The 9602 Floor Lamp, also known as “Chinese Hat” was designed by Paavo Tynell in 1938 for the Hotel Aulanko. Characterised by its elegant and airy lampshade and rattan-covered stem, the 9602 Floor Lamp shows the design- er’s limitless imagination and unparalleled
ability to create designs of enduring beauty. Adding a playful, exuberant quality to the top, balanced by the more static form of the base, the 9602 Floor Lamp is perfectly suited for creating a gentle ambient light in the domestic living room.
Unveiled in 1948 at the Finland House in New York, the A1965 Pendant was an instant success for Paavo Tynell and one of the lighting fixtures considered to define his mid-century peak. It delicately holds some of his most distinctive design traits; the perforated and polished brass material combined with a unique lift mechanism, raising and lowering the lamp to different heights. The A1965 Pendant gracefully di uses the light down- wards through frosted glass, omitting glare whilst gently illuminating the room.
The hanging counterweighted A1965 Pendant was Tynell’s attempt to add lighting mobility to the ceiling fixture and comb- ing the advantages of the portable and the installed lamp. The impeccable construction of the A1965 Pendant fully reveals Paavo Tynell’s knack for elevating ordinary light fixtures into functional art and this remark- able style played a significant role in shaping the aesthetic of mid-century lighting.
The About series is HAY’s most versatile furniture series. It began with a chair and blossomed into a series with virtually unlimited potential. With the About series, Hee Welling has proven that a single strong idea can hold a wealth of development options. Today, the series includes dining and conference chairs, office chairs, bar stools, lounge chairs, tables, a foot stool and, as the latest addition, a sofa, and it is equally perfect for private and public settings. The About series is a true pragmatist, able to blend in or stand out, depending on the task it is assigned. Dramatize the silhouette with heavier upholstery, or opt for more subtle materials and colours. The many colour, upholstery and frame options are a particularly strong feature that allows you to tweak the design without compromising the basic concept.
About a Lounge Chair has a compact body combined with legs made of round wooden poles. About a Lounge Char has a strong signature and a keen sense of proportions with its late-modern references and contemporary textural qualities. It is available in a low-backed or high-backed version. In this high-backed version, the construction is made of straps, which makes the seat softer and eliminates the need for a cushion. About a Lounge Chair has a sculptural appearance, and the stitching in the back contributes to a graphic line that appears subtle or striking, depending on your choice of upholstery. The high-backed About a Lounge Chair is designed to form a whole with About an Ottoman, but even though having a place to put up your feet does hold obvious appeal, About a Lounge Chair also works fine in its own right, without the foot stool.
About a Table shares the general versatility of the series and speaks the same language as the rest of the family. The table has the same powder-coated frame as most of the chairs in the series, and the organic curves and the feet that raise the table off the floor give it a light expression. The tables are available with round or rectangular tabletops. The round tabletop rests on a centred frame, while the rectangular version has legs placed at both ends and a cross-bar construction that creates graphic and structural harmony. About a Table is available in two heights and a wide range of dimensions, which lets you create a unique solution to match your needs.
About a Table shares the general versatility of the series and speaks the same language as the rest of the family. The table has the same powder-coated frame as most of the chairs in the series, and the organic curves and the feet that raise the table off the floor give it a light expression. The tables are available with round or rectangular tabletops. The round tabletop rests on a centred frame, while the rectangular version has legs placed at both ends and a cross-bar construction that creates graphic and structural harmony. About a Table is available in two heights and a wide range of dimensions, which lets you create a unique solution to match your needs.
An extension to the AMBIT series, Stockholm-based TAF Architects have developed a new interpretation of the quintessential billiard table lamp. AMBIT RAIL is constructed out of three shades mounted onto a tube; a well-known yet charming typology which showcases what seems like a reformed, modernised chandelier. The AMBIT RAIL leaves a minimal yet striking impression which compliments a diverse set of surroundings. A key focus in the design process was the fluidity of the lamp. All joints and cables are hidden, and the supporting wires are remarkably thin, causing the lamp to seamlessly float in mid-air.
Stacking chair. Also available with arms. Year of production: 2008. Material: Frame in steel tube painted in epoxy resin or chromed. Seat in synthetic mesh (shape retaining) with surround in air moulded polypropylene with glass fibre added. Arms in self-skinning textured polyurethane. Also available with a star base.
