This version of About a Chair has a swivel base in powder-coated steel, which gives the chair a more formal expression, both because the wooden frame has been replaced with steel and because the delicate and elegant legs fan out from the centred base, almost standing on tiptoes and optically raising the chair off the floor. In this open version, the inviting seat offers an informal break in a private or professional context.
Here, About a Chair is the perfect office chair and brings a warm and welcoming feel to an otherwise rather cool and technical genre. The chair uses the same simple and familiar shell, while the elegant steel frame acquires a narrative charm when it is combined with the spherical castors. This version of About a Chair is perfect for official settings and an obvious choice for both large-scale corporate contexts and work-at-home offices or maybe a dining chair?
This version of About a Chair has a swivel base in powder-coated steel, which gives the chair a more formal expression, both because the wooden frame has been replaced with steel and because the delicate and elegant legs fan out from the centred base, almost standing on tiptoes and optically raising the chair off the floor. Like the other versions, this version too is available with three upholstery options: full upholstery of the whole shell, upholstery on the front of the rounded shell or a seat cushion. All three versions allow you to vary the expression with relatively simple variations in upholstery, which of course owes a great deal to fabric textures and colours.
This curvy version of About a Chair is designed to be supportive, so you can just sit back and let the chair do the work. This version of About a Chair is available with three upholstery options: full upholstery of the whole shell, upholstery on the front of the rounded shell or a seat cushion. All three versions allow you to vary the expression with relatively simple variations in upholstery, which of course owes a great deal to fabric textures and colours.
A no nonsense collection of lights. Base is sand cast in rough iron. The brass shade is spun, rolled and lacquered with a soft satin finish. The warm hued brass gives a soft, ambient light.
We have designed more architectural scale lighting for Beat to sit with our Fat and Stout pendants. Beat Flat boasts a fresh silhouette and gives off a greater light output.
A variation on the famous original Beat Light, this table standing version on a slender articulated arm can be adjusted to direct the light beam. Solid brass componentry and iron sand cast bases create an iconic footprint for any interior. Also available in black and as a floor light.
We have designed more architectural scale lighting for Beat, to complement our Stout and Fat pendants. Beat Waist boasts a fresh silhouette and gives off greater light output.
The bell represents a very early and essential form of communication, generating a welcoming ring that brings people together for festivities and congregations.
Bestlite has been in continuous production since 1930. Winston Churchill is numbered amongst its many famous users. The Bestlite design was conceived by Robert Dudley Best who was highly influenced by the Bauhaus.Bauhaus was a school in Germany that merged practical crafts with the fine arts and became famous for the design concept that it publicised and taught. Realeased as a Table Light variation.
Made with sturdy yet lightweight materials, dynamic in the infinite positioning possibilities depending on the colour, the floor-standing lamp Birdie has a different personality: in white, can be discreet and almost invisible, but in red, orange or grey it becomes more of a prima donna capable of playing the starring role of a room.
The timeless elegance of high-technology dematerialization. A body that is ethereal, pure and almost immaterial. Its naked, transparent base can be customized with a variety of interchangeable finishings and materials, expressing personal taste. Table lamp providing diffuse light. Injection moulded PMMA clear transaprent base and diffuser. Edge Lighting technology light source. Power cord length 200 cm, with dimmer switch that provide ON-OFF functions and 10-100% light adjustment. Plug-in power supply with interchangeable plugs.
Simple and stylish, Chouchin teams unique craft-based expertise with a modern and strikingly simple style. The Chouchin family comprises 3 models with a coloured matt glass body. Beside the first version a new one is born: Chouchin reverse. The shapes are the same but the colourshave been inverted; the diffuser is now white while the collar stays the same colour as the previous shape. It is not just about a new colour, but rather a new light, a new use even. All the versions can be used individually or in highly scenic compositions: the perfect blend of tradition and modernity.
The new family of Chouchin is a collection of three suspension lights made of blown glass of various shapes, sizes and colours. It includes three shapes, each with its own colour: orange for the large version, grey for the small version and green for the elongated Version.
Exploring new possibilities with a whole spectrum of lighting combinations. The Cluster Lamp’ from Joel Degermark evokes experimentation with ambient expression. Lightbulbs not supplied. Light bulbs are avaliable to buy in box sets.
