recalls a multitude of memories and inspirations: retro car headlights, a workman’s hard hat but also the Mohican style shaved head of the Diesel brand. A lamp created for the more playful and non-conventional spirit of all ages, in the mini version, which can be used on a bedside table as well as on the wall, thanks to the free cable and its compact size. It is available in two colour variants: bright yellow in Ïmen at work style or a warm shade of grey, elegant yet at the same time technological.
Egoa is a chair collection created by Josep Mora. There are two main chair options: Egoa moving armchair and Egoa task chair. It is essential to seat in the Egoa chair to experience how wonderfully comfortable it is. The seat and the backrest are ingeniously hinged, inviting users to adopt a dynamic sitting posture, thus allowing a free range of movement. Egoa chair adapts to most body weights and sizes, offering an exceptional comfort. This design has been in production for more than 20 years now, and leads to become a design classic. The frame is made of chromed steel and the seat & back are available in a variety of wood finishes; fabric or leather upholstery. The shape of the chair allows stacking up to six units on the floor. A version with castors is also available. The wood species come from French sustainable managed forests.
Giving out a soft, ambient glow, Etch pendants can be hung individually over a dining table, for example, or for more dramatic effect hang them in multiples using our pendant system. Also available in the steel, copper and brass in 50cm size and as a set of tea light holders.
The FIBER ARMCHAIR has been designed to balance maximum comfort with minimum space. The chair has been produced from an innovative bio-composite material that includes 25% wood fibres. From a distance, the shell appears to be normal smooth plastic, however, when viewed up close the tiny pieces of the wooden fibres become apparent, giving the chair a whole new character.
With the addition of four different bases, FIBER has flourished into a fully-fledged family of 39 chairs, confident of finding the ideal style to suit the individual home, office or other public setting.
The FIBER SIDE chair is the latest addition to the FIBER chair family, which also means it is constructed with the same elegant innovative bio-composite material with up to 25% wood fibers. With an eye for detail, every line and every curve of the FIBER SIDE chair has been designed to balance maximum comfort with minimum space. FIBER SIDE chair has a visual light expression that allows great freedom of movement for the user and a design that can easily slide under all tables.
The FIBER SIDE chair is the latest addition to the FIBER chair family, which also means it is constructed with the same elegant innovative bio-composite material with up to 25% wood fibers. With an eye for detail, every line and every curve of the FIBER SIDE chair has been designed to balance maximum comfort with minimum space. FIBER SIDE chair has a visual light expression that allows great freedom of movement for the user and a design that can easily slide under all tables.
The FIBER SIDE chair is the latest addition to the FIBER chair family, which also means it is constructed with the same elegant innovative bio-composite material with up to 25% wood fibers. With an eye for detail, every line and every curve of the FIBER SIDE chair has been designed to balance maximum comfort with minimum space. FIBER SIDE chair has a visual light expression that allows great freedom of movement for the user and a design that can easily slide under all tables.
Named Fifty Fifty after the lamp’s counterweight system that creates equilibrium between the two parts, it is clear to see how Sam Weller’s references to physics and engineering influence the design. Based on the idea of stripping a multi-purpose task light to its fundamental elements, Fifty Fifty balances refined, pared-back aesthetics with optimal functionality. Configurable aluminium components minimise the overall complexity of the design and manufacturing process, creating a feature of the joints and mechanisms that is consistent throughout the entire series. The single cantilever arm is easy to tilt and pivot with one hand, featuring a touch-sensitive dimmer switch for precisely positioning and controlling the light source. The collection comprises lamps with weighted bases in large and small sizes, a large table lamp with clamp base and a floor lamp. Suitable for shared or private areas in homes or corporate environments.
Named Fifty Fifty after the lamp’s counterweight system that creates equilibrium between the two parts, it is clear to see how Sam Weller’s references to physics and engineering influence the design. Based on the idea of stripping a multi-purpose task light to its fundamental elements, Fifty Fifty balances refined, pared-back aesthetics with optimal functionality. Configurable aluminium components minimise the overall complexity of the design and manufacturing process, creating a feature of the joints and mechanisms that is consistent throughout the entire series. The single cantilever arm is easy to tilt and pivot with one hand, featuring a touch-sensitive dimmer switch for precisely positioning and controlling the light source. The collection comprises lamps with weighted bases in large and small sizes, a large table lamp with clamp base and a floor lamp. Suitable for shared or private areas in homes or corporate
Flash tables are available in three heights and shapes, ideal for use as coffee or side tables. The rectangular version can cantilever over the arm of a low sofa.
In 1968 the students revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semicircular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too. & In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals.
In 1968 the students revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semicircular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too. & In his young days, Panton often set off from Copenhagen in an odd looking converted Volkswagen for a trek across Europe, dropping in on fellow designers to share ideas – and good meals.
Stacking chair. Year of production: 2011. Material: Frame in steel rod, cataphoretically-treated and painted in polyester powder. Suitable for outdoor use.
A series of mirrors in two sizes and three color versions. Mirrors with colored glass that challenges the function of a classic mirror and adds the dimension of decoration to an interior setting. Hang the mirrors in groups of two or more to create an almost art-like mirror installation on a wall. The mirrors are suited for use in bathrooms and other wet rooms.
A re-imagining of the original crystal version, this new Fulcrum edition employs pure Carrara marble to produce a monolithic take on the modern candlestick.