The Aplomb project explores the technological and expressive possibilities of concrete, a rough yet at the same time appealing material, achieving a leap of scale and genre: from large contemporary architectural buildings to a small designer lamp. In its shape and use, Aplomb recalls a burning torch, to be grabbed and moved easily to where it is needed. Its light beam is an intense up-light, but it creates no glare because it is completely screened from view by the shape that encloses the light source.
A collection of simple yet timeless lamps based on a transparent, nearly invisible balloon with a hovering reflector to serve as an elegant and stately source of light in any setting. The natural beauty of the quality hand-blown glass is underlined by the clean appearance of the transparent balloons. The collection features a small table model and two free-standing models. The size of the largest Balloon shade is the embodiment of exceptional glassblowing craftsmanship, as it pushes the technique to its very limits.
A no nonsense collection of lights. Base is sand cast in rough iron. The brass shade is spun, rolled and lacquered with a soft satin finish. The warm hued brass gives a soft, ambient light.
Further additions to the iconic Beat family, these articulated floor lamps are available in black and brushed brass.The Beat lights are spun and hand-beaten by renowned skilled craftsmen of Moradabad in Northern India.
A recoloured white version of the famous original Beat Light. The exterior is lacquered in a gloss white, contrasting with the warm, golden interior.The Beat Light can be used in many different configurations to create a dramatic statement. Hang them individually or as a group using one or more of the shapes and one of our round or linear pendant systems.
GamFratesi’s design takes its creative drive from a fusion of tradition and renewal and in an experimental approach to their chosen materials and techniques. With their dual traditional background, Stine Gam (born 1975) and Enrico Fratesi (born 1978) draw on the classic Danish furniture and craft tradition as well as the classic Italian intellectual and conceptual approach. Understanding a tradition and addressing it actively in the workshop makes it possible to expand on it. From this cross-cultural substrate they create furniture that respectfully reflects tradition while also featuring unique embedded stories, symbols and associations, often expressed in a minimalist idiom.
The BEETLE Chair Collection is a chair series in laminated moulded veneer with seat and back in 2 seperate parts. The 2 parts are joined together with a steel fitting milled into the 2 shells. The shells are 10 mm thick. The chair is always fully upholstered in fabric or leather with a pilpling.
Bell is an exercise in reductionism, its polished surface reflecting the characteristics and the colours of its surroundings. The floor lamps have a weighted base for added stability.
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Floor Light with the original shade as sketched and specified by the Architect.
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Floor Light with the original shade as sketched and specified by the Architect.
In the new LED version, affording high energy efficiency levels and durability, Foscarini wanted to retain all the emotion of the original model. For this reason, after a lengthy lighting technology design project developed by Foscarini, the new version with LED light retains the unmistakable effect of this lamp, in which every sphere recreates the image of the light source inside it and of its surroundings.The four LED circuit boards are installed on the aluminium plate that acts as a dissipator, and covered by translucent polycarbonate screens.
Faced with the challenge of blank paper, some authors capture its very essence on designer rugs. A graphic and industrial designer, a painter, a fashion designer and a writer and art gallery director create each of these four exclusive designs, in which four very personal visions of the rug as contemporary object are made clear. All have something in common: choosing the absence of colour, black and white in monochrome, to intensify its identity. A dichotomy. A horizontal canvas. A work of art underfoot.
A classic Royal Blue Delft porcelain vase that experienced something truly bizarreit has been blown aside by a powerful gush of wind. The wind motion becomes part of its features &its beauty also lays in the fact that it is bent but not defeated.
In the 1990s, Rodolfo Dordoni designed a collection of table, floor and suspension lamps for Foscarini in brightly coloured blown glass, named after the nstural elements: Fruits, Blossom and Buds. Today, Buds has been restyled again, interpreting contemporary taste with a sophisticated wealth and focus on materials. The star of the design remains blown-glass, with a five-layer hand-crafted process, which is immediately evident thanks to the larger cut of the diffuser. With the new rangfe of colours – cold brown, cold grey, bamboo green and white, with a straw-yellow internal finish – Buds takes on a dual value: it is warm when the lamp is on and cold when off.
The Cage Pendent collection is inspired by the lamps of miners and workers, protected by a metal cage which in Cage becomes a decorative element, thanks to its artisan craftsmanship, which can be seen in its irregular structure, and to the colours that characterise it.
A taller relative of the Carbon Chair, the Carbon Barstool embodies the same passion for craftsmanship, but literally takes it to another level Lean and light, it's the ideal stool to move with you. Whether in your own kitchen or at the pub, the Carbon Barstool always gives you a lift to the nearest bar.