A clever personification of the simplicity of country life, where everybody knows ‘who’ you are and ‘what’ you do, the Common Comrades table family amuses us with its utilitarian simplicity &honest soul. A collection of six side tables or stools with different identities – the Emporor, Farmer, Merchant, Scholar, Seamstress and Tailor
A clever personification of the simplicity of country life, where everybody knows ‘who’ you are and ‘what’ you do, the Common Comrades table family amuses us with its utilitarian simplicity &honest soul. A collection of six side tables or stools with different identities – the Emporor, Farmer, Merchant, Scholar, Seamstress and Tailor
A clever personification of the simplicity of country life, where everybody knows ‘who’ you are and ‘what’ you do, the Common Comrades table family amuses us with its utilitarian simplicity &honest soul. A collection of six side tables or stools with different identities – the Emporor, Farmer, Merchant, Scholar, Seamstress and Tailor
A clever personification of the simplicity of country life, where everybody knows ‘who’ you are and ‘what’ you do, the Common Comrades table family amuses us with its utilitarian simplicity &honest soul. A collection of six side tables or stools with different identities – the Emporor, Farmer, Merchant, Scholar, Seamstress and Tailor
A clever personification of the simplicity of country life, where everybody knows ‘who’ you are and ‘what’ you do, the Common Comrades table family amuses us with its utilitarian simplicity &honest soul. A collection of six side tables or stools with different identities – the Emporor, Farmer, Merchant, Scholar, Seamstress and Tailor
A clever personification of the simplicity of country life, where everybody knows ‘who’ you are and ‘what’ you do, the Common Comrades table family amuses us with its utilitarian simplicity &honest soul. A collection of six side tables or stools with different identities – the Emporor, Farmer, Merchant, Scholar, Seamstress and Tailor
When I sit on a train travelling, I always see these strings of electricity out of the window. It’s so beautiful and poetic the way they connect the pylons but at the same time they divide the landscape. I wanted to translate this into interior architecture.» Michael Anastassiades Suspension lamp providing diffused light. Matt black varnished die-cast aluminium body coated with clear soft-touch varnish. Optical diffuser in opal PC. Suspension system of 12 metres with Kevlar reinforced coaxial cable. Available with wall/ceiling connection in black PC and power suppy with floor switch in matt black varnished PC. The on/off switch is electronic with optical mechanism. on/off and dimmer operated by means of Bluetooth Android and Apple remote control application.
The Copper Shade is instantly recognisable for its highly reflective surface with a warm metallic glow, achieved through the technologically advanced process of vacuum metallisation. Also available in 25cm and other various sizes and shapes.
The familiar sphere gets squashed then stretched to create a new pair of complimentary forms in the trademark mirrored copper, allowing new clusters to be formed, lower ceilings to be illuminated or narrow corridors to be colonised by the Copper family. The Copper Shade is created by exploding a thin layer of pure metal onto the internal surface of a polycarbonate globe. The result is a highly reflective surface with a warm metallic glow. Can be hung in multiples using Pendant System or as a single pendant light, to create a focal point.
The familiar sphere gets squashed then stretched to create a new pair of complimentary forms in the trademark mirrored copper, allowing new clusters to be formed, lower ceilings to be illuminated or narrow corridors to be colonised by the Copper family. The Copper Shade is created by exploding a thin layer of pure metal onto the internal surface of a polycarbonate globe. The result is a highly reflective surface with a warm metallic glow. Can be hung in multiples using Pendant System or as a single pendant light, to create a focal point.
COVER chair, designed by Thomas Bentzen, is a modern reinterpretation of the classic wooden armchair. In a clever design choice, thin form pressed plywood covers are given the dual role of working as comfortable armrests, while at the same time ensuring that the chair holds together. COVER’s contemporary design gives it a strong personality and with a frame produced from solid beech wood it is extremely robust and hardwearing. The chair is also very versatile, at home at the dining table, as a desk chair, in a restaurant, hotel room or any other public setting.
A miniature version of the popular Crescent Light, this illuminated sphere is sliced asymmetrically in half to reveal a crescent-shaped brushed brass fascia. _The Mini Crescent Light seamlessly combines the solid and the opaque.
In one of many visits to her Indian collaborators, when observing a sample of wool fibres grouped by tones, Nani Marquina visualised the embryo of one of the firm’s most emblematic designs, and, possibly, the design that she herself would choose if she had to choose which child she loved most: Cuadros. Twenty colours forming a magic checkerboard of vibrant colours that create a rhythmic sensation of movement on this checked rug. This design, born from a seemingly accidental combination of shades, actually follows a very specific linear sequence. A decorative melody.