Continuing the exploration of pivots and supports, Fulcrum Light is a slimline pendant of chrome or polished brass cylinders suspended around a central sphere.
Continuing the exploration of pivots and supports, Fulcrum Light is a slimline pendant of chrome or polished brass cylinders suspended around a central sphere.
Continuing the exploration of pivots and supports, Fulcrum Light is a slimline pendant of gold, chrome or black cylinders suspended around a central sphere.
The most iconic products Greta Grossman designed in the 40’s and 50’s were the Grosshoppa floor lamp and the Cobra floor and table lamps. In 1950, the Cobra lamp won the Good Design Award and was subsequently exhibited at the Good Design Show at the Museum of Modern Art. Today, Grossman’s product designs are highly collectible and are sold at auctions all around the world. Grossman’s products are unique, modern classic designs.
Gas chair collection is a very personal Jesus Gasca design project. The Gas chair collection features a full range of seat options, from side chair to armchair, even task-chair and swivel-chair. Jesus Gasca describes his goals when creating Gas chair: “At STUA we have been dreaming about the future and we envisaged a chair with fluid lines as light as gas”. That is why every joint, edge and curve is resolved with an uncompromising attention to detail. The frame is made of aluminium, chromed in glossy or matt finish, or powder coated in back or white. The Gas chair has been selected as one of the most comfortable chairs in the world. The seat and back are available polypropylene or upholstered. The back can be made also of textile mesh. Gas is an indoor use stackable chair. The Gas chair represents a fresh and new interpretation of a timeless form. Gas embodies good design.
Gask is a small suspension lamp with a grand personality. The steel mount, with its rough and textured embossed black finish, is joined to the blown glass diffuser with exposed brass bolts, which recall the atmosphere of an old-fashioned hardware store. The diffuser is available in two versions: milk white, for a warmer and more diffused lighting, or transparent grey, that lets you catch a glimpse of the light source inside. Gask is a charming combination of memories and contemporary living, perfect in rooms of all sizes, thanks also to the possibility of using it in compositions with Foscarini’s multiple canopy.
Table lamp providing direct light. Aluminium structure with external transparent methacrylate diffuser and opal PC led diffuser.Optical switch sensor on the base that provide 3-step dimming function. A USB socket on the back of the base enables you to recharge the most common smartphones and tablets (max 1.5A). Adaptor on plug connector with interchangeable plugs. The power chord is 2.5 metres long
Lamp made of polyethylene. Availablein 3 different sizes: medium, large and Extra-Large. It’s possible to create any number of arrangements using different sizes, which provide a remarkable effect by day, with their organic shapes, and by night, with their particularly welcoming, sunny light.
The iconic Grashoppa lamp was first produced in 1947. The tubular steel tripod stand is tilted backward and the elongated aluminium conical shade is ball-jointed onto the arm; so the light can be directional, yet the glare is minimal. Both stand and shade are powder-coated. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions and the shade can be rotated through 360_. The base is covered in powder-coated aluminium and weighted with a cast iron ballast.
The Gubi Chair, designed by Kompolt Design, was the first furniture design to be based on the innovative technique of moulding three-dimensional veneer. The 3D design gives the chair comfort and a sense of lightness – with all edges pointing away from the user.
HiRek, wood and fabric details available on request.
The floor lamp Havana has simple, essential and young lines but it stands out and is capable of characterizing any environment. The shade is formed by four elements in printed, satinized and polyethylene and is available in white; the stem and the base are in varnished or chrome-plated metal. Suspension and wall-mounted versions are also available. Part of the design collection of the Museum of Modern Art (MOMA) in New York.
ÖThe main inspiration for Samuel Wilkinson’s Hoof table derives from the feet which are sharpened at the ends producing a striking yet functional detail. The word Öhoof originates from the protective part of the feet of ungulate animals. In contrast to most tables, the leg ends of Hoof are left in natural wood to avoid the paint from chipping off from being either kicked or knocked when cleaning. The foot detail is created by reversing the usual manufacturing process. Most furniture that have a painted section and a natural part are initially assembled, then masked off, and painted. Hoof stands out by being painted first and then trimmed back to reveal the natural grain.
This collection explores balance. There is a series of lights: table lights, wall lights, ceiling pendants and ceiling mounted lights which take as their basic form a sphere that is perfectly balanced on the edge of a rod. Table lamp providing diffused light. Frame in brass, brushed and transparent varnished or chrome steel. Blown glass opal diffuser. Dimmer on the power chord.
HAY’s reproduction of Børge Mogensen’s classic J41 chair has a slightly slanted backrest and widely-spaced spindles creating an uncluttered design that offers a timeless quality. With a broad plywood seat and frame in solid oak or beech, the design is both hard-wearing and comfortable. Available in oiled, matt lacquered or painted finishes.
HAY’s reproduction of Børge Mogensen’s classic J42 chair clearly reflects his design philosophy. Precise proportions with simple horizontal and vertical lines are used to construct a curved spindled backrest and angular armrests. With a broad plywood seat and frame in solid oak or beech, the design has a timeless quality that is built to provide lasting comfort. Available in oiled, matt lacquered or painted finishes.
Jack is the original sitting, stacking, lighting thing, an award-winning multifunctional object that was one of Tom’s first experiments with plastic. This iconic design object is made by a process of air rotational moulding which gives an even wall thickness. Now safe to use in wet spaces.