Carbon Chair of Bertjan Pot and Marcel Wanders speaks of dedicated craftsmanship in connection to high tech materials only made possible by personal excitement, passion and enlighted.
Catch, Jaime Hayon’s first contribution to &tradition’s collection, is a chair that welcomes you with open arms. Its armrests extend from the shell like literal limbs, ready to embrace you as you sit down. In addition to being a witty personification, it is also an eye-catching piece of design. Serpentine lines give it a playful lightness that is counterbalanced by a sturdy, well-balanced base and legs that ensure maximum comfort. The shell offers comfort alongside great variability.
Housing a sculptural Carrara marble diffuser within a lead crystal vessel, Chamber expresses the unexpected translucent qualities of marble in a compelling decorative pendant. With its gentle luminosity and directional downlight, Chamber is available in two sizes & lends itself to being hung in clusters as well as individually.
Reissued in exacting detail from the original drawings and molds, the armchair combines the best of both molded plywood and solid bent wood construction.Seat and back pads are not sold separately, only in combination with Cherner seating products.
The 1958 molded plywood stools by Norman Cherner have been seen in some high places. Available in counter or bar height with a wood or metal base. The seat is made of laminated plywood of graduated thickness, from 15 plys to 5 plys at the perimeter of the shell. Reissued in exacting detail from the original drawings and molds, Strong, lightweight and like the original, made entirely in the U.S.A. Seat and back pads are not sold separately, only in combination with Cherner seating products.
The Cloud collection includes a one-, two- and a three-seat sofa and a pouf, all of which combine a strong and defined weight-bearing structure with cushions and pillows ensuring maximum comfort. Cloud welcomes you in a friendly embrace while maintaining an elegant and structured external silhouette. Cloud’s base feature no-sag springs and the pillows are made using a mix of HR foam and feathers, providing ultimate comfort. Its supporting structure î the back- and armrest segment and base î is made from bend plywood, while its frame and legs are produced in powder-coated steel, designed to match the colours of the upholstery.
Colour Carpet is Scholten & Baijings’s first rug collection for HAY in 100% New Zealand wool, where six carpets offer six distinct identities, each with their own unique colour scheme and graphic expression.
In this version, Copenhague Desk is a touch more straightforward than the smaller and more storytelling version CPH90. The legs are symmetrical, the tabletop larger, and the function more flexible. This makes Copenhague Desk CPH10 more versatile and able to serve as a desk, a dining table __ or both.
Is it a satellite, or is it an Art Deco sculpture? Neither actually. It is a new curved geometrical light that pushes the boundaries of thin sheet etched metal fabrication. With its microscopic precision-pierced surface and soft nickel silver coating Curve internally reflects and emits a filtered glow of ethereal light. This 45cm version of the Curve Pendant is the larger of the two options, why not mix and match with the rest of the range.
Marcel Wanders designed a collection of ceramic vases for Moooi, all vases are produced and decorated at ‘Royal Delft’, a Dutch company dating back to 1653 and the original producer of the beautiful Delft Blue ceramics. The vases are reinterpreting and revitalizing Delft Blue and old Dutch craft using new ideas for shapes and decoration.
Inspired originally by the form of a cactus and its modular shape, the various parts of the Elements collection resemble a functional sculpture: as beautiful as the cactus, but extremely versatile in their combinations and use.
Giving out a soft, ambient glow, Etch pendants can be hung individually over a dining table, for example, or for more dramatic effect hang them in multiples using our pendant system. Also available in the steel, copper and brass in 50cm size and as a set of tea light holders.
Modular wall lamp composed of methacrylic sheet and aluminium organised in three different elements that can be installed either individually or in combination to achieve a range of decorative effects.
Year of production: 2003. Material: legs in standard injection-moulded polycarbonate transparent clear. Tops in MDF with polymeric cover. Pattern options available: set of white sheets in art paper for customer's own pattern, set of patterns by Marcel Wanders or set of patterns by Javier Mariscal.
Outdoor pendant lamp releasing light through a frosted medium density, UV protected polyethylene globe, shielded by weaved synthetic polyethylene fiber lamp shade. Lamp shade is available in grey graphite, natural white and brown graphite. Canopy is iron, coated with anti-corrosive, cataphoresis treatment to provide comprehensive protection against all weather conditions in accordance with IP 55 rating. Electrical cord is encased with protective neoprene. Height can be adjusted by tensor wire. (IP 55)
The Fork lampshade is inspired by casual fashion, by campsite tents and by an informal, playful and dynamic lifestyle. The stitching on the fabric has been created like that on jeans and the rings are notmerely decorative, but respond to practical needs with simplicity and immediacy. The light inside reveals a patchwork structure and the texture of the canvas, a little like when you turn on a light inside a tent. The lampshade is extremely fl exible and can be oriented 360¡. The stand of the floor and table versions is also very mobile, thanks to its joints: this means you can change the direction of the light as you please, play with the lamp and have fun continually finding new positions for it.