Is it a satellite, or is it an Art Deco sculpture? Neither actually. It is a new curved geometrical light that pushes the boundaries of thin sheet etched metal fabrication. With its microscopic precision-pierced surface and soft nickel silver coating Curve internally reflects and emits a filtered glow of ethereal light. This 45cm version of the Curve Pendant is the larger of the two options, why not mix and match with the rest of the range.
Is it a satellite, or is it an Art Deco sculpture? Neither actually. It is a new curved geometrical light with a microscopic precision-pierced surface and soft nickel silver coating. Curve internally reflects and emits a filtered glow of ethereal light. This wall version of the Curve lighting range will look great offset against one of the Curve Pendant lights, why not mix and match with the rest of the range.
Year of production: 2005. Material: Legs in extruded aluminium (polished or painted). Seat in die-cast aluminium (polished or painted). Flame-retardant.
Marcel Wanders designed a collection of ceramic vases for Moooi, all vases are produced and decorated at ‘Royal Delft’, a Dutch company dating back to 1653 and the original producer of the beautiful Delft Blue ceramics. The vases are reinterpreting and revitalizing Delft Blue and old Dutch craft using new ideas for shapes and decoration.
Marcel Wanders designed a collection of ceramic vases for Moooi, all vases are produced and decorated at ‘Royal Delft’, a Dutch company dating back to 1653 and the original producer of the beautiful Delft Blue ceramics. The vases are reinterpreting and revitalizing Delft Blue and old Dutch craft using new ideas for shapes and decoration.
The extension' chair is a translation of how a chair is used. Vroonland draws on the manners and customs of how we use a chair, transforming it into a coat hanger seat. What Vroonland intrigues is that technology, craftsmanship, storytelling and the actual physical contact all comes together in this one design: a chair. Variety of 3 extensions each with a different function.
Coat-stand, handbag-hanger and a card-holder.
(The coat stand extension has an additional
counter-weight in the seat to prevent instability.)
Originally a dramatic and sculptural take on a British design classic, Fan is available as a high back chair, dining chair, stool and table. The stools and chairs have a black leather seat pad, while the chairs feature a curved back, offering support and comfort. Available in Black Birch or Natural Oak.
Originally a dramatic and sculptural take on a British design classic, Fan is available as a high back chair, dining chair, stool and table. The stools and chairs have a black leather seat pad, while the chairs feature a curved back, offering support and comfort. Available in Black Birch or Natural Oak.
The Fiber chair has been designed to balance maximum comfort with minimum space. The chair has been produced from an innovative bio-composite material that includes 25% wood fibres. From a distance, the shell appears to be normal smooth plastic, however, when viewed up close the tiny pieces of the wooden fibres become apparent, giving the chair a whole new character.With the addition of four different bases, Fiber has flourished into a fully-fledged family of 39 chairs, confident of finding the ideal style to suit the individual home, office or other public setting.
The FIBER SIDE chair is the latest addition to the FIBER chair family, which also means it is constructed with the same elegant innovative bio-composite material with up to 25% wood fibers. With an eye for detail, every line and every curve of the FIBER SIDE chair has been designed to balance maximum comfort with minimum space. FIBER SIDE chair has a visual light expression that allows great freedom of movement for the user and a design that can easily slide under all tables.
The FIBER SIDE chair is the latest addition to the FIBER chair family, which also means it is constructed with the same elegant innovative bio-composite material with up to 25% wood fibers. With an eye for detail, every line and every curve of the FIBER SIDE chair has been designed to balance maximum comfort with minimum space. FIBER SIDE chair has a visual light expression that allows great freedom of movement for the user and a design that can easily slide under all tables.
The FIBER SIDE chair w. castors is only availableas a made to order variantand comes in wide range of colors and textiles.
The FIBER SIDE chair is the latest addition to the FIBER chair family, which also means it is constructed with the same elegant innovative bio-composite material with up to 25% wood fibers. With an eye for detail, every line and every curve of the FIBER SIDE chair has been designed to balance maximum comfort with minimum space. FIBER SIDE chair has a visual light expression that allows great freedom of movement for the user and a design that can easily slide under all tables.
Filo comes from the desire to display the individual parts that go into a lamp – the light source, decoration and electrical wiring – bringing out their structural and aesthetic characteristics, simplifying the grammar and syntax. Its essential character is the result of the choice of using decoration to play a fundamental role, incorporating elements that are not traditionally considered decorative. Hence the electrical wire establishes a dialogue with the parts in glass and the diffuser, in a rhythmical game of role swapping. While the energy that allows the lamp to perform its purpose as lighting runs along the cord, spheres and bulbs of glass also take their place there, transforming it into the archetype of a necklace, with a porcelain body in the form of a cone that projects the light on the wire and the glass spheres, ideally positioned as a pendent.
Flash tables are available in three heights and shapes, ideal for use as coffee or side tables. The rectangular version can cantilever over the arm of a low sofa.
The grey felt-covered wedges allow you to raise any of the corners of the Flying Carpets, giving it a new form that allows you to make yourself comfortable on it to read, watch TV or chat.
STUA have been dreaming about the future and envisage a chair with lines as light as fluid gas. Every joint, edge and curve is resolved with an uncompromising attention to detail. The frame is made of polished and later chromed aluminium. The chair has been granted the GS quality certificate by TiV Rheinland. Gas chair is for indoor use.
Like a small drop of incandescent glass, Glass drop appears to represent the magical and fleeting nature of this raw material, which is both fluid and solid at the same time, just before it takes shape in an ancient glass-blowing workshop. Its aluminium finishing on the contrary, is unmistakably contemporary, considering it is the high-tech material par excellence. A textured surface finish that interacts with light, changing colour and appearance according to its intensity. Aerial and precious, even when it is turned off, it can be used alone or in multiple horizontal compositions, suspended over a long table in a home or over the counter of a communal space, or vertically, at different rights, to decorate a large entrance, a stairwell or reception area. And it’s Foscarini again who delivers the technical solution allowing to make a vertical composition of up to 9 lamps: the multiple canopy joins function and design harmony, emphasising the scenic presence of a Glas drop cascade.
The simple concept behind the Glo-ball family of lights is to obtain the maximum diffusion of light, this is achieved by the use of hand-blown, etched white opaline glass. The form: a flattened globe appears, like the moon, as a flat disc when illuminated. Table/desk lamp providing diffused light. Diffuser consisting of an externally acidetched, hand blown, flashed opaline glass and a die-cast aluminum threaded ring nut with alodine plating finish. 30% fiberglass reinforced injection-molded polyamide base. Gray painted, die-cast aluminum diffuser support. On the cable there is the electronic dimmer which allows the regulation of light brightness.
The new Gravity Collection designed by Space Copenhagen, consisting of a table lamp and a floor lamp, is aesthetically contrasting strength and fragility. Taking its name from the lamp’s distinctive balance between the anchoring of the heavy, cylindrical base and the lightweight, airy shade, it beautifully merges into a sculptural whole.
Blending understated elegance, clean functionality and effortless in its own succinct and simple way, the Gravity Lamp gives an ambient and subtle light display and creates different moods and expressions depending on the choice of size and combination of materiality.
The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions whilst the shade can be rotated through 360 degrees. The base is covered in powder-coated steel and weighted with a cast iron ballast. The Cobra Lamps are available in 5 different colours. A small key is included to tighten the joint of the shade if needed.
The Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck (or hood). A solid brass arm joins the wall base and shade. The shade canbe tilted 90 degrees from vertical to horizontal and it can be rotated 360 degrees. A bracket for mounting on the wall is integrated in the base as is the switch.
The iconic Grashoppa lamp was first produced in 1947. The tubular steel tripod stand is tilted backward and the elongated aluminium conical shade is ball-jointed onto the arm; so the light can be directional, yet the glare is minimal. Both stand and shade are powder-coated. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra’s neck. The tubular flexible arm can be bent in all directions and the shade can be rotated through 360_. The base is covered in powder-coated aluminium and weighted with a cast iron ballast.
The Gubi stool collection uses an innovative technique of moulding three-dimensional veneer. All the edges of the seat point away from the user. The Gubi Stool has many variations of styles and finishes available in kitchen or bar height. Gubi Stool is not stackable.
HiRek, wood and fabric details available on request.
HALVES successfully finds the beauty in its technical form and a healthy balance between aesthetic and functionality. The table is crafted out of an acrylic stone composite, making it a steady and an approachable platform; the epitome of MSDS. The Canadian based collective cleverly capture the essence of Nordic design. HALVES distinctive rounded edges showcase precision, while the seamless joints help to construct the asymmetric body. The second level shelving allows the table to transform simply by placing it at various angles. This provides the ability to highlight a complex, yet uncluttered profile. HALVES works perfectly beside a sofa, as a bedside table, or a standalone surface both in a private and public setting.