G-10 Floor lamp Black structure, lacquered ÷36cm shade and foot, brushed brass arm and tilt link, opal satinized glass diffuser, white inside shade, black fabric wire. E27/230V
Floor lamp available in two heights, which can take either average or large diffusers. Result: two different looks for a wide variety of interior uses.
The most iconic products Greta Grossman designed in the 40’s and 50’s were the Grashoppa floor lamp, Cobra floor and table lamps. In 1950, the Cobra lamp won the Good Design Award and was subsequently exhibited at the Good Design Show at the Museum of Modern Art. The iconic Grashoppa lamp was first produced in 1947. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck.
Outdoor lamp made of a single rotational moulded piece in white polyethylene. The structure is available in the version with a stake, with underground box or with repositionable base.
HeadLine not only provides optimal support in the lumbar zone, but also targets vulnerable areas that have previously been neglected the shoulders, neck and head. In this way, it fulfils the ergonomic requirements of modern office work. In an upright sitting position, the head and spine are naturally balanced. But when the sitter leans back, most conventional office chairs do not provide sufficient support, resulting in strain and tension in the neck and shoulders.
The In Between chair was the first chair to be added to the &tradition stable of furniture and Kallio has reinterpreted certain aspects of the chair in the creation of the table. The curvature of the circular table is for example reminiscent of the negative space in the form of the chairÍs back rest. Similarly the angles of the legs of the table reflect the angles of the chair legs. The table legs were created using woodturning, a traditional technique that uses a lathe to shape wood.
Jesus Gasca, the founder of STUA, has created this new design: Lau, a wooden table with the aim to become a timeless design. The singularity of this design comes from its details: a slight inclination of the legs with a smooth & curved connection to the table top. Hence, making this table unique where legs and top flow in a fluid way. Now available in a rectangular version.
Suspension lamp made of polycarbonate, it is available in three colours: white, red, and aquamarine. The use of a material that does not reveal the light, helps to create the special luminous effect of Le Soleil, with beams of light projected upwards and direct illumination downwards.
The Masculo chair designs are marked by the meeting between Italian and Danish design. The distinctive, expressive backrest expresses an almost aggressive masculinity, whilst the slender supporting metal frame simultaneously embraces sophisticated, quasi-feminine detailing.
Mathieu MatÕegot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, MatÕegot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic. Gubi’s collection of original Mategot design includes The Nagasaki Chair & Stool, The Dedal Shelf, Kangourou Table, The Mategot Coatrack & Trolley, The Demon Shelf System and the Copacabana Chair and Table.
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
A diffuser in blown glass in soft, full form seemingly suspended from a delicate metal cage. This is Metafisica. Mysterious and charismatic even when it is switched off, it assumes yet more body and life when it is switched on to the extent that the diffuser appears to float in the air and flout the laws of gravity.
Reissued in exacting detail from the original drawings and molds, the armchair combines the best of both molded plywood and solid bent wood construction.Seat and back pads are not sold separately, only in combination with Cherner seating products.
Resulting from the marriage between the centuries-old tradition of blown glass and the industrial appeal of metal, Metal Glass recalls an alchemist’s still or a lantern from a Gothic setting. It is distinguished by a dense and almost opaque transparency, which is achieved by pouring soda powder into the still-incandescent vitreous paste. The ensuing chemical reaction creates a myriad of bubbles which are transformed into luminous particles, when the lamp is on. The borosilicate glass cylinder inside spreads the light while being part of the design.
Resulting from the marriage between the centuries-old tradition of blown glass and the industrial appeal of metal, Metal Glass recalls an alchemist’s still or a lantern from a Gothic setting. It is distinguished by a dense and almost opaque transparency, which is achieved by pouring soda powder into the still-incandescent vitreous paste. The ensuing chemical reaction creates a myriad of bubbles which are transformed into luminous particles, when the lamp is on. The borosilicate glass cylinder inside spreads the light while being part of the design.