Suspension lamp with support in lacquered metal and diffuser comprising four satin-finish polyethylene elements, available in versions with or without plug. It gives off a diffused light, especially warm and able to create an “area” effect. Part of the design collection of the Museum of Modern Art (MOMA) in New York.
The interplay between positive and negative space is central to in Between, Sami Kallio’s chair design for &tradition. Its back and side panels provide a concrete shape and support, but forms are created equally by the gaps in between them. The upholstered seat is the perfect addition to the wooden chair: it embraces modern lifestyles and long, cosy dinners around the dining table, without compromising the chair’s light and elegant expression.
“Only rarely in our profession do you conceive of and design a product that in one way or another will become an archetype. With the Kelvin Led project I have always been convinced that this is the case.” Antonio Citterio Adjustable table lamp providing direct lighting, with double pantograph arm and adjustable head. Fused aluminum alloy body. Die-cast aluminum outer head, with injection-molded methacrylate diffuser. BASE external cover in ABS. Extruded aluminum alloy square tube (12x12mm) structure, machined mechanically, so that it houses a stainless steel load-compensation spring and injection-molded acetal resin sliding blocks. 3 mm diameter wire outer tie rods. Available in white, anthracite, black or chrome finishes. The ON/OFF switch is electronic with optical mechanism located in the head. Two possibilities to choose: – PERSONAL MODE (orange switch) Dimm the light intensity you like. – GREEN MODE (green switch) Now Kelvin LED becomes Green, saving even more energy thanks to his automatic compensation of the ambience light
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. The initial inspiration for Lato started with the idea of a lollipop turned upside down. A classic shape from a candy most people recognise from childhood. But how do you turn a lollipop into a table? “Growing up on an island like Murano, I was surrounded by creativity,” explains Nichetto. “Artisans with an immense knowledge and love of materials, who I watched transform abstract concepts into concrete reality. With Lato, I wanted to keep the simplicity and streamline it into a timeless side table in a style that could easily be the centre of attention.”
Enjoy this stunning example of a sculpture that’s a side table – and vice versa.
Loft Bar Stool combines Scandinavian design traditions with industrial references for a bar stool with full seat and back along with a small footprint. As with its chair counterpart, the Loft Bar Stool exemplifies simple, honest design through its clean lines and maximum comfort.
Wall and ceiling lamp in blown glass characterized by its dynamic look, given by the direction of the diffuser’s upper area, which is oblique with respect to the support surface, thanks to a cut that divides the glass in a surprising and original way.
A table lamp with a spherical magnet which combines two simple elements: a support rod with a round base and a compact LED light source, similar to an electric torch or a microphone, affording the utmost versatility of angling and movement along the rod. Also Available as a floor lamp.
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary design. This side table consists of two small tables, the smaller one sitting within the larger.
Mathieu Matigot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he employed result in aesthetic and, above all, contemporary designs. The Nagasaki chair is once of few three-legged models and is still Matigot’s best-known piece and is included in the permanent exhibition at the Vitra Design Museum.
Mathieu Mategot’s organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and, above all, contemporary designs. Today, Mategot’s designs are equally fit for the purpose as when they were originally conceived, and his legendary designs are both timeless and classic.
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
Melange is the perfect combination of tradition and modernity, fashion and home, craft and design, past and future. The collection composed by 20 models symbolizes a blending of marked contradictions that work together, acting as complements. Thanks to the simplification of classic motifs such as geometric patterns and a pared colour palette, the Melange is a contemporary version of the Kilim. An exercise in aesthetic rationalization that upholds the ancestral handcrafted techniques of Pakistan. A giant patchwork effect is achieved by overlaying the Melange rugs, perfect for decorative purposes and warmth.
A series of distorted spherical pendants, half-metallised to create an extraordinary optic effect and cast an ethereal luminosity on their surroundings. Tom Dixon crushed by Front. With MELT, our experiments in the technologically advanced field of vacuum metallisation takes on a new twist. MELT Chrome is a distorted lighting globe born from our collaboration with Swedish radical design collective FRONT.
The Metal Side Tables belong to the category of furnishings that do not stand at the centre of attention, yet are indispensable for the completion of an interior. As small and rather inconspicuous side tables, they serve a variety of valuable purposes. The thin table tops and the voluminous forms of the plinth-like bases create an appealing contrast.
Maritime objects fascinate because of their contrasting surfaces. The roughness of corroded wood aging with beauty, blended with the industrial efficiency of metal structures. This is the inspiration behind the Raft range created by Norm.Architects Kasper rnn and Jonas Bjerre-Poulsen. They have taken a modern scandinavian approach to create a unique piece of furniture that combines simplistic purity with a discreetly aged look. The sandblasted surface of the stool legs, accentuate the structure of the wood, while the triple legs have the playful appearance of a living creature in motion. & the position of the legs allow for two seating positions, either with a single leg forward or two. The flat seat also makes the stool equally useful as a side table.
The NERD chair is a modern Nordic take on the iconic all-wood chair that effortlessly reflects its classic Scandinavian design heritage. The seamless integration of the NERD’s back and seat is a unique feature providing both enhanced comfort and an inviting personal look. Crafted with the highest quality materials, the NERD chair provided the winning design for the Muuto Talent Awards 2010.
The NERD chair is a modern Nordic take on the iconic all-wood chair that effortlessly reflects its classic Scandinavian design heritage. The seamless integration of the NERD’s back and seat is a unique feature providing both enhanced comfort and an inviting personal look. Crafted with the highest quality materials, the NERD chair provided the winning design for the Muuto Talent Awards 2010.
One of the most distinctive signs from Vietnam is the hat used by women in the countryside to protect themselves from the sun and the rain and as a basket to carry food. Nn LÁ is the name used to describe this Vietnamese hat and it is also the name we selected for this lamp. This is the way we pay homage to its shape and centenary culture. The simplicity of this cone-shaped lamp, offers a lightweight and resistant structure with an avant-garde touch thanks to the decentralized light cavity. The lamp’s hood is made out of aluminium and then platted or lacquered. The cast iron base of the lamp is angle shaped, which makes it look more rude, in contrast to its subtle cone-shaped shade. Nn LÁ fills the space with direct bottom light and includes a polycarbonate diffuser which hosts a dimming own-made led plate.
Contrast and cohesion remain the themes in these simple, archetypal designs for any setting. The four-legged NA7 Bar Stool is the newest member of the Norm family to join the three-legged NA3 stool, which both feature a brilliant contrast between the smooth surface of the black powder-coated steel legs vs. the structured surface of the smoked oak or black lacquered oak seats.
Op Art graphic patterns are the inspiration for this modern pendant light. Made from powdered coated spun steel and blown from opaque glass, the asymmetry of the black stripes are in contrast to the classic spherical shape of the globe. When viewed from all sides, Optical’s linear pattern changes at every angle.
Stacking chair. Also available with arms. Year of production: 2009. Material: Frame in aluminium. Arms and crosspieces in die-cast aluminium painted in polyester powder or polished. Seat in polyester-vinyl polymer fabric, or in polyester-vinyl polymer and polyester-cotton fabric, or in leather.
Stacking stool. Also available with arms. Year of production: 2010. Material: Frame in aluminium. Arms and foot-rest in die-cast aluminium painted in polyester
powder or polished. Seat in polyester-vinyl polymer fabric, or in polyester-vinyl polymer and polyester-cotton fabric, or in leather.
The inspiration for the base of the lights came from the vaulted ceilings of the famous house of ‘La Pedrera’, designed by Antonio Gaudi, whilst the cylindrical shape and unique, perforated detail of the chimneys influenced the form of the lampshades.
A stacking chair . The Magis Pila Chair has four very thin sticks in solid wood, which are kept together by an almost invisible structure in die-cast aluminium.
Plass resembles a Murano glass pearl hit by the sun’s rays, but here the light comes from within, rather than from outside, refracted by the incisions on the surface. The unique effect it produces is even more immediate and usable in the new Plass media lamp suitable for medium-sized spaces.
The PULL floor lamp is a Muuto icon. A perfect example of classic and simple Nordic design, given a new perspective with its playful personality. PULL has an adjustable shade that changes both the lamp’s light and its character. The lamp was the winning design of the Muuto Talent Awards 2011 for Whatswhat.