Table lamp from the MONA collection. The futuristic bell-shaped Mona lamp sensitively demonstrates the beauty of smooth glass in soft curves, with its tubular light source dramatically cutting through the delicate body of the piece and illuminating the design’s thrilling tension. The artist’s distinctive style is reflected in the unexpected combination of wood, textile or leather, and blown glass, whilst the sophisticated design of this elegant hand blown lampshade, resembling the form of a futuristic helmet, is based on the principle of penetrating forms previously applied in the design of the Capsula light (Brokis, 2013). The glass shade and suspension straps are affixed to the LED light source with a pair of elegant wooden buttons.
Muffin lamps convey a truly extraordinary lighting experience. Their puffy, round shapes and combination of traditional hand-blown tinted glass, oak, and gentle light fill any space with a special aura. The singular design and exceptional quality of the Muffin lamps caught the attention of Yves Saint-Laurent, which used them in a TV advertisement for its 2011 men’s collection. The Muffin collection comprises three basic variants Ò floor, ceiling, and table Ò that can be fitted with a wooden lamp body as well as different glass shades in subtle tones of grey, brown, and yellow.
…like the silhouette of birds in the evening sky. Inspired by the grace and freedom of bird flight, the original Night Birds ceiling lights bestow a poetic charm and unprecedented dynamism to your interior. The lights do not merely hang in space _xÐ they fly. They provide you with the freedom of flight in creating variable compositions ranging from several individual lights to entire flocks of birds. The glass shades, formed to depict wings in various phases of flight, together with the pleasant, gentle LED illumination, bring the ambience of your favorite space to perfection.
An elegant, bright, lighthearted bubble is dressed in a fine web of black or white thread that shines and glimmers in the light. Thanks to an integrated LED lamp, this new creation by Bertjan Pot subtly diffuses its soft magic glow around the room.
Pending lamp with chrome metal fitting and coloured high density expanded poliurethane body. Direct light is projected up and downwards, reflected light is spread throughout the room
Many architects and furniture designers of the Bauhaus era were intent on providing well-designed homes and impeccably manufactured furnishings for the “common man”. in 1955, Barba Corsini, a leading functionalist architect, realised his contemporary vision through his renovation of the loft space and the furnishings he custom designed for “La Pedrera”. Corsini was a great admirer of Finnish architecture, which he believed to be the finest in Europe on account of the powerful simplicity of the designs. ‘Powerful simplicity’ is indeed an apt description of Corsini’s personal design style, as represented by the Pedrera series. The Pedrera coffee table is both modern and classic.
The Perch Light Table Lamp, the smallest of its family, holds its own particular charm. You may admire the details of its delicate beauty and follow the light swinging of the bird from nearby, while comfortably seated. What’s more, you can easily set it in motion with a gentle touch of your hand while enjoying its warm sunny glow.
Pylon was named after the metal base, inspired by the vision of an electric framework in an industrial landscape. It then adds a special touch of fashion and tailoring to this image by combining it with a diffuser in pure linen. The fabric is moulded like a dress onto the body of the diffuser with hand-pleated folds which give it a 3D shape. Characterised by its warm and soft luminosity, Pylon floor is extremely versatile as it is height-adjustable. Pylon is perfect both in a more intimate setting, such as a bedroom or living room, as well as in different communal areas, such as restaurants, public houses or a hotel lobby.
Created to be adaptable, light and strong, the Pyramid Tables are the last word in cutout sheet steel construction. Originally created by Wim Rietveld while working at Ahrend in the 1950s, the collection has been relaunched by HAY together with Ahrend. When initially launched in the ‘50s, it was regarded as a triumph in its innovative use of sheet steel, giving new direction for use in organically shaped products. Today, both as individual pieces and as a collection, it is notable for its sparing use of materials, simplistic construction and for being light enough to move around. These lasting designs manifest functional excellence and aesthetical lightness that have been proved in real environments over several generations. This variant of the Pyramid Table features a thin steel-sheet base with a rectangular oak tabletop to create a functional and uncluttered expression. Its light, stackable design and hardwearing quality make it suitable for use in educational institutions and corporate environments. Available in a variety of wood finishes and base colours.
A comfortable, versatile chair with a sculptural silhouette available as a low or high backed version, ideal for use as a dining chair or side chair. Scoop sports either sleek black, glamorous brass-coated or copper-plated steel legs.
A comfortable, versatile chair with a sculptural silhouette available as a low or high backed version, ideal for use as a dining chair or side chair. Scoop sports either sleek black, glamorous brass-coated or copper-plated steel legs.
A round blanched Birch table top with a cast iron tripod base. The industrial strength of the aluminium screw allows for multiple heights by simply spinning the top and using the lock bolt to fix into position.
A table inspired by the materials and processes employed during the Industrial Revolution. Screw is made from a cast iron tripod base with a white marble top. The aluminium thread allows for multiple heights by simply spinning the top.
Shadows XL is loosely based on the collection of lights Shadows. Paying homage to its typological heritage, the Shadows collection is a new take on the recognized and timeless French atelier pendant spot light. The five-lamp clusters feature different types of glass shade that slide over a wooden neck. The variable fittings allow you to apply your own creativity in composing new lighting experiences every day, while the purity of form is underscored by the hidden light source Ò a warm LED spotlight. SHADOWS XL, new for 2015, features a design that holds true to the lines of the original Shadows collection, but it boasts s a nearly 50% proportional increase in size.Thanks to its ample dimensions, Shadows XL works well as an independent suspension light and allows for convenient lighting of, for instance, dining tables, bars, etc.
Born in the name of flexibility and adaptability, the Shift Lounge Chair beats all pre-conceptions on foldable chairs by being extremely practical and delightfully cosy at the same time. Its designer, Jonas Forsman, has always been intrigued by objects that shift shape, transform and adapt to different situations. When folded, the chair is flat to facilitate shipping and storing, yet once unfolded it acquires a rounded, three-dimensional shape thanks to its comfy outfit, with a soft knitted backrest and padded seat. The Shift Lounge Chair fits and shifts comfortably in any space, from a small metropolitan apartment to a villa.
Smash is eye-catching at first glance thanks to its unprecedented shape that recalls a squashed bell: this visual effect has a strong industrial identity, which is emphasised by the special exterior finish and by the curled metal used to create the characteristic rim of the diffuser. Its special shape gives rise to various games involving perspective, depending on the position of both the observer and the lamp. Smash is available in two colours: rust, which recalls industrial settings, and grey, with a versatile and contemporary personality.
In both colour versions, the interior is painted white to create a two-tone effect with the exterior finish and increase light diffusion, generating a warm and uniform effect.
The essence of traditional Japanese straw tatamis are the inspiration for these dhurries made with 50% New Zealand wool and 50% jute. Hand-loomed in India, the structure and shine of the jute blended with the softness of the wool create a mesmerising combination.
Tatou began life as a luminaire that crosses a traditional dome style with a surface that is interpreted through a creative language to screen and let the light filter through from inside. Diffused light table lamp. Exterior diffuser in Polycarbonate. Internal diffuser in injection printed opal polycarbonate. Support and base in painted steel.
Under a mysterious magic spell, a retro-looking school chair is dipped in enchanted golden nectar, which washes away its austerity and crows it with a shiny aureole. Isn't this a typical school-time wish, while looking out of the window and hoping for a fairytale to begin?
The vase represents a digital age of currency and the approach to extinction for physical money. The vase illustrates the precise moment the piggy bank is struck.
Hanging lamp in wood, available in threefinishes Ò white, natural wood, or black Ò and three different sizes Ò small, medium and large. Troag’s design enables the optimum use of light, concentrating the flow downwards to light tables or surfaces in a uniform manner.
TS Console is available in two versions and two finishes Ò TS Console 1 and TS Console 2 in glass or marble. TS Console 1 comes with one tray and TS Console 2 has two trays, or one tray and one metal tray. On both, a black lacquered or brass frame is contrasting the top.
Ample, linear, essential design combined with strong flexibility characterise the formal elegance and light sophistication of Twiggy. The hanging model is the maximum expression of flexibility.
Under The Bell is not just a lampshade. When hung over a table or in an open environment it creates its own space within the bigger space. That way, the lamp embraces and shelters the table and people beneath it both physically and in a more abstract sense. The recycled plastic felt even absorbs sound and helps improve the acoustics of your room.
Known as the Golden Fibre' for its shine, Jute is a plant that blooms in tropical regions, especially in India and Bangladesh. Highlights among its properties are the fact that it is 100% biodegradable and recyclable, so it does not damage the environment,and that is one of the strongest vegetable fibers with insulating and antistatic properties.
Visasoft is a dignified visitor and conference chair. Its flexible upholstered backrest enhances the comfort of the classic cantilever chair construction. The armrests consist of a plastic sleeve covered in leather. Visasoft is also available in a stackable version.
Wingback is a series of of British classics re-mastered. The collection includes a dining chair, chairs, sofas and ottomans. All are available in a wide range of colours and Kvadrat fabrics with chair legs in solid natural or black oak and copper-plated steel.