Created to be adaptable, light and strong, the Pyramid Benches are the last word in cutout sheet steel construction. Originally created by Wim Rietveld while working at Ahrend in the 1950s, the collection has been relaunched by HAY together with Ahrend. When initially launched in the ‘50s, it was regarded as a triumph in its innovative use of sheet steel, giving new direction for use in organically shaped products. Today, both as individual pieces and as a collection, it is notable for its sparing use of materials, simplistic construction and for being light enough to move around. These lasting designs manifest functional excellence and aesthetical lightness that have been proved in real environments over several generations. This bench variant features a thin steel-sheet base with a rectangular oak top, sharing the same functional and uncluttered expression as the rest of the Pyramid collection. The bench’s clean aesthetics and light, hardwearing quality makes it suitable for use in many domestic or corporate contexts. Available in a variety of wood finishes and base colours, it can be used as low side table or as a bench.
The largest shape – Rituals XL – multiplies the intensity and scope of the lighting effect while maintaining an airy lightweight feel. All models diffuse a full, warm and soft light into the room.
Three different shapes in frosted blown glass, light-weight yet brimming with seductive texture. A family of lamps that sheds its relaxing light in the most diverse settings, conveying the magic of rice paper, the raw materials of traditional Japanese lanterns. The horizontal lines which cut across the surface of the lamps contribute to filtering the intensity of the light source, diffusing a full, warm and soft light into the room.
Rituals translates the luminous magic of oriental rice paper lanterns into the precious physical form of blown glass. The special glass working method, with irregular lines that mark the surface, creates a delicate, fascinating decoration that produces a unique sensation of chiaroscuro and a soft and gentle light. The mount of Rituals wall resembles the pedestal of a work of art. Its upside down L-shaped form offers different solutions: it hosts two glass sizes, can take two different positions and is also available in a version that supports two diffusers.
“Inspired by the natural world, by leaves of different shape and colour that become its playful diffusers, reflecting or allowing the light to pass through. Serena is a light that wants to fit in, it is domestic by nature.” Adjustable table lamp providing indirect and reflected light. Extruded aluminium heatsink, photoengraved black PC cut-off, photoengraved optical PMMA diffuser. Reflector in sheared and folded pre-anodized aluminium. Power cord length 200 cm, with dimmer switch that provides ON-OFF functions and 10-100% light adjustment. Plug-in power supply with interchangeable plugs.
Paying homage to its typological heritage, the Shadows collection is a new take on the recognized and timeless French atelier pendant spot light. The five-lamp clusters feature different types of glass shade that slide over a wooden neck. The variable fittings allow you to apply your own creativity in composing new lighting experiences every day, while the purity of form is underscored by the hidden light source Ò a warm LED spotlight.
Paying homage to its typological heritage, the Shadows collection is a new take on the recognized and timeless French atelier pendant spot light. The five-lamp clusters feature different types of glass shade that slide over a wooden neck. The variable fittings allow you to apply your own creativity in composing new lighting experiences every day, while the purity of form is underscored by the hidden light source Ò a warm LED spotlight.
Paying homage to its typological heritage, the Shadows collection is a new take on the recognized and timeless French atelier pendant spot light. The five-lamp clusters feature different types of glass shade that slide over a wooden neck. The variable fittings allow you to apply your own creativity in composing new lighting experiences every day, while the purity of form is underscored by the hidden light source Ò a warm LED spotlight.
Celebrating the natural beauty of oak, the Slab collection is a series of robust pieces constructed in angular forms of inviting simplicity. The surface is deeply brushed to expose the grain and finished with either a black or natural lacquer. The Slab collection consists of a bar stool, chair, dining table and desk.
Celebrating the natural beauty of oak, the Slab collection is a series of robust pieces constructed in angular forms of inviting simplicity. The surface is deeply brushed to expose the grain and finished with either a black or natural lacquer. The Slab collection consists of a bar stool, chair, dining table and desk.
Celebrating the natural beauty of oak, the Slab collection is a series of robust pieces constructed in angular forms of inviting simplicity. The surface is deeply brushed to expose the grain and finished with either a black or natural lacquer. The Slab collection consists of a bar stool, chair, dining table and desk.
Also available in a natural finish. Please enquire about seat and back pads.
Celebrating the natural beauty of oak, the Slab collection is a series of robust pieces constructed in angular forms of inviting simplicity. The surface is deeply brushed to expose the grain and finished with either a black or natural lacquer. The Slab collection consists of a bar stool, chair, dining table and desk.
Also available in a black finish. Please enquire about seat and back pads.
